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The State of the Union 2019+, by Andy Kirk
1. THE STATE OF THE UNION 2019+
Presented by Andy Kirk
@visualisingdata
2. What will stop or start?
What will improve or decline?
What will increase or decrease?
What will spread or narrow?
What will remain the same?
Expectations
Speculations
Hopes
Fears
Recommendations
Look backwards to
predict forwards
Consult a range of
different viewpoints
Rachel Ara | âCocksure ( is anything ever what it seems? )â
3. âI have no idea where the data visualization field is heading! I
have no idea where I'm heading. I have no idea if I'm even part of
this field. And I also hate making predictions.â
An unnamed but esteemed contributor
Rachel Ara | âCocksure ( is anything ever what it seems? )â
4. COMMUNITY
The fabric of the field
CREATING
How we make them
CREATIONS
What we are making
CONSUMING
How theyâre experienced
âTHE STATE OF THE ART 2019+â presented by Andy Kirk
6. âWe really are in another golden age of visualizationâ
Leland Wilkinson, Author & Researcher
#1 THE END OF GRAPHICAL AUSTERITY?
âI feel like we're seeing âthe end of austerityâ in dataviz â a rebound
from the geometric minimalism that's dominated so-called best
practice in recent years... resulting in some genuinely innovative,
beautiful, yet functional workâ
Alan Smith MBE, Financial Times
7. #1 THE END OF GRAPHICAL AUSTERITY?
https://web.northeastern.edu/naturalizing-immigration-dataviz/
Pedro Cruz, John Wihbey, Avni Ghael, & Felipe Shibuya |
âSimulated Dendrochronology of U.S. Immigrationâ
8. #1 THE END OF GRAPHICAL AUSTERITY?
https://www.studioterp.nl/a-view-on-despair-a-datavisualization-project-by-studio-terp/
Sonja Kuijpers | 'A View on Despair'
9. #1 THE END OF GRAPHICAL AUSTERITY?
https://mapzilla-art.co.uk/2018/10/01/coral-cities-an-ito-design-lab-concept/
Craig Taylor | âCoral Cities'
10. #1 THE END OF GRAPHICAL AUSTERITY?
https://www.nationalgeographic.com/magazine/2018/05/genius-picasso-art-categories-infographic/
Alberto Lucas LĂłpez | âWe analyzed
8,000 of Picassoâs worksâŠ'
11. #1 THE END OF GRAPHICAL AUSTERITY?
https://xeno.graphics/
13. #1 THE END OF GRAPHICAL AUSTERITY?
https://medium.com/@tophtucker/doing-enterprise-financial-data-visualization-after-data-journalism-3c68861b7f4c
14. #2 EMBRACING IMPRECISION AND SKETCHINESS
https://www.washingtonpost.com/graphics/2019/politics/iowa-state-fair-candidate-recognition/
Kevin Uhrmacher and Kevin Schaul |
âTheyâre clogging up the system: How 59
Iowans see the 2020 Democratic fieldâ
15. #2 EMBRACING IMPRECISION AND SKETCHINESS
Shirley Wu |
âTaylor Swift isâŠ'
Visualisation by Shirley Wu (As-yet unpublished)
18. #4 THE DIFFICULTIES OF EMULATING VS. PLAGIARISING
https://www.economist.com/graphic-detail/2018/11/03/how-to-forecast-an-americans-vote & https://www.nytimes.com/interactive/2019/08/08/opinion/sunday/party-polarization-quiz.html
19. #4 THE DIFFICULTIES OF EMULATING VS. PLAGIARISING
https://twitter.com/nadiehbremer/status/1088927518843916289
20. #4 THE DIFFICULTIES OF EMULATING VS. PLAGIARISING
âThe practitioners of the past had incredible solutions and
no one remembers it. I feel like exploring the past is an act of
rescuing not only their legacy, but also the very shapes and
designs they communicated to their audience. The best of these
we very much should create anew.â
Jason Forrest, Editor of âNightingaleâ
21. #5 ENVIRONMENTAL VISUALISATION, OUR GREATEST CHALLENGE?
http://www.climate-lab-book.ac.uk/spirals/
Ed Hawkinsâ visualisation work
22. #5 ENVIRONMENTAL VISUALISATION, OUR GREATEST CHALLENGE?
https://www.warningstripes.com/
âWarming stripesâ by
Alexander Radtke
23. #6 IF THERE IS SOMETHING TO SAY, SAY IT
https://digitalblog.ons.gov.uk/2019/01/28/say-what-you-see-the-way-we-write-chart-titles-is-changing/
24. #6 IF THERE IS SOMETHING TO SAY, SAY IT
âData visualizers should always, always include straightforward,
clarifying headlines, captions and labels on their work.
