Presentatie Andrea Wallace. Display At Your Own Risk. Gegeven op de Studiedag Duurzaam Digitaliseren (16 december 2016, Museum Voor Schone Kunsten Gent) Georganiseerd door Vlaamse Kunstcollectie vzw & PACKED vzw.
6. ‘Crowd looking at the Mona Lisa at the Louvre,’ by Victor Grigas, CC BY-SA 4.0, available at:
https://commons.wikimedia.org/w/index.php?curid=40250423
10. National Library of Scotland, Glasgow Print Studio
L E T ’ S G E T M E TA: P R O D U C E D B Y I N S T I T U T I O N S
Glasgow University ArchivesServices
3
4
16. F I N D I N G S : O N L I N E P O L I C I E S ( T O N AM E JU S T A F E W )
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130 institutions: “Copyright” most common – 16 institutions
17. TAT E | 2 0 1 6
1. Copyright, permissions and photography
2. Tate gallery rules
3. Website termsofuse
4. Image licensing
5. Copyright ‘orphanworks’
6. Creative Commonslicensesand Tate
7. Tate ImagesCopyright Policy
8. DigitalImages ReproductionPolicy (Tate Images)
9. Creative Commonscontent
10. A Brief Guide to Copyright.pdf
(65 pages)
18. Tate’smainwebsite digital surrogate (versionaccessed
30 October 2015)
Tate-images.com
TAT E | 2 0 1 6
Tate Imagescommercial websitedigital surrogate (version
accessed 2 July 2016)
Tate.org.uk
More restrictive
22. DAYOR is a research-led exhibition
experiment concerned with the use and
reuse of digital surrogates of public do-
main works of art produced by cultural
heritage institutions of international
repute.
Please join us at The Lighthouse
in Glasgow for the Display At Your Own
Risk exhibition opening. The exhibition
opens on 8 June 2016 for one
night only.
A number of exhibition prints will be
given away by raffle at the close of
the evening.
Refreshments will be provided.
8 June 2016
6:00 ‒ 8:30 pm
The Lighthouse
Glasgow
23.
24.
25.
26. Four-tier risk organization:
• Open/No Risk (14): use allowed
for any purpose; (28 works)
• Low (20): use allowed for personal,
non-commercial and educational
purposesonly; (39 works)
• Medium (13): use prohibited,
although legal exceptionsmay
apply; (19 works)
• High (9): use prohibited, and no
legal exception appearsto apply;
(14 works)
45. The British Library:
“Copyright and Your use of the British Library Websites
The audio, video, text, images or other material made
available on this website "the Site" by the British Library to
you (collectively, the "Content") is either: protected by third-
party rights such as copyright or trademarks (for which the
British Library is permitted to make available to you), is
copyright to The British Library Board, or are materials which
are in the public domain or made available under a Creative
Commons licence.”
50. “If you're putting it out on the internet to tens of
thousands of people, you can't expect people not to
save it and redistribute it. It's not how it works. The
internet is just like that.The only way to get around it
is to make sure you keep on top of yours and make
sure it keeps getting bigger."
61. “If they want to have a Vermeer
on their toilet paper, I’d rather
have a very high-quality image
of Vermeer on toilet paper than
a very bad reproduction.”
Taco Dibbits
Rijksmuseum, Amsterdam
62.
63.
64.
65. Reiss Engelhorn Museum v. Wikimedia Foundation and Wikimedia Deutschland
Rudolf Stricker, Wikimedia Commons
66.
67. “. . . the question for us is who should decide whether and
especially how our holdings should be made available. Even
if one supports the free public accessibility of cultural items
on Wikipedia, it is difficult for us to comprehendthat a
single Wikipedia author claims the right to decide on their
own to release to everybody the results of work created
with public funds on Wikipedia for free and thus also for
commercial use.”
Prof. Dr. Alfried Wieczorek
General-Director of the Reiss Engelhorn Museum
68. “IMAGES IN THE PUBLIC
DOMAIN ARE LIKE TOOLS IN A
TOOLBOX – YOU CAN USE THEM
FOR ALL MANNERS OF
PURPOSES. FEEL FREE TO LET
YOUR IMAGINATION RUN WILD.”