5. Branding
PHOTOGRAPHIC IDENTITY
GRAPHIC IDENTITY
Choose the right pictures
Design marketing materials
to show
to support those pictures
▹ Who you are, what you do, how you do it ▹ Consistent, intelligent use of type, color
and graphics builds familiarity
▹ Specialties, style, audience
▹ Communicates your level of
▹ Not just about your “favorite” pictures
professionalism
▹ A good portfolio looks forward, not back
▹ In a nutshell: this is what it’s going to be
▹ In a nutshell: these are the kinds of like to work with me
pictures you can expect to get from me
15. Graphic
Identity
Ties together all of your marketing materials:
Website
Blog / Social Media
Print Portfolio
Mailers / Leave Behinds
Stationery
16. WEBSITE
▹ Match URL to your company name— yourname.com or yournamephotography.com
▹ Consistent use of work mark/logo, color, design
▹ Large images
▹ Logical sections with meaningful names
▹ Concise galleries < 30 images
▹ Intuitive navigation—show what gallery you are on, where you are in that gallery, make it
easy to move forward and back
▹ No music, no elaborate intros, no splash page, no water marks, no “recent work” section
▹ Mobile device friendly
17. WEBSITE
▹ Contact page with contact info and location
▹ About page with short bio and picture of you
▹ Link to blog and social media
▹ If images can be dragged off your site, include metadata with name, copyright, and contact
info
▹ Check spelling, punctuation, grammar
▹ Make sure copyright notice is current
▹ Update photos regularly
18. BLOG/SOCIAL MEDIA
▹ Coordinate (but don’t duplicate) the look with your main website
19. PRINT PORTFOLIO
▹ Still important for big jobs
▹ Makes a great conversation piece for face to face meetings
▹ Make it visually consistent with your website, but not a printed version of it
▹ Include your logo/word mark, contact information
▹ Pick materials that suit your style and audience
▹ Update regularly
20. MAILERS/LEAVE BEHINDS
Most get thrown away,
so do what you can
to stand out…
▹ E-Mailer
▹ Post card
▹ Accordion
▹ Booklet
21. MAILERS/LEAVE BEHINDS
Most get thrown away,
so do what you can
to stand out…
▹ E-Mailer
▹ Post card
▹ Accordion
▹ Booklet
▹ Cupcakes
22. STATIONERY
▹ Business Card
▹ Letterhead
▹ #10 Envelope
▹ Crack-N-Peel Label
▹ Same look as your other marketing materials
▹ Design is important, but function comes first
24. THE LITTLE THINGS
▹ What’s your email address? Should match your url
▹ What do your emails look like? Normal sized (black or dark gray) text
▹ Do you have a proper email signature?
▹ What do your estimates look like? Treatments when appropriate
▹ How do you answer the phone? What does your outgoing message say?
▹ How do you dress?
▹ Are you responsive to emails and phone calls?
▹ Are you nice? Are you easy to get along with?
▹ Do you send thank you notes to your clients after a big job?
▹ Everything you do, say and create is part of your brand
73. Promotion equals…
BRANDING
Create a memorable identity
for your photography
+
MARKETING
Introduce that identity
to appropriate clients
74. Marketing
PASSIVE MARKETING
ACTIVE MARKETING
Make it easy for clients
Seek out clients who are
to find you
right for you
▹ You never know who might relate to your ▹ Take charge of your career path
work ▹ Get where you want to go
▹ There are a lot of clients out there that you
don’t know exist
76. Passive
Website
Blog
Marketing
Social Media
Online Photographer Directories
Printed Source Books
Ads
Picture Agencies
Reps
Editorial Credits
Contests
News Releases
SEO
SMO
77. WEBSITE
▹ The only absolutely essential marketing tool
▹ Centerpiece of every photographer’s promotional efforts
▹ Your other marketing tools should drive viewers here
78. BLOG
▹ Highly recommended
▹ Opportunity to talk about your process and about your recent projects
▹ Helps bring out your personality, allows clients get to know you
▹ Helps with SEO
96. SEO TIPS
▹ Avoid Flash (unless you have an HTML ghost site behind it)
▹ Tag your photos so search engines can recognize them
▹ Example: Portrait Photographer Philadelphia, PA Bill Cramer Photography
▹ Link to other relevant sites and have relevant sites link to you
▹ A blog is a great place to include lots of relevant text that search engines look for
102. PROSPECT CONTACT LISTS
▹ Agency Access, Creative Access, File FX
▹ Find and target the right clients for you
▹ Build a list, then refine it over time
104. MASS E-MAILERS/PRINT MAILERS
▹ Spray and pray?
▹ Limit your list to relevant prospects (don’t add to the noise)
▹ Use catchy subject lines, but don’t try to fake people out
105. INDIVIDUAL EMAILS/PRINT MAILERS
▹ Personalize each email by drawing a connection between what you’re offering and the
needs of that particular client
▹ Much more time consuming than mass emails, but can be more effective too
106. PHONE CALLS
▹ Have a purpose
▹ Get a meeting
▹ Pitch a project
▹ Send some emailers or print mailers first to build familiarity
▹ Create a script so you know what you’re going to say
▹ Research the client before you call so you know that you’re relevant to them
107. PORTFOLIO MEETINGS
▹ Meet with clients who are
most important to you (and
the best match for you)
▹ Clients are generally
interested in meeting with
photographers who are
relevant to their needs
108. INDUSTRY EVENTS
▹ Speed-Dating (pay-to-play) style
portfolio reviews
▹ Art Directors Club and other
associations are opportunities to
meet clients
115. For the creative: build a level of
comfort so that they’re willing to
take a chance on you.
116. More
Resources
Go to our blog and navigate to How We Help Photographers Resources
Expert Advice Articles
Go to our blog and type in “Expert Advice:” into the search field
Print iPad Portfolios
Go to our blog and scroll down to YouTube Videos