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DESIGN, HONESTY
AND EMOTIONS
CYNTHIA SAVARD SAUCIER
UX Designer, TP1
PATRICK WILLIAMS
Creative Director, TP1
RDV DESIGN 2013
@TP1
I AM NOT SMART ENOUGH TO
TELL YOU WHAT
“GOOD”DESIGN IS.
BUT HE IS.
Hello, I’m
Dieter Rams.
ACCORDING TO DIETER RAMS,
GOOD DESIGN:
1. Is innovative
2. Makes a product useful
3. Is aesthetic
4. Makes a product understandable
5. Is unobtrusive
6. Is honest
7. Is long-lasting
8. Is thorough down to the last detail
9. Is environmentally-friendly
10. Is as little design as possible
INDUSTRIAL
DESIGN
Uses design to create
virtual and physical
solutions.
DESIGN
Creates an interface
between needs and
problems.
which one better represents its function?
VS
According to Dieter Rams’ principles,
“EVIL” SKEUOMORPHISM.
The second scoop smacks of
A B
Which calculator incorporates elements of skeuomorphism?
BOTH.
Which calculator incorporates elements of skeuomorphism?
“An element of design or structure that serves little or no purpose in the
artefact fashioned from the new material, but was essential to the
object made from the original material.”
SKEUOMORPHISM
Skeuomorphism
Flat design
MinimalismPhotorealism
Skeuomorphism
Flat design
MinimalismPhotorealism
IS
PHOTOREALISM
A BAD THING?
IS PURPLE A BAD THING?
That’s like asking,
I like purple...
Skeuomorphism
Flat design
MinimalismPhotorealism
IS
SKEUOMORPHISM
A BAD THING?
SOMETIMES, YES. VERY, VERY BAD...
SO WHY DO WE USE IT THEN?
UH...
BECAUSE OF MUSCLE
MEMORY
Reason #1
4YRS
2YRS
6YRS
BECAUSE OF METAPHORS
Reason #2
Does not understand
metaphors
Literal
understanding
Contextual
understanding
SOFTWARE IS ANY SET OF MACHINE-
READABLE INSTRUCTIONS THAT DIRECTS A
COMPUTER’S PROCESSOR TO PERFORM SPECIFIC
OPERATIONS. THIS INCLUDES PROGRAMS, PROCEDURES,
ALGORITHMS AND DOCUMENTATION, WHICH ARE STORED AS FILES IN MEMORY OR ON A
HARD DRIVE...
ZZZ...
Defining “software” without a metaphor:
DRAWING SOFTWARE IS LIKE A
SKETCHBOOK, BUT ON YOUR SCREEN.
OH!
Defining “software” with a metaphor:
BECAUSE OF AFFORDANCE
Reason #3
BECAUSE OF PATH DEPENDENCE
Reason #4
[A set of past decisions that may impact future decisions. Historical
particularities which, although justified at the time, are no longer optimal or
rational.]
Skeuomorphism
Flat design
MinimalismPhotorealism
IS FLAT DESIGN
THE SOLUTION ?
Microsoft thinks so...
HONEST DESIGN
is adhering to the natural constraints of the medium.
FALSE TRUE
A pixel does not have depth.
Giving it a shadow does not respect “honest design”.
THE TOOLS OF HONEST DESIGN
1. Little Big Details
2. Feedback Over Time
3. Consistent Forms
4. Smart Metaphors
5. Microcopy
6. “Almost Flat”
LITTLE BIG DETAILS
Tool #1
Example A - Scroll Bar
Example B - Deleting on Github
Example C - Search in Prefences
FEEDBACK
OVER TIME
Tool #2
- LayerVault’s Progressive ReductionExample A
Example B - The application is not frozen
CONSISTENT FORMS
Tool #3
Recherche
Example A - Inconsistencies between the bar and the search field
bouton 1 bouton 2
Example B - Inconsistent use of drop shadows
SMART METAPHORS
Tool #4
Example A - Using a dial to indicate when the next bus is coming
IPHONE SWIPE... IN REAL LIFE
Example B - “Branded Interaction”
Clear Path
MICROCOPY
Tool #5
Examples - Persuasive Microcopy
exemple 2
Example - Mailchimp Website
ALMOST FLAT
Tool #6
Example A - Letterpress uses depth and shadows
Example B - Gmail uses a few metaphors
TO SUMMARIZE
1. Be consistent when using
metaphors.