Telling readers/users what they are looking at may seem
obvious or redundant, but it isnât.â
Nigel Holmes, Explanation Graphics Designer
31. https://twitter.com/neilrkaye/status/1129347990777413632
âWe are struggling to show the bigger issues [like climate-change]
in a comprehensible manner. I feel that we have to show people that
all these numbers, this big pile of data, are of personal concernâŠ
[but] how to squeeze this big pile into a personal relatable scale? â
Neil Kaye, UK Met OïŹce
#2 RELATABLE
43. âFor me the future of data visualization should be the future of
uncertainty communicationâ
Jessica Hullman, Assistant Professor, Northwestern University
#6 UNCERTAINTY AND TRUST
46. #1 DATA ETHICS: HUMANISM, EQUALITY, TRANSPARENCY
Data is about people or about things that affect people.
Data is captured by people or by methods created by people.
Data is exposed to and is an artefact of biases inherent in people.
Data is used by people who are not infallible.
61. âWhen people talk about âdata visualizationâ so many different
things are meant by different people who engage with [it] in
different ways⊠this mostly unacknowledged heterogeneity in how
people even conceive data viz⊠makes me wonder to what extent
it is a field and to what extent it is a skill or a practiceâ
Stephanie Tuerk, Senior Data Visualisation Engineer
#1 VOCABULARY, IDENTITY AND MEMBERSHIP
62. My 2013 census
(n = ~1500)
#2 DIVERSITY OF REPRESENTATION, ROLES & LEADERSHIP
2019 DVS survey
(n = ~1350)
My 2017-19 public
training delegates
(n = ~350)
+ Under-representation of people of colour, non-English speaking & developing countries
Female representation
64. https://indvil.org/
#3 RESEARCH AND EDUCATION
NEW BOOK! âData
Visualization in
Society. Investigating
the Social Power of
Graphs, Charts and
Mapsâ
65. #3 RESEARCH AND EDUCATION
Junior/school education?
Higher education?
Further education?
Commercial teaching?
Mature learners?
Distance learning?
73. âIt is worth noting that the strong growth and popularity in the
data visualization field has occurred over the past, say, 10 years,
which effectively coincides with coming out of the Great Recession;
in other words, the modern dataviz field hasn't experienced an
economic slowdownâ
Jon Schwabish, Urban Institute
#6 DURABILITY & RESILIENCE
74. COMMUNITY
The fabric of the field
Vocabulary & identity
Diversity of representation
Research & education
Discourse & platform
Topics being visualised
Durability & resilience
CREATING
How we make them
Data ethics & humanism
Immersive virtual platforms
Non-traditional materials
Expressive, scalable GUIs
Enterprise tools
Preservation & archiving
CREATIONS
What we are making
End of graphical austerity?
Embracing imprecision
Growing qualitative enquiry
Emulating vs. plagiarising
Environmental visualisation
Something to say? Say it.
CONSUMING
How theyâre experienced
Sonification & audio
Relatable
Participatory
Exploratory vs. explanatory
Literacy & accessibility
Uncertainty & trust
âTHE STATE OF THE ART 2019+â presented by Andy Kirk
75. A SCREEN OF THANKS TOâŠ
GURMAN BHATIA
NADIEH BREMER
MICHAEL BRENNER
ALBERTO CAIRO
MONA CHALABI
JEN CHRISTIANSEN
JĂRĂME CUKIER
STEPHANIE EVERGREEN
IRENE DE LA TORRE
JASON FORREST
FEDERICA FRAGAPANE
FI GORDON
KAT GREENBROOK
NIGEL HOLMES
JESSICA HULLMAN
NEIL KAYE
SONJA KUIJPERS
MICHAEL LAMBERT
HEM PATEL
LISA CHARLOTTE ROST
JON SCHWABISH
ALAN SMITH
STEPHANIE TUERK
MIKE WILLETT
SHIRLEY WU