SlideShare ist ein Scribd-Unternehmen logo
1 von 25
Downloaden Sie, um offline zu lesen
SILK
INTRODUCTION
Silk is a natural protein fibre produced by the larve
of a moth, like wool.
Silk culture began in china in 2640 BC, and later
spread to Korea and Japan, westward to India and
Persia, then to Spain, France and Italy.
Todays major producers of silk are: China, India,
Japan.
Silk is a universally accepted luxury fibre.
It has properties that no other fibres possess:
Dry, tactile hand
Unique natural luster
Good moisture absorption
Lively suppleness and draping qualities
High strength
HISTORY OF SILK
According to well-established Chinese legend, Empress Hsi Ling Shi, wife
of Emperor Huang Ti (also called the Yellow Emperor), was the first
person to accidentally discover silk as weavable fiber.
One day, when the empress was sipping tea under a mulberry tree, a
cocoon fell into her cup and began to unravel. The empress became so
enamored with the shimmering threads, she discovered their source, the
Bombyx mori silkworm found in the white mulberry. The empress soon
developed sericulture, the cultivation of silkworms, and invented the
reel and loom. Thus began the history of silk.
Whether or not the legend is accurate, it is certain that the earliest
surviving references to silk history and production place it in China; and
that for nearly 3 millennia, the Chinese had a global monopoly on silk
production.
The Chinese realized the value of the beautiful material they were
producing and kept its secret safe from the rest of the world for more
than 30 centuries. Travelers were searched thoroughly at border crossings
and anyone caught trying to smuggle eggs, cocoons or silkworms out of
the country were summarily executed. Thus, under penalty of death, the
mystery of sericulture remained a well-kept secret for almost three
thousand years.
 