2. If you opt for flat design, use
interactions to enrich your
interface.
3. Respect the natural constraints
of the medium you’ve chosen.
They can still be a source of
creativity.
4. Be careful to avoid path
dependence.
CASE STUDY
BOOK
How can this age-old object continue to evolve?
WHAT ARE THE ORIGINS OF
THE BOOK?
Tablet Scroll Book eBoo
METAPHORS USED
• Pages
• Book binding
• Bookmark
• Library
• Highlighter
THE USES OF A BOOK
• Read content
• Classify (in a library)
• Identify important passages (highlight)
• Share (lending it to someone)
• Annotate (in the margins)
• Rate content
• Use tools (research, translate)
• Earn trophies and badges
• Get statistics
• Customize content (brightness, font
size, background colour)
Basic functions New functions
TRAPS
ABSTRACT REFERENCE POINTS
Reference points shift when I increase the font size.
USELESS SKEUOMOSPHISM
Really!??
DECORATE. THEN DECORATE SOME MORE.
SOME SUGGESTIONS...
NEW METAPHORS
Ma bibliothèque
Romans
Bandes
dessinées
Cuisine
Design
graphique
Nouvelles
[ 2 ]
[ 8 ] [ 3 ]
[ 1 ]
Design
intérieur
[ 4 ]
Québécois
[ 7 ]
[ 12 ]
VS
NEW METAPHORS
Ma bibliothèque
Romans
Bandes
dessinées
Cuisine
Design
graphique
Nouvelles
[ 2 ]
[ 8 ] [ 3 ]
[ 1 ]
Design
intérieur
[ 4 ]
Québécois
[ 7 ]
[ 12 ]
FEEDBACK OVER TIME
Chapitre 1
La découverte du jour
Lorem ipsum dolor sit amet, consectetur adipiscing
elit. Cras cursus rhoncus leo vel posuere. Integer
interdum blandit mollis. Suspendisse vehicula
suscipit nunc suscipit ullamcorper. Donec sed
placerat tellus. Fusce eleifend convallis lacus, sed
mollis sem consectetur in. In sed magna felis, sit
amet condimentum nunc. Aliquam porttitor
condimentum tortor, commodo accumsan quam
mollis non.
Donec nec lectus consequat mi aliquet commodo vel
eget erat. Integer nulla urna, varius vitae pulvinar et,
suscipit ac tortor. Aenean elit mauris, adipiscing et
mollis a, pulvinar dapibus leo. Sed accumsan ornare
sollicitudin. Donec euismod, sem quis varius rutrum,
sapien tortor sodales metus, a posuere dui neque in
leo.
Chapitre 2
Au gré de la nuit
Lorem ipsum dolor sit amet, consectetur
adipiscing elit. Cras cursus rhoncus leo vel
posuere. Integer interdum blandit mollis.
Suspendisse vehicula suscipit nunc suscipit
ullamcorper. Donec sed placerat tellus.
Fusce eleifend convallis lacus, sed mollis
sem consectetur in. In sed magna felis, sit
amet condimentum nunc. Aliquam
porttitor condimentum tortor, commodo
accumsan quam mollis non.
Donec nec lectus consequat mi aliquet
commodo vel eget erat. Integer nulla urna,
varius vitae pulvinar et, suscipit ac tortor.
HALF PAST NOON HALF PAST MIDNIGHT
FEEDBACK OVER TIME
Lorem ipsum dolor sit amet, consectetur adipiscing
elit. Cras cursus rhoncus leo vel posuere. Integer
interdum blandit mollis. Suspendisse vehicula
suscipit nunc suscipit ullamcorper. Donec sed
placerat tellus. Fusce eleifend convallis lacus, sed
mollis sem consectetur in. In sed magna felis, sit
amet condimentum nunc. Aliquam porttitor
condimentum tortor, commodo accumsan quam
mollis non.
Lorem ipsum dolor sit amet, consectetur adipiscing
elit. Cras cursus rhoncus leo vel posuere. Integer
interdum blandit mollis. Suspendisse vehicula
suscipit nunc suscipit ullamcorper. Donec sed
placerat tellus. Fusce eleifend convallis lacus, sed
mollis sem consectetur in. In sed magna felis, sit
amet condimentum nunc. Aliquam porttitor
condimentum tortor, commodo accumsan quam
mollis non.
Aliquam
porttitor
condimen-
tum tortor
Lorem ipsum dolor sit amet, consectetur adipiscing
elit. Cras cursus rhoncus leo vel posuere. Integer
interdum blandit mollis. Suspendisse vehicula
suscipit nunc suscipit ullamcorper. Donec sed
placerat tellus. Fusce eleifend convallis lacus, sed
mollis sem consectetur in. In sed magna felis, sit
amet condimentum nunc. Aliquam porttitor
condimentum tortor, commodo accumsan quam
mollis non.
Lorem ipsum dolor sit amet, consectetur adipiscing
elit. Cras cursus rhoncus leo vel posuere. Integer
interdum blandit mollis. Suspendisse vehicula
suscipit nunc suscipit ullamcorper. Donec sed
placerat tellus. Fusce eleifend convallis lacus, sed
mollis sem consectetur in. In sed magna felis, sit
amet condimentum nunc. Aliquam porttitor
condimentum tortor, commodo accumsan quam
mollis non.
Aliquam
porttitor
condimen-
tum tortor
LITTLE BIG DETAILS
Chapitre 1
La découverte du jour
Lorem ipsum dolor sit amet, consectetur adipiscing
elit. Cras cursus rhoncus leo vel posuere. Integer
interdum blandit mollis. Suspendisse vehicula
suscipit nunc suscipit ullamcorper. Donec sed
placerat tellus. Fusce eleifend convallis lacus, sed
mollis sem consectetur in. In sed magna felis, sit
amet condimentum nunc. Aliquam porttitor
condimentum tortor, commodo accumsan quam
mollis non.
Donec nec lectus consequat mi aliquet commodo vel
eget erat. Integer nulla urna, varius vitae pulvinar et,
suscipit ac tortor. Aenean elit mauris, adipiscing et
mollis a, pulvinar dapibus leo. Sed accumsan ornare
sollicitudin. Donec euismod, sem quis varius rutrum,
sapien tortor sodales metus, a posuere dui neque in
leo.
Chapitre 1
La découverte du jour
Lorem ipsum dolor sit amet, consectetur adipiscing
elit. Cras cursus rhoncus leo vel posuere. Integer
interdum blandit mollis. Suspendisse vehicula
suscipit nunc suscipit ullamcorper. Donec sed
placerat tellus. Fusce eleifend convallis lacus, sed
mollis sem consectetur in. In sed magna felis, sit
amet condimentum nunc. Aliquam porttitor
condimentum tortor, commodo accumsan quam
mollis non.
Donec nec lectus consequat mi aliquet commodo vel
eget erat. Integer nulla urna, varius vitae pulvinar et,
suscipit ac tortor. Aenean elit mauris, adipiscing et
mollis a, pulvinar dapibus leo. Sed accumsan ornare
sollicitudin. Donec euismod, sem quis varius rutrum,
sapien tortor sodales metus, a posuere dui neque in
leo.
PORTRAIT LANDSCAPE
CONCLUSION
1. Remember where the product comes from.
2. Don’t neglect the product’s basic functions in favour of new possibilities
offered by the medium.
