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STRATEGIC DESIGN THINKING by Christophe Pradère 24.09.2009 AN INTRODUCTION TO
Module 01  •  Design: The  Origin  of the Story 1.1   • First Period: The Logic of the Industrial Age 1.2  • Second Period: The Logic of the Commercial Age 1.3  • Third Period: The Logic of the Digital Age 1.4  • So What Is Design? A Definition Module 02  •  Design and Strategy: Visualizing a Concept 2.1   • The Disciplines of Design 2.2  • Design: An Economic Weapon 2.3  • The Art of War Module 03  •  Methodology and Case: Translating a Concept 3.1   • The Brand: A State of Mind 3.2   • The Design Approach 3.3  • Business Toolkit 3.3.1   • Creative Business Idea (CBI) 3.3.2  • Business Approach 3.4   • Strategical Toolkit 3.4.1  • Semiology 3.4.2  • Anthropology 3.4.3  • Culture 3.5   • Case Study: Air France 3.6   • Case Study: Sulwhasoo Summary
[object Object],[object Object]
[object Object],[object Object]
“ Design is first and foremost common sense.” Ferdinand Porsche
People look at things and ask why?  I dream about new things and ask why not? George Bernard Shaw
[object Object],[object Object],[object Object],[object Object],1.1  First Period: The Logic of the Industrial Age The Industrial Revolution
[object Object],[object Object],[object Object],[object Object],1.1  First Period: The Logic of the Industrial Age The Industrial Revolution
[object Object],The Steam Engine (1775) The Automobile (1885) The Airplane (1903 ) MOBILITY The Telegraph (1863) The Telephone (1876 ) COMMUNICATION The Cotton Gin (1775) The Sewing Machine (1844) The Assembly Line (1913 ) MASS PRODUCTION 1.1  First Period: The Logic of the Industrial Age The Industrial Revolution
The Industrial Revolution /  The Concept of Mass Production ,[object Object],[object Object],Arts & Crafts Usability ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],1910 -1930 1990 - 2000 2009 1.1  First Period: The Logic of the Industrial Age Performance Decorative Machine Hyper Machine Super Machine
Critical Thinking ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],1.1  First Period: The Logic of the Industrial Age Art + Technology  /   BelOga Concept Sewing Machine  by Kristine Brückner, Münich
[object Object],[object Object],The Industrial Revolution /  The Concept of Communication ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],1.1  First Period: The Logic of the Industrial Age
Critical Thinking 1.1  First Period: The Logic of the Industrial Age Future Concept  Nokia Morph ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],The Industrial Revolution /  The Concept of Mobility 1.1  First Period: The Logic of the Industrial Age From Horse Power to  Mechanical Power Usability / Space to Live Performance Machine Ergonomic Machine / Monocoque Super Machine ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
01 • Design: The Origin of the Story Critical Thinking Peugeout BB1 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
01 • Design: The Origin of the Story Critical Thinking /  The Concept of Mobility
[object Object],[object Object]
Second Period: The Logic of the Commercial Age A • Distribution B • Packaging 1.2  Second Period: The Logic of the Commercial Age
Second Period: The Logic of the Commercial Age A • Distribution •  A System of Images  (Identity) •  A System of Sales  (Function)   1.2  Second Period: The Logic of the Commercial Age •  A retail concept is based on:
Second Period: The Logic of the Commercial Age ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],1.2  Second Period: The Logic of the Commercial Age
[object Object]
Mass Distribution Is the large scale distribution of consumer goods and serivces to the market with the objectives of:    Being cheap in terms of cost / price    Being universal in terms of selling everything to everyone (targeting the most number of customers) 1.2  Second Period: The Logic of the Commercial Age COSCO, U.S.
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],1.2  Second Period: The Logic of the Commercial Age Mass Distribution
1.2  Second Period: The Logic of the Commercial Age A superstore which combines a supermarket and a department store.     Hypermarkets
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],1.2  Second Period: The Logic of the Commercial Age    Hypermarkets
1.2  Second Period: The Logic of the Commercial Age ,[object Object],[object Object],[object Object],   Hypermarkets
1.2  Second Period: The Logic of the Commercial Age ,[object Object],[object Object],[object Object],[object Object],   Hypermarkets
   Supermarkets, Convenience Stores  1.2  Second Period: The Logic of the Commercial Age A supermarket is a self-service store offering a wide variety of food and household merchandise, organized into departments. Also known as grocery stores in the U.S. Convenience stores are small stores or shop that sells items such as candy, ice-cream, soft drinks, lottery tickets, newspapers and magazines, along with a selection of processed food and perhaps some groceries.
1.2  Second Period: The Logic of the Commercial Age Large companies that put less efficient and highly specialized merchants out of business.    Category Killers BEST BUY, U.S. THE HOME DEPOT, U.S.