PRODUCTION OF SILK
The process of producing silk fibre is known as
sericulture.
-begins when silk moth lays eggs on specially
prepared paper.
-when eggs hatch, caterpillars (larvae) are fed
fresh, young mulberry leaves.
-after about 36 days & 4 moltings, silkworms are
roughly 10,000 times heavier than when hatched—
ready to begin spinning a cocoon.
-straw frame is placed on a tray & silkworm spins
cocoon by moving its head in a figure eight.
http://www.youtube.com/watch?
v=hchVGxfc1ws&feature=related
Silkworm produces silk in two glands and forces liquid
silk through spinnerets (openings in its head).
In 2-3 days the silkworm spins approximately 1 mile
of filament and completely encase itself.
Silkworm then metamorphoses into a moth—usually
killed before reaching moth stage.
Each cocoon yields approximately 1,000 yards of
usable silk filament, Raw Silk
Several filaments combined to form a yarn, operators
must carefully join filaments so diameter of reeled
silk remains uniform in size, uniformly reeled
filament silk most valuable twist can be added,
throwing—thrown yarn:
Single: simplest, 3-8 filaments twisted together.
Staple silk: produced from cocoons in which filament
broken or moth is allowed to mature: silk noils or silk
waste.
Silk production is labor intensive—produced
where labor costs are low, may use child labor.
However in many areas this allows families to
work together, each family contributing to
better economic situation for family, in Mexico
silk production provides economic freedom for
women.
Use of dyes is high—dyeing requires heat,
water, dyes & other chemicals.
Environmental regulations are minimal in many
parts of the world where silk is produced.
TYPES OF SILK
(Momme—describes the weight of the silk; one
momme weighs 3.75 grams, higher numbers describe
heavier fabrics.)
Wild Silk production is not controlled—silkworms
feed on oak & cherry leaves; produce much less
uniform fibers.
Tussar Silk most common type of wild silk—coarser,
darker & cannot be bleached.
Duppioni Silk—wild silk; result of two silkworms
spinning cocoons together, irregular in diameter,
thick-and-thin appearance.
Oak Tusar Silk. It is a finer variety of tasar generated
by the silkworm, Antheraea proyeli  in India. The main
food source is oak plant which found in abundance in
the sub-Himalayan belt of India covering the states of
Manipur, Himachal Pradesh, Uttar Pradesh, Assam,
Meghalaya and Jammu & Kashmir. Thats the reason it is
known as Oak Tasar silk.
Eri Silk. It is also called Endi or Errandi silk. This
creamy white coloured silk is less shinning than
mulberry and Tasar silk.. It is obtained from the
cocoons of Philosamia ricini  which is a domesticated 
silkworm and feed on mainly castor leaves.Muga Silk. This silk is golden yellow in colour and mainly
cultivated in Assam. It is obtained from semi-domesticated
multivoltine (completed  multiple life-cycle in a year)
silkworm, Antheraea assamensis. These silkworms feed on the
aromatic leaves of Som and Soalu plants and are reared on
trees similar to that of tasar.  The muga silk, an high value
product is used in products like sarees, chaddars etc.
Mussel Silk. As the name implies, this silk is produced by mussels –
yes, the same ones that can be found on seabeds. It is also
sometimes called Sea Silk. This differs from the other silk types
we’ve mentioned so far as it is not produced by silkworms.
Spider Silk. Like Mussel silk, this is the most difficult one to
produce as spiders cannot just be bred like silkworms. Spiders
cannot produce as much yarn as silkworms either.
But though the production of this type of silk may seem difficult,
its output is certainly worth the effort. It is regarded as one of
the most durable types of silk as it is now being utilised in the
production of telescopes, bulletproof vests and wear-resistant
clothing!
Murshidabad Silk: Silk produced at the ‘Silk Mecca’ of East
India.
Bangalore Silk: Known for its simplicity and purity of Silk,
Bangalore silk is produced in the silk farms of Bangalore.
Angora Silk: Known for tender texture, the Angora silk yarn
is made up from the fur of meek ‘Angora’ rabbit.
Tanchoi Silk: Weaving technique which is a blend of silk
from the two countries, India and China.
Garad Silk: Garad originates in West Bengal, and is
distinguished by its red border and small paisley motifs.
Silk fabric used to weave Garad sarees is produced by the
silk yarns woven close together which imparts the fine
texture.
Jamawar: Jamawar Silk is an adulterated form of Pashmina
silk which contains a blend of cotton and wool. This is
usually used in weaving shawls for the winters.
Matka Silk: A rough handloom silk fabric made from the
waste Mulberry Silk without removing its gum (sericin)
part, largely produced in Karnataka and Kashmir.
Banarasi/Benarasi Silk: A fine variant of silk evolving from
the lands of Beneras or Varanasi, known for gold and silver
work of brocade and zari on the fabric.
Mulberry Silk: Purest form of silk extracted from
Silkworms, usually produced in yellow, white, or greenish
Raw Silk:Raw Silk is the most natural form of delicate
fibre of silk with no twist and is unprocessed form of silk
that can be easily woven into different fabrics.
Kosa Silk: Comes from Chattisgarh, and is known for its
soft texture and dull-brownish look, hence available in
shades of gold pale, dark honey, cream, etc. Kosa is one
kind of Tussar Silk.
Pat/Paat Silk: Produced in Eastern India, Pat silk is known for its
distinctive brightness, high quality and durable nature. It comes in
brilliant white or off-white shades.
Cot Silk: A well-blended combination of cotton and silk, Cot silk is a
cheaper-priced silk.
Kanchipuram: Silk from the village called Kanchipuram in Tamil Nadu,
India, this one is known for its durability and shine. The rich quality
combined with an amazing finish make them last longer.
Bhagalpuri Silk: Known as the ‘Queen of all fabrics’, Bhagalpuri Silk
originates from West Bengal and is very well known for its unique and
striking resilience and superior quality.
Uppada Silk: Also known as Uppada Pattu (Silk in
Telugu), Uppada silk comes from Andhra Pradesh.
Usually woven in cotton warp, this one is known
majorly by the length and breadth count of threads.
Art Silk: Short form for artificial silk, art silk is
manufactured by a synthetic fiber like Rayon that very
much resembles the silk fiber; however, costs a lot less
on the front of manufacture and production.
PROPERTIES OF SILK: AESTHETICS
Silk can be dyed and printed in brilliant colors,
available in many fabric types for interior &
apparel uses.
Luster is soft with an occasional sparkle due to
smooth but slightly irregular surface & triangular
cross section.
Fabric has smooth appearance & luxurious hand,
not as slippery as many synthetic fibers.
Wild silks have duller luster & more pronounced
texture in filament form, has poor covering
power—historically often treated with metallic
salts weighting to produce better drape,
covering power, & dye absorption
PROPERTIES OF SILK: DURABILITY
Silk has moderate abrasion resistance, seldom
receives harsh abrasion due to luxury of use.
It is one of strongest natural fibers dry, may
lose up to 20% of its strength when wet.
Not as elastic as wool because of lack of cross
linkages, when silk is stretched even a small
amount it does not return to its original length.
PROPERTIES OF SILK: COMFORT AND
APPEARANCE
Silk has good absorbency, sheer silks are comfortable
in summer.
Poor conductor of heat (like wool), heavier silks
comfortably warm in winter.
May develop static cling due to smoothness of yarns
and fabric weight.
Silk is smooth and soft an not irritating to skin.
Silk has moderate resistance to wrinkling & fibers do
not shrink.
PROPERTIES OF SILK : CARE
Dry cleaning solvents do not damage silk, may
be recommended for silk items because of:
•yarn types
•dyes with poor fastness to water or laundering
•product or fabric construction methods
Washable silk items can be laundered in mild
detergent solution with gentle agitation.
Care should be taken with wet silk—avoid
stress.
Should be pressed after laundering.
Silk may water spot easily, before laundering,
test in obscure place.
Can be damaged by strong soaps or
detergents & high temperatures.
Chlorine bleaches should be avoided—
hydrogen peroxide & sodium perborate are
safe if direction carefully followed.
Silk is weakened and yellowed by exposure to
sunlight and perspiration.
May be attacked by insects, especially carpet
beetles.
USES OF SILK
silk often imitated, cannot be duplicated exactly
drape, luster, texture, appearance, comfort, and
strength contribute to continued popularity
extremely versatile
•sheer, gossamer chiffons to heavy, brocades & velvets
•active summer sportswear to silk underwear, socks &
leggings
upholstery, wall coverings, wall hangings & drapery
•handmade rugs
•sleeping bag liners, blankets & bedsheets
•medical uses—sutures, prosthetic arteries, scaffolds &
grafts (regenerate ligaments, tendons & other
connective tissue)
PHYSICAL CHARACTERISTICS OF
SILK
• Silk is one of the strongest fibres
available.
• Specific gravity
• Ealstic- plastic nature
• Elongation- 20-25% under noraml
condition
• Thermal properties- sensitive to heat
• Electric properties- poor conductor
• Feel- soft
• Drape- flexible
END USES OF SILK FABRIC:
Apparel: luxury items, wedding
dresses, evening gowns, blouses,
scarves, neckties
Interiors: pillows, wall hangings,
draperies, upholstery
REACTION WITH CHEMICALS
Effects of acids: Concentrated mineral acids will
dissolve silk faster than wool. Organic acids do
not harm silk.
Effects of alkalis: Silk is not as sensitive as wool
to alkalis, but it can be damaged if the
concentration and the temperature is high. A
mild soap or detergent in lukewarm water is thus
advisable
Affinity for dyes: Silk has good absorbency and
thus has good affinity for dyes. Dyed silk is
colourfast under most conditions, but its
resistance to light is unsatisfactory.
Resistance to perspiration: Perspiration and
sunlight weakens and yellows silk fabrics. The silk
itself deteriorates and the colour is affected
causing staining. Garments worn next to the skin
should be washed or other wise cleaned after
each wearing.
Effect of Heat: Silk is sensitive to heat and begins to
decompose at 330° F (165° C). The silk fabrics thus
have to be ironed when damp.
Effect of Light: Silk fabric weakens on exposure to
sun light. Raw silks are more resistant to light than
degummed silk.
Resistance to Mildew: Silks will not mildew unless
left for sometime in a damp state or under the
extreme conditions of tropical dampness.
Resistance to Insects: Silk may be attacked by the
larvae or clothe moths or carpet beetles.
IDENTIFICATION OF NATURAL
PROTEIN FIBRES
Natural protein fibers can be identified with
microscope fairly easily:
•correct ID of specialty wools important
due to fraudulent blends.
•silk surface not as regular as that of
most manufactured fibers.
Soluble in sodium hypochlorite.
In burn test- fibers smell like burning hair.
Silk

Weitere ähnliche Inhalte

Was ist angesagt? (20)

Animal fibers
Animal fibersAnimal fibers
Animal fibers
 
Textile fibres
Textile fibresTextile fibres
Textile fibres
 
Silk, cotton and wool
Silk, cotton and woolSilk, cotton and wool
Silk, cotton and wool
 
BASICS OF SILK FINISHING
BASICS OF SILK FINISHING BASICS OF SILK FINISHING
BASICS OF SILK FINISHING
 
cotton fibre
cotton fibrecotton fibre
cotton fibre
 
Cotton Fiber Properties
Cotton Fiber PropertiesCotton Fiber Properties
Cotton Fiber Properties
 
Jute fiber
Jute fiberJute fiber
Jute fiber
 
Wool ppt
Wool pptWool ppt
Wool ppt
 
SILK
SILKSILK
SILK
 
Processing of wool
Processing of woolProcessing of wool
Processing of wool
 
Classification Of Textile Fibers
Classification Of Textile FibersClassification Of Textile Fibers
Classification Of Textile Fibers
 
7. natural fibers
7. natural fibers7. natural fibers
7. natural fibers
 
Linen fabric
Linen fabricLinen fabric
Linen fabric
 
Flax fiber
Flax fiberFlax fiber
Flax fiber
 
Wool fiber
Wool fiberWool fiber
Wool fiber
 
Silk
SilkSilk
Silk
 
Cotton manufacturing process
Cotton manufacturing processCotton manufacturing process
Cotton manufacturing process
 
Introduction to Textile
Introduction to TextileIntroduction to Textile
Introduction to Textile
 
kapok fibre
kapok fibrekapok fibre
kapok fibre
 
Physical & Chemical Properties of Wool Fiber
Physical & Chemical Properties of Wool FiberPhysical & Chemical Properties of Wool Fiber
Physical & Chemical Properties of Wool Fiber
 

Andere mochten auch

Andere mochten auch (6)

Cotton ppt
Cotton pptCotton ppt
Cotton ppt
 
14 wood preservation
14 wood preservation14 wood preservation
14 wood preservation
 
Wood and it's types.
Wood and it's types.Wood and it's types.
Wood and it's types.
 
Linen And Fabric Handling
Linen And Fabric HandlingLinen And Fabric Handling
Linen And Fabric Handling
 
WOOD
WOODWOOD
WOOD
 
Timber ppt-1
Timber ppt-1Timber ppt-1
Timber ppt-1
 

Ähnlich wie Silk

Fibre to fabric by pratham sharma vii
Fibre to fabric by pratham sharma vii Fibre to fabric by pratham sharma vii
Fibre to fabric by pratham sharma vii prathamsharma71
 
Protein fibers...
Protein fibers...Protein fibers...
Protein fibers...nehabedya
 
SERICULTURE.pptx
SERICULTURE.pptxSERICULTURE.pptx
SERICULTURE.pptxojaswi12
 
IND-2012-14 Prestine Public School Saving Silkworm and yet using silk
IND-2012-14 Prestine Public School Saving Silkworm and yet using silkIND-2012-14 Prestine Public School Saving Silkworm and yet using silk
IND-2012-14 Prestine Public School Saving Silkworm and yet using silkDFC2011
 
Wool is water resistant assi3
Wool is water resistant assi3Wool is water resistant assi3
Wool is water resistant assi3VICTOR ROY
 
Sericulture: History,silk route & types of silk
Sericulture: History,silk route & types of silkSericulture: History,silk route & types of silk
Sericulture: History,silk route & types of silkTintu Johnson
 
Silk producing insects
Silk producing insectsSilk producing insects
Silk producing insectsjothilakshmi r
 
ahimsa silk aet 201.pptx
ahimsa silk aet 201.pptxahimsa silk aet 201.pptx
ahimsa silk aet 201.pptxVigneshAgumbe
 
wool: introdction,origin and histrory, process, types, classification, charac...
wool: introdction,origin and histrory, process, types, classification, charac...wool: introdction,origin and histrory, process, types, classification, charac...
wool: introdction,origin and histrory, process, types, classification, charac...AmishaPokar
 
Fabric training for retail staff extended version
Fabric training for retail staff   extended versionFabric training for retail staff   extended version
Fabric training for retail staff extended versionVinay Shekhar
 

Ähnlich wie Silk (20)

Tussar Silk- from Bihar and Jharkhand
Tussar Silk- from Bihar and JharkhandTussar Silk- from Bihar and Jharkhand
Tussar Silk- from Bihar and Jharkhand
 
Fibre to fabric by pratham sharma vii
Fibre to fabric by pratham sharma vii Fibre to fabric by pratham sharma vii
Fibre to fabric by pratham sharma vii
 
Protein fibers...
Protein fibers...Protein fibers...
Protein fibers...
 
SERICULTURE.pptx
SERICULTURE.pptxSERICULTURE.pptx
SERICULTURE.pptx
 
Silk & its types PPT.pptx
Silk & its types PPT.pptxSilk & its types PPT.pptx
Silk & its types PPT.pptx
 
Sericulture
Sericulture Sericulture
Sericulture
 
Sericulture in India
Sericulture in IndiaSericulture in India
Sericulture in India
 
2. silk.pptx
2. silk.pptx2. silk.pptx
2. silk.pptx
 
Sericulture
SericultureSericulture
Sericulture
 
IND-2012-14 Prestine Public School Saving Silkworm and yet using silk
IND-2012-14 Prestine Public School Saving Silkworm and yet using silkIND-2012-14 Prestine Public School Saving Silkworm and yet using silk
IND-2012-14 Prestine Public School Saving Silkworm and yet using silk
 
Wool is water resistant assi3
Wool is water resistant assi3Wool is water resistant assi3
Wool is water resistant assi3
 
Sericulture: History,silk route & types of silk
Sericulture: History,silk route & types of silkSericulture: History,silk route & types of silk
Sericulture: History,silk route & types of silk
 
Sericulture
SericultureSericulture
Sericulture
 
FIBRE TO FABRIC
 FIBRE TO FABRIC FIBRE TO FABRIC
FIBRE TO FABRIC
 
Silk producing insects
Silk producing insectsSilk producing insects
Silk producing insects
 
ahimsa silk aet 201.pptx
ahimsa silk aet 201.pptxahimsa silk aet 201.pptx
ahimsa silk aet 201.pptx
 
wool: introdction,origin and histrory, process, types, classification, charac...
wool: introdction,origin and histrory, process, types, classification, charac...wool: introdction,origin and histrory, process, types, classification, charac...
wool: introdction,origin and histrory, process, types, classification, charac...
 
Fibre To Fabrics
Fibre To Fabrics Fibre To Fabrics
Fibre To Fabrics
 
Fibre to fabric
Fibre to fabricFibre to fabric
Fibre to fabric
 
Fabric training for retail staff extended version
Fabric training for retail staff   extended versionFabric training for retail staff   extended version
Fabric training for retail staff extended version
 

Mehr von purvisha_ndkrn (11)

Pants
PantsPants
Pants
 
Woven and non woven
Woven and non wovenWoven and non woven
Woven and non woven
 
Georgette; Chiffon
Georgette; ChiffonGeorgette; Chiffon
Georgette; Chiffon
 
Satin and velvet pdf
Satin and velvet pdfSatin and velvet pdf
Satin and velvet pdf
 
Claasifcation of fibres
Claasifcation of fibres Claasifcation of fibres
Claasifcation of fibres
 
Linen; simran
Linen; simranLinen; simran
Linen; simran
 
Rayon
RayonRayon
Rayon
 
1990s final
1990s final1990s final
1990s final
 
1960s
1960s1960s
1960s
 
1940s
1940s1940s
1940s
 
1914 1929
1914 19291914 1929
1914 1929
 

Kürzlich hochgeladen

Cities Light Up in Solidarity With Ukraine: From Internationally Synchronized...
Cities Light Up in Solidarity With Ukraine: From Internationally Synchronized...Cities Light Up in Solidarity With Ukraine: From Internationally Synchronized...
Cities Light Up in Solidarity With Ukraine: From Internationally Synchronized...Thomas Schielke
 
Giulio Michelon, Founder di @Belka – “Oltre le Stime: Sviluppare una Mentalit...
Giulio Michelon, Founder di @Belka – “Oltre le Stime: Sviluppare una Mentalit...Giulio Michelon, Founder di @Belka – “Oltre le Stime: Sviluppare una Mentalit...
Giulio Michelon, Founder di @Belka – “Oltre le Stime: Sviluppare una Mentalit...Associazione Digital Days
 
simpson-lee_house_dt20ajshsjsjsjsjj15.pdf
simpson-lee_house_dt20ajshsjsjsjsjj15.pdfsimpson-lee_house_dt20ajshsjsjsjsjj15.pdf
simpson-lee_house_dt20ajshsjsjsjsjj15.pdfLucyBonelli
 
Making and Unmaking of Chandigarh - A City of Two Plans2-4-24.ppt
Making and Unmaking of Chandigarh - A City of Two Plans2-4-24.pptMaking and Unmaking of Chandigarh - A City of Two Plans2-4-24.ppt
Making and Unmaking of Chandigarh - A City of Two Plans2-4-24.pptJIT KUMAR GUPTA
 
Karim apartment ideas 01 ppppppppppppppp
Karim apartment ideas 01 pppppppppppppppKarim apartment ideas 01 ppppppppppppppp
Karim apartment ideas 01 pppppppppppppppNadaMohammed714321
 
PORTFOLIO 2024_ANASTASIYA KUDINOVA / EXTENDED VERSION
PORTFOLIO 2024_ANASTASIYA KUDINOVA / EXTENDED VERSIONPORTFOLIO 2024_ANASTASIYA KUDINOVA / EXTENDED VERSION
PORTFOLIO 2024_ANASTASIYA KUDINOVA / EXTENDED VERSIONAnastasiya Kudinova
 
10 Best WordPress Plugins to make the website effective in 2024
10 Best WordPress Plugins to make the website effective in 202410 Best WordPress Plugins to make the website effective in 2024
10 Best WordPress Plugins to make the website effective in 2024digital learning point
 
10 must-have Chrome extensions for designers
10 must-have Chrome extensions for designers10 must-have Chrome extensions for designers
10 must-have Chrome extensions for designersPixeldarts
 
Understanding Image Masking: What It Is and Why It's Matters
Understanding Image Masking: What It Is and Why It's MattersUnderstanding Image Masking: What It Is and Why It's Matters
Understanding Image Masking: What It Is and Why It's MattersCre8iveskill
 
LIGHTSCAPES: HOW MIGHT WE DESIGN AN INCLUSIVE AND ACCESSIBLE CLASSICAL CONCER...
LIGHTSCAPES: HOW MIGHT WE DESIGN AN INCLUSIVE AND ACCESSIBLE CLASSICAL CONCER...LIGHTSCAPES: HOW MIGHT WE DESIGN AN INCLUSIVE AND ACCESSIBLE CLASSICAL CONCER...
LIGHTSCAPES: HOW MIGHT WE DESIGN AN INCLUSIVE AND ACCESSIBLE CLASSICAL CONCER...Pranav Subramanian
 
General Simple Guide About AI in Design By: A.L. Samar Hossam ElDin
General Simple Guide About AI in Design By: A.L. Samar Hossam ElDinGeneral Simple Guide About AI in Design By: A.L. Samar Hossam ElDin
General Simple Guide About AI in Design By: A.L. Samar Hossam ElDinSamar Hossam ElDin Ahmed
 
TIMBRE: HOW MIGHT WE REMEDY MUSIC DESERTS AND FACILITATE GROWTH OF A MUSICAL ...
TIMBRE: HOW MIGHT WE REMEDY MUSIC DESERTS AND FACILITATE GROWTH OF A MUSICAL ...TIMBRE: HOW MIGHT WE REMEDY MUSIC DESERTS AND FACILITATE GROWTH OF A MUSICAL ...
TIMBRE: HOW MIGHT WE REMEDY MUSIC DESERTS AND FACILITATE GROWTH OF A MUSICAL ...Pranav Subramanian
 
Sharif's 9-BOX Monitoring Model for Adaptive Programme Management
Sharif's 9-BOX Monitoring Model for Adaptive Programme ManagementSharif's 9-BOX Monitoring Model for Adaptive Programme Management
Sharif's 9-BOX Monitoring Model for Adaptive Programme ManagementMd. Shariful Hoque
 
guest bathroom white and blue ssssssssss
guest bathroom white and blue ssssssssssguest bathroom white and blue ssssssssss
guest bathroom white and blue ssssssssssNadaMohammed714321
 
The spirit of digital place - game worlds and architectural phenomenology
The spirit of digital place - game worlds and architectural phenomenologyThe spirit of digital place - game worlds and architectural phenomenology
The spirit of digital place - game worlds and architectural phenomenologyChristopher Totten
 
Exploring Tehran's Architectural Marvels: A Glimpse into Vilaas Studio's Dyna...
Exploring Tehran's Architectural Marvels: A Glimpse into Vilaas Studio's Dyna...Exploring Tehran's Architectural Marvels: A Glimpse into Vilaas Studio's Dyna...
Exploring Tehran's Architectural Marvels: A Glimpse into Vilaas Studio's Dyna...Yantram Animation Studio Corporation
 
ALISIA: HOW MIGHT WE ACHIEVE HIGH ENVIRONMENTAL PERFORMANCE WHILE MAINTAINING...
ALISIA: HOW MIGHT WE ACHIEVE HIGH ENVIRONMENTAL PERFORMANCE WHILE MAINTAINING...ALISIA: HOW MIGHT WE ACHIEVE HIGH ENVIRONMENTAL PERFORMANCE WHILE MAINTAINING...
ALISIA: HOW MIGHT WE ACHIEVE HIGH ENVIRONMENTAL PERFORMANCE WHILE MAINTAINING...Pranav Subramanian
 
AI and Design Vol. 2: Navigating the New Frontier - Morgenbooster
AI and Design Vol. 2: Navigating the New Frontier - MorgenboosterAI and Design Vol. 2: Navigating the New Frontier - Morgenbooster
AI and Design Vol. 2: Navigating the New Frontier - Morgenbooster1508 A/S
 
ARCHITECTURAL PORTFOLIO CRISTOBAL HERAUD 2024.pdf
ARCHITECTURAL PORTFOLIO CRISTOBAL HERAUD 2024.pdfARCHITECTURAL PORTFOLIO CRISTOBAL HERAUD 2024.pdf
ARCHITECTURAL PORTFOLIO CRISTOBAL HERAUD 2024.pdfCristobalHeraud
 
Interior Design for Office a cura di RMG Project Studio
Interior Design for Office a cura di RMG Project StudioInterior Design for Office a cura di RMG Project Studio
Interior Design for Office a cura di RMG Project StudioRMG Project Studio
 

Kürzlich hochgeladen (20)

Cities Light Up in Solidarity With Ukraine: From Internationally Synchronized...
Cities Light Up in Solidarity With Ukraine: From Internationally Synchronized...Cities Light Up in Solidarity With Ukraine: From Internationally Synchronized...
Cities Light Up in Solidarity With Ukraine: From Internationally Synchronized...
 
Giulio Michelon, Founder di @Belka – “Oltre le Stime: Sviluppare una Mentalit...
Giulio Michelon, Founder di @Belka – “Oltre le Stime: Sviluppare una Mentalit...Giulio Michelon, Founder di @Belka – “Oltre le Stime: Sviluppare una Mentalit...
Giulio Michelon, Founder di @Belka – “Oltre le Stime: Sviluppare una Mentalit...
 
simpson-lee_house_dt20ajshsjsjsjsjj15.pdf
simpson-lee_house_dt20ajshsjsjsjsjj15.pdfsimpson-lee_house_dt20ajshsjsjsjsjj15.pdf
simpson-lee_house_dt20ajshsjsjsjsjj15.pdf
 
Making and Unmaking of Chandigarh - A City of Two Plans2-4-24.ppt
Making and Unmaking of Chandigarh - A City of Two Plans2-4-24.pptMaking and Unmaking of Chandigarh - A City of Two Plans2-4-24.ppt
Making and Unmaking of Chandigarh - A City of Two Plans2-4-24.ppt
 
Karim apartment ideas 01 ppppppppppppppp
Karim apartment ideas 01 pppppppppppppppKarim apartment ideas 01 ppppppppppppppp
Karim apartment ideas 01 ppppppppppppppp
 
PORTFOLIO 2024_ANASTASIYA KUDINOVA / EXTENDED VERSION
PORTFOLIO 2024_ANASTASIYA KUDINOVA / EXTENDED VERSIONPORTFOLIO 2024_ANASTASIYA KUDINOVA / EXTENDED VERSION
PORTFOLIO 2024_ANASTASIYA KUDINOVA / EXTENDED VERSION
 
10 Best WordPress Plugins to make the website effective in 2024
10 Best WordPress Plugins to make the website effective in 202410 Best WordPress Plugins to make the website effective in 2024
10 Best WordPress Plugins to make the website effective in 2024
 
10 must-have Chrome extensions for designers
10 must-have Chrome extensions for designers10 must-have Chrome extensions for designers
10 must-have Chrome extensions for designers
 
Understanding Image Masking: What It Is and Why It's Matters
Understanding Image Masking: What It Is and Why It's MattersUnderstanding Image Masking: What It Is and Why It's Matters
Understanding Image Masking: What It Is and Why It's Matters
 
LIGHTSCAPES: HOW MIGHT WE DESIGN AN INCLUSIVE AND ACCESSIBLE CLASSICAL CONCER...
LIGHTSCAPES: HOW MIGHT WE DESIGN AN INCLUSIVE AND ACCESSIBLE CLASSICAL CONCER...LIGHTSCAPES: HOW MIGHT WE DESIGN AN INCLUSIVE AND ACCESSIBLE CLASSICAL CONCER...
LIGHTSCAPES: HOW MIGHT WE DESIGN AN INCLUSIVE AND ACCESSIBLE CLASSICAL CONCER...
 
General Simple Guide About AI in Design By: A.L. Samar Hossam ElDin
General Simple Guide About AI in Design By: A.L. Samar Hossam ElDinGeneral Simple Guide About AI in Design By: A.L. Samar Hossam ElDin
General Simple Guide About AI in Design By: A.L. Samar Hossam ElDin
 
TIMBRE: HOW MIGHT WE REMEDY MUSIC DESERTS AND FACILITATE GROWTH OF A MUSICAL ...
TIMBRE: HOW MIGHT WE REMEDY MUSIC DESERTS AND FACILITATE GROWTH OF A MUSICAL ...TIMBRE: HOW MIGHT WE REMEDY MUSIC DESERTS AND FACILITATE GROWTH OF A MUSICAL ...
TIMBRE: HOW MIGHT WE REMEDY MUSIC DESERTS AND FACILITATE GROWTH OF A MUSICAL ...
 
Sharif's 9-BOX Monitoring Model for Adaptive Programme Management
Sharif's 9-BOX Monitoring Model for Adaptive Programme ManagementSharif's 9-BOX Monitoring Model for Adaptive