3. Only use metaphors when necessary.
4. Just because the graphic metaphors have been removed, that doesn’t make
the book any less a book.
THANK YOU
CYNTHIA SAVARD SAUCIER
UX Designer, TP1
PATRICK WILLIAMS
Creative Director, TP1
@PATSVEK@CYNTHIASAVARD
Industrial design
Honest design
Almost flat
Consistent forms
Affordance
Smart metaphors
Microcopy
Traps
Skeuomorphism
Little big details
http://vimeo.com/42674279
http://vimeo.com/58022280
http://vimeo.com/11970647
http://vimeo.com/52584608
http://www.youtube.com/watch?v=kdTbHSQXGWo
http://vimeo.com/3860979
http://www.youtube.com/watch?v=lAfOuhsJJsQ
http://www.youtube.com/watch?v=WPs3E1-3UaE
http://www.youtube.com/watch?v=GCyiDaM3boc
http://www.youtube.com/watch?v=fLzWtUvdGz0
IMAGES
Dieter Rams
Ice cream scoop 1
Ice cream scoop 2
Calculator
Progressive reduction
Skeupmorphism
Korg app
Little big details
Progressive reduction
"Still loading"
Contacts app
Smart metaphors
“Wash me”
Almost flat: Letterpress
Almost flat: Gmail app
Windows 8
http://www.aa13.fr/design-objet/le-bon-design-dieter-rams-13334
http://supremehousewares.com/icecreamscoop-icecream.aspx
http://gadgets.boingboing.net/2009/02/10/antifreeze-ice-cream.html
http://iphonesoft.fr/2011/09/03/bons-plans-app-store-du-3-septembre-2011
http://layervault.tumblr.com/post/42361566927/progressive-reduction
http://skeu.it/page/2
http://www.soundpad.fr/application/synthes-intrusments-virtuels/korg/korg-ims-20-ipad
http://littlebigdetails.com/
http://layervault.tumblr.com/post/42442865260/implementing-progressive-reduction
http://andrewayala.tumblr.com/
Application contact pour iPad
http://patterntap.com/pattern/bus-arrival-clock-bus-oclock
http://www.broadsheet.ie/2011/03/24/ive-been-to-abbeyfeale-but-ive-never-been-to-edit-me/
http://pguba.tumblr.com/post/34349385596/letterpress-the-app-is-awesome
http://www.iclarified.com/28627/gmail-app-now-supports-swiping-between-messages-gets-edit-mode
http://img.clubic.com/05100494-photo-windows-8-cp-metro.jpg
VIDEOS
IDEAS
Skeuomorphism and digital
Criticism of skeuomorphism
Criticism of skeuomorphism
Branded interaction
Definition of skeuomorphism
Ebook
Microcopy
Honest design
Definition of flat design
Almost flat
Voice and tone
Affordance
Dieter Rams’ 10 principles of good design
Visual metaphors
Desk and library metaphors
Apple’s design revolution
Criticism of Windows 8
The flattening of design
Flat design does not replace skeuomorphism
http://designmodo.com/skeuomorphic-vs-digital-interfaces/
http://www.wired.com/magazine/2012/01/st_thompson_analog/
http://www.fastcodesign.com/1669879/can-we-please-move-past-apples-silly-faux-real-uis
http://www.matthewmooredesign.com/branded-interactions/
http://sachagreif.com/what-skeuomorphism-is-and-isnt/
http://www.metagramme.com/writing/ebooks-and-design-humans
http://bokardo.com/archives/writing-microcopy/
http://alistapart.com/article/material-honesty-on-the-web
http://branch.com/b/flat-design-needs-a-new-name?ref=group
http://www.matthewmooredesign.com/almost-flat-design/
http://voiceandtone.com/
http://www.interaction-design.org/encyclopedia/affordances.html
http://fr.wikipedia.org/wiki/Dieter_Rams
http://www.persee.fr/web/revues/home/prescript/article/colan_0336-1500_1996_num_109_1_2705
http://www.sigchi.org/chi95/proceedings/tutors/ams_bdy.htm
http://zing.ncsl.nist.gov/hfweb/proceedings/marcus/index.html
http://www.fastcodesign.com/1670760/will-apples-tacky-software-design-philosophy-cause-a-revolt
http://www.nngroup.com/articles/windows-8-disappointing-usability/
http://bits.blogs.nytimes.com/2013/04/23/the-flattening-of-design/
http://laurent.assouad.com/2013/non-le-flat-design-ne-remplace-pas-le-skeuomorphisme/

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Design, honesty and emotions

  • 1. DESIGN, HONESTY AND EMOTIONS CYNTHIA SAVARD SAUCIER UX Designer, TP1 PATRICK WILLIAMS Creative Director, TP1 RDV DESIGN 2013 @TP1
  • 2. I AM NOT SMART ENOUGH TO TELL YOU WHAT “GOOD”DESIGN IS.
  • 3. BUT HE IS. Hello, I’m Dieter Rams.
  • 4. ACCORDING TO DIETER RAMS, GOOD DESIGN: 1. Is innovative 2. Makes a product useful 3. Is aesthetic 4. Makes a product understandable 5. Is unobtrusive 6. Is honest 7. Is long-lasting 8. Is thorough down to the last detail 9. Is environmentally-friendly 10. Is as little design as possible
  • 5. INDUSTRIAL DESIGN Uses design to create virtual and physical solutions. DESIGN Creates an interface between needs and problems.
  • 6. which one better represents its function? VS According to Dieter Rams’ principles,
  • 8. A B Which calculator incorporates elements of skeuomorphism?
  • 9. BOTH. Which calculator incorporates elements of skeuomorphism?
  • 10. “An element of design or structure that serves little or no purpose in the artefact fashioned from the new material, but was essential to the object made from the original material.” SKEUOMORPHISM
  • 13. IS PURPLE A BAD THING? That’s like asking, I like purple...
  • 15. SOMETIMES, YES. VERY, VERY BAD...
  • 16. SO WHY DO WE USE IT THEN? UH...
  • 18.
  • 19. 4YRS 2YRS 6YRS BECAUSE OF METAPHORS Reason #2 Does not understand metaphors Literal understanding Contextual understanding
  • 20. SOFTWARE IS ANY SET OF MACHINE- READABLE INSTRUCTIONS THAT DIRECTS A COMPUTER’S PROCESSOR TO PERFORM SPECIFIC OPERATIONS. THIS INCLUDES PROGRAMS, PROCEDURES, ALGORITHMS AND DOCUMENTATION, WHICH ARE STORED AS FILES IN MEMORY OR ON A HARD DRIVE... ZZZ... Defining “software” without a metaphor:
  • 21. DRAWING SOFTWARE IS LIKE A SKETCHBOOK, BUT ON YOUR SCREEN. OH! Defining “software” with a metaphor:
  • 23. BECAUSE OF PATH DEPENDENCE Reason #4 [A set of past decisions that may impact future decisions. Historical particularities which, although justified at the time, are no longer optimal or rational.]
  • 25.
  • 27. HONEST DESIGN is adhering to the natural constraints of the medium.
  • 28. FALSE TRUE A pixel does not have depth. Giving it a shadow does not respect “honest design”.
  • 29. THE TOOLS OF HONEST DESIGN 1. Little Big Details 2. Feedback Over Time 3. Consistent Forms 4. Smart Metaphors 5. Microcopy 6. “Almost Flat”
  • 31. Example A - Scroll Bar
  • 32. Example B - Deleting on Github
  • 33. Example C - Search in Prefences
  • 35. - LayerVault’s Progressive ReductionExample A
  • 36. Example B - The application is not frozen
  • 38. Recherche Example A - Inconsistencies between the bar and the search field
  • 39. bouton 1 bouton 2 Example B - Inconsistent use of drop shadows
  • 41. Example A - Using a dial to indicate when the next bus is coming
  • 42. IPHONE SWIPE... IN REAL LIFE
  • 43. Example B - “Branded Interaction” Clear Path
  • 46. exemple 2 Example - Mailchimp Website
  • 48. Example A - Letterpress uses depth and shadows
  • 49. Example B - Gmail uses a few metaphors
  • 50. TO SUMMARIZE 1. Be consistent when using metaphors. 2. If you opt for flat design, use interactions to enrich your interface. 3. Respect the natural constraints of the medium you’ve chosen. They can still be a source of creativity. 4. Be careful to avoid path dependence.
  • 52. BOOK How can this age-old object continue to evolve?
  • 53. WHAT ARE THE ORIGINS OF THE BOOK?
  • 55. METAPHORS USED • Pages • Book binding • Bookmark • Library • Highlighter
  • 56. THE USES OF A BOOK • Read content • Classify (in a library) • Identify important passages (highlight) • Share (lending it to someone) • Annotate (in the margins) • Rate content • Use tools (research, translate) • Earn trophies and badges • Get statistics • Customize content (brightness, font size, background colour) Basic functions New functions
  • 57. TRAPS
  • 58. ABSTRACT REFERENCE POINTS Reference points shift when I increase the font size.
  • 62. NEW METAPHORS Ma bibliothèque Romans Bandes dessinées Cuisine Design graphique Nouvelles [ 2 ] [ 8 ] [ 3 ] [ 1 ] Design intérieur [ 4 ] Québécois [ 7 ] [ 12 ] VS
  • 63. NEW METAPHORS Ma bibliothèque Romans Bandes dessinées Cuisine Design graphique Nouvelles [ 2 ] [ 8 ] [ 3 ] [ 1 ] Design intérieur [ 4 ] Québécois [ 7 ] [ 12 ]
  • 64. FEEDBACK OVER TIME Chapitre 1 La découverte du jour Lorem ipsum dolor sit amet, consectetur adipiscing elit. Cras cursus rhoncus leo vel posuere. Integer interdum blandit mollis. Suspendisse vehicula suscipit nunc suscipit ullamcorper. Donec sed placerat tellus. Fusce eleifend convallis lacus, sed mollis sem consectetur in. In sed magna felis, sit amet condimentum nunc. Aliquam porttitor condimentum tortor, commodo accumsan quam mollis non. Donec nec lectus consequat mi aliquet commodo vel eget erat. Integer nulla urna, varius vitae pulvinar et, suscipit ac tortor. Aenean elit mauris, adipiscing et mollis a, pulvinar dapibus leo. Sed accumsan ornare sollicitudin. Donec euismod, sem quis varius rutrum, sapien tortor sodales metus, a posuere dui neque in leo. Chapitre 2 Au gré de la nuit Lorem ipsum dolor sit amet, consectetur adipiscing elit. Cras cursus rhoncus leo vel posuere. Integer interdum blandit mollis. Suspendisse vehicula suscipit nunc suscipit ullamcorper. Donec sed placerat tellus. Fusce eleifend convallis lacus, sed mollis sem consectetur in. In sed magna felis, sit amet condimentum nunc. Aliquam porttitor condimentum tortor, commodo accumsan quam mollis non. Donec nec lectus consequat mi aliquet commodo vel eget erat. Integer nulla urna, varius vitae pulvinar et, suscipit ac tortor. HALF PAST NOON HALF PAST MIDNIGHT
  • 65. FEEDBACK OVER TIME Lorem ipsum dolor sit amet, consectetur adipiscing elit. Cras cursus rhoncus leo vel posuere. Integer interdum blandit mollis. Suspendisse vehicula suscipit nunc suscipit ullamcorper. Donec sed placerat tellus. Fusce eleifend convallis lacus, sed mollis sem consectetur in. In sed magna felis, sit amet condimentum nunc. Aliquam porttitor condimentum tortor, commodo accumsan quam mollis non. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Cras cursus rhoncus leo vel posuere. Integer interdum blandit mollis. Suspendisse vehicula suscipit nunc suscipit ullamcorper. Donec sed placerat tellus. Fusce eleifend convallis lacus, sed mollis sem consectetur in. In sed magna felis, sit amet condimentum nunc. Aliquam porttitor condimentum tortor, commodo accumsan quam mollis non. Aliquam porttitor condimen- tum tortor Lorem ipsum dolor sit amet, consectetur adipiscing elit. Cras cursus rhoncus leo vel posuere. Integer interdum blandit mollis. Suspendisse vehicula suscipit nunc suscipit ullamcorper. Donec sed placerat tellus. Fusce eleifend convallis lacus, sed mollis sem consectetur in. In sed magna felis, sit amet condimentum nunc. Aliquam porttitor condimentum tortor, commodo accumsan quam mollis non. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Cras cursus rhoncus leo vel posuere. Integer interdum blandit mollis. Suspendisse vehicula suscipit nunc suscipit ullamcorper. Donec sed placerat tellus. Fusce eleifend convallis lacus, sed mollis sem consectetur in. In sed magna felis, sit amet condimentum nunc. Aliquam porttitor condimentum tortor, commodo accumsan quam mollis non. Aliquam porttitor condimen- tum tortor
  • 66. LITTLE BIG DETAILS Chapitre 1 La découverte du jour Lorem ipsum dolor sit amet, consectetur adipiscing elit. Cras cursus rhoncus leo vel posuere. Integer interdum blandit mollis. Suspendisse vehicula suscipit nunc suscipit ullamcorper. Donec sed placerat tellus. Fusce eleifend convallis lacus, sed mollis sem consectetur in. In sed magna felis, sit amet condimentum nunc. Aliquam porttitor condimentum tortor, commodo accumsan quam mollis non. Donec nec lectus consequat mi aliquet commodo vel eget erat. Integer nulla urna, varius vitae pulvinar et, suscipit ac tortor. Aenean elit mauris, adipiscing et mollis a, pulvinar dapibus leo. Sed accumsan ornare sollicitudin. Donec euismod, sem quis varius rutrum, sapien tortor sodales metus, a posuere dui neque in leo. Chapitre 1 La découverte du jour Lorem ipsum dolor sit amet, consectetur adipiscing elit. Cras cursus rhoncus leo vel posuere. Integer interdum blandit mollis. Suspendisse vehicula suscipit nunc suscipit ullamcorper. Donec sed placerat tellus. Fusce eleifend convallis lacus, sed mollis sem consectetur in. In sed magna felis, sit amet condimentum nunc. Aliquam porttitor condimentum tortor, commodo accumsan quam mollis non. Donec nec lectus consequat mi aliquet commodo vel eget erat. Integer nulla urna, varius vitae pulvinar et, suscipit ac tortor. Aenean elit mauris, adipiscing et mollis a, pulvinar dapibus leo. Sed accumsan ornare sollicitudin. Donec euismod, sem quis varius rutrum, sapien tortor sodales metus, a posuere dui neque in leo. PORTRAIT LANDSCAPE
  • 67. CONCLUSION 1. Remember where the product comes from. 2. Don’t neglect the product’s basic functions in favour of new possibilities offered by the medium. 3. Only use metaphors when necessary. 4. Just because the graphic metaphors have been removed, that doesn’t make the book any less a book.
  • 68. THANK YOU CYNTHIA SAVARD SAUCIER UX Designer, TP1 PATRICK WILLIAMS Creative Director, TP1 @PATSVEK@CYNTHIASAVARD
  • 69. Industrial design Honest design Almost flat Consistent forms Affordance Smart metaphors Microcopy Traps Skeuomorphism Little big details http://vimeo.com/42674279 http://vimeo.com/58022280 http://vimeo.com/11970647 http://vimeo.com/52584608 http://www.youtube.com/watch?v=kdTbHSQXGWo http://vimeo.com/3860979 http://www.youtube.com/watch?v=lAfOuhsJJsQ http://www.youtube.com/watch?v=WPs3E1-3UaE http://www.youtube.com/watch?v=GCyiDaM3boc http://www.youtube.com/watch?v=fLzWtUvdGz0 IMAGES Dieter Rams Ice cream scoop 1 Ice cream scoop 2 Calculator Progressive reduction Skeupmorphism Korg app Little big details Progressive reduction "Still loading" Contacts app Smart metaphors “Wash me” Almost flat: Letterpress Almost flat: Gmail app Windows 8 http://www.aa13.fr/design-objet/le-bon-design-dieter-rams-13334 http://supremehousewares.com/icecreamscoop-icecream.aspx http://gadgets.boingboing.net/2009/02/10/antifreeze-ice-cream.html http://iphonesoft.fr/2011/09/03/bons-plans-app-store-du-3-septembre-2011 http://layervault.tumblr.com/post/42361566927/progressive-reduction http://skeu.it/page/2 http://www.soundpad.fr/application/synthes-intrusments-virtuels/korg/korg-ims-20-ipad http://littlebigdetails.com/ http://layervault.tumblr.com/post/42442865260/implementing-progressive-reduction http://andrewayala.tumblr.com/ Application contact pour iPad http://patterntap.com/pattern/bus-arrival-clock-bus-oclock http://www.broadsheet.ie/2011/03/24/ive-been-to-abbeyfeale-but-ive-never-been-to-edit-me/ http://pguba.tumblr.com/post/34349385596/letterpress-the-app-is-awesome http://www.iclarified.com/28627/gmail-app-now-supports-swiping-between-messages-gets-edit-mode http://img.clubic.com/05100494-photo-windows-8-cp-metro.jpg VIDEOS IDEAS Skeuomorphism and digital Criticism of skeuomorphism Criticism of skeuomorphism Branded interaction Definition of skeuomorphism Ebook Microcopy Honest design Definition of flat design Almost flat Voice and tone Affordance Dieter Rams’ 10 principles of good design Visual metaphors Desk and library metaphors Apple’s design revolution Criticism of Windows 8 The flattening of design Flat design does not replace skeuomorphism http://designmodo.com/skeuomorphic-vs-digital-interfaces/ http://www.wired.com/magazine/2012/01/st_thompson_analog/ http://www.fastcodesign.com/1669879/can-we-please-move-past-apples-silly-faux-real-uis http://www.matthewmooredesign.com/branded-interactions/ http://sachagreif.com/what-skeuomorphism-is-and-isnt/ http://www.metagramme.com/writing/ebooks-and-design-humans http://bokardo.com/archives/writing-microcopy/ http://alistapart.com/article/material-honesty-on-the-web http://branch.com/b/flat-design-needs-a-new-name?ref=group http://www.matthewmooredesign.com/almost-flat-design/ http://voiceandtone.com/ http://www.interaction-design.org/encyclopedia/affordances.html http://fr.wikipedia.org/wiki/Dieter_Rams http://www.persee.fr/web/revues/home/prescript/article/colan_0336-1500_1996_num_109_1_2705 http://www.sigchi.org/chi95/proceedings/tutors/ams_bdy.htm http://zing.ncsl.nist.gov/hfweb/proceedings/marcus/index.html http://www.fastcodesign.com/1670760/will-apples-tacky-software-design-philosophy-cause-a-revolt http://www.nngroup.com/articles/windows-8-disappointing-usability/ http://bits.blogs.nytimes.com/2013/04/23/the-flattening-of-design/ http://laurent.assouad.com/2013/non-le-flat-design-ne-remplace-pas-le-skeuomorphisme/