1.2  Second Period: The Logic of the Commercial Age ,[object Object],[object Object],[object Object],[object Object],   Category Killers
1.2  Second Period: The Logic of the Commercial Age    Category Killers
1.2  Second Period: The Logic of the Commercial Age - Organization - Signage - Animation - Catergory Management DESIGN STAKES    Category Killers
1.2  Second Period: The Logic of the Commercial Age Flagship stores, or flagships, are main stores from retailers (usually a ‘mono brand’) designed to serve a mainstream of customers.     Flagships Louis Vuitton Flagship Champs-Élysées, Paris Louis Vuitton Flagship Ginza, Tokyo
1.2  Second Period: The Logic of the Commercial Age ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],   Flagships
1.2  Second Period: The Logic of the Commercial Age    Flagships Paris Japan Hong Kong
A Place of Trade and Communication    A place which gives more  impact to the purchase  made    A place that allows the brand to communicate with a multitude of publics An Ideal Retail Store, which serves as a theater for the brand to display its true essence    A place that further  promotes publicity A Place of Renewable Experiences    A place which gives people  the desire to come again  and again    Capable of  attracting all publics  - first-timers and repeat customers    A  premium address , a  premium destination  in the city 1.2  Second Period: The Logic of the Commercial Age The flagship store, a retail store like nothing else…    Flagships
1.2  Second Period: The Logic of the Commercial Age ,[object Object],[object Object],[object Object],The Brief:   Renovation of the Champs-Élysées Retail Store Critical Thinking /  Petit Bateau  Case Study
1.2  Second Period: The Logic of the Commercial Age ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],The Brief:   Renovation of the Champs-Élysées Retail Store Critical Thinking /  Petit Bateau  Case Study
1.2  Second Period: The Logic of the Commercial Age ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],The Brief:   Renovation of the Champs-Élysées Retail Store Critical Thinking /  Petit Bateau  Case Study
Petit Bateau exemple : Simple, Playful, Soft, Smart, Timeless, Qualitative 1.2  Second Period: The Logic of the Commercial Age The Brief:   Brand Image Critical Thinking /  Petit Bateau  Case Study
1.2  Second Period: The Logic of the Commercial Age Petit Bateau exemple : Basic Essentials, Multigender, Modernity, Qualitative Simplicity The Brief:   Recent Ad Campaign Critical Thinking /  Petit Bateau  Case Study
1.2  Second Period: The Logic of the Commercial Age ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Critical Thinking /  Petit Bateau  Case Study
1.2  Second Period: The Logic of the Commercial Age The Brief:   A flagship exemplary of the brand’s business Critical Thinking /  Petit Bateau  Case Study
Module 03 Methodology and Case: Translating a Concept
Design is a practice between marketing and culture     To be both universal and intimate ,[object Object],[object Object],[object Object],03  • Methodology and Case: Translating a Concept 3.2  The Design Approach
[object Object],[object Object],[object Object],[object Object],[object Object],Design is a practice between marketing and culture    To be both universal and intimate 03  • Methodology and Case: Translating a Concept The Design Approach
03  • Methodology and Case: Translating a Concept The Design Approach Designing a range of media Creating a virtuous synergy Design is a medium:  •  of form and depth •  of persistence
03  • Methodology and Case: Translating a Concept 3.2.1  Creative Business Idea (CBI) Business Toolkit A Marketing Approach Prosumer Brand Category Creative Business Idea
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],03  • Methodology and Case: Translating a Concept Business Toolkit 3.2.2  Business Approach
03  • Methodology and Case: Translating a Concept 3.2.2  Business Approach Business Toolkit
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],03  • Methodology and Case: Translating a Concept 3.2.2  Business Approach Business Toolkit
03  • Methodology and Case: Translating a Concept Strategical Toolkit 3.3.2  Anthropology
03  • Methodology and Case: Translating a Concept Strategical Toolkit ,[object Object],[object Object],[object Object],3.3.3  Culture
[object Object],[object Object],[object Object],VALUES / KEY WORDS: 03  • Methodology and Case: Translating a Concept Strategical Toolkit 3.3.3  Culture
Thank you  :-)

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Strategic Design Thinking

  • 1. STRATEGIC DESIGN THINKING by Christophe Pradère 24.09.2009 AN INTRODUCTION TO
  • 2. Module 01 • Design: The Origin of the Story 1.1 • First Period: The Logic of the Industrial Age 1.2 • Second Period: The Logic of the Commercial Age 1.3 • Third Period: The Logic of the Digital Age 1.4 • So What Is Design? A Definition Module 02 • Design and Strategy: Visualizing a Concept 2.1 • The Disciplines of Design 2.2 • Design: An Economic Weapon 2.3 • The Art of War Module 03 • Methodology and Case: Translating a Concept 3.1 • The Brand: A State of Mind 3.2 • The Design Approach 3.3 • Business Toolkit 3.3.1 • Creative Business Idea (CBI) 3.3.2 • Business Approach 3.4 • Strategical Toolkit 3.4.1 • Semiology 3.4.2 • Anthropology 3.4.3 • Culture 3.5 • Case Study: Air France 3.6 • Case Study: Sulwhasoo Summary
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  • 5. “ Design is first and foremost common sense.” Ferdinand Porsche
  • 6. People look at things and ask why? I dream about new things and ask why not? George Bernard Shaw
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  • 16. 01 • Design: The Origin of the Story Critical Thinking / The Concept of Mobility
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  • 18. Second Period: The Logic of the Commercial Age A • Distribution B • Packaging 1.2 Second Period: The Logic of the Commercial Age
  • 19. Second Period: The Logic of the Commercial Age A • Distribution • A System of Images (Identity) • A System of Sales (Function) 1.2 Second Period: The Logic of the Commercial Age • A retail concept is based on:
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  • 22. Mass Distribution Is the large scale distribution of consumer goods and serivces to the market with the objectives of:  Being cheap in terms of cost / price  Being universal in terms of selling everything to everyone (targeting the most number of customers) 1.2 Second Period: The Logic of the Commercial Age COSCO, U.S.
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  • 24. 1.2 Second Period: The Logic of the Commercial Age A superstore which combines a supermarket and a department store.  Hypermarkets
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  • 28. Supermarkets, Convenience Stores 1.2 Second Period: The Logic of the Commercial Age A supermarket is a self-service store offering a wide variety of food and household merchandise, organized into departments. Also known as grocery stores in the U.S. Convenience stores are small stores or shop that sells items such as candy, ice-cream, soft drinks, lottery tickets, newspapers and magazines, along with a selection of processed food and perhaps some groceries.
  • 29. 1.2 Second Period: The Logic of the Commercial Age Large companies that put less efficient and highly specialized merchants out of business.  Category Killers BEST BUY, U.S. THE HOME DEPOT, U.S.
  • 30.
  • 31. 1.2 Second Period: The Logic of the Commercial Age  Category Killers
  • 32. 1.2 Second Period: The Logic of the Commercial Age - Organization - Signage - Animation - Catergory Management DESIGN STAKES  Category Killers
  • 33. 1.2 Second Period: The Logic of the Commercial Age Flagship stores, or flagships, are main stores from retailers (usually a ‘mono brand’) designed to serve a mainstream of customers.  Flagships Louis Vuitton Flagship Champs-Élysées, Paris Louis Vuitton Flagship Ginza, Tokyo
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  • 35. 1.2 Second Period: The Logic of the Commercial Age  Flagships Paris Japan Hong Kong
  • 36. A Place of Trade and Communication  A place which gives more impact to the purchase made  A place that allows the brand to communicate with a multitude of publics An Ideal Retail Store, which serves as a theater for the brand to display its true essence  A place that further promotes publicity A Place of Renewable Experiences  A place which gives people the desire to come again and again  Capable of attracting all publics - first-timers and repeat customers  A premium address , a premium destination in the city 1.2 Second Period: The Logic of the Commercial Age The flagship store, a retail store like nothing else…  Flagships
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  • 40. Petit Bateau exemple : Simple, Playful, Soft, Smart, Timeless, Qualitative 1.2 Second Period: The Logic of the Commercial Age The Brief: Brand Image Critical Thinking / Petit Bateau Case Study
  • 41. 1.2 Second Period: The Logic of the Commercial Age Petit Bateau exemple : Basic Essentials, Multigender, Modernity, Qualitative Simplicity The Brief: Recent Ad Campaign Critical Thinking / Petit Bateau Case Study
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  • 43. 1.2 Second Period: The Logic of the Commercial Age The Brief: A flagship exemplary of the brand’s business Critical Thinking / Petit Bateau Case Study
  • 44. Module 03 Methodology and Case: Translating a Concept
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  • 47. 03 • Methodology and Case: Translating a Concept The Design Approach Designing a range of media Creating a virtuous synergy Design is a medium: • of form and depth • of persistence
  • 48. 03 • Methodology and Case: Translating a Concept 3.2.1 Creative Business Idea (CBI) Business Toolkit A Marketing Approach Prosumer Brand Category Creative Business Idea
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  • 50. 03 • Methodology and Case: Translating a Concept 3.2.2 Business Approach Business Toolkit
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  • 52. 03 • Methodology and Case: Translating a Concept Strategical Toolkit 3.3.2 Anthropology
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  • 55. Thank you :-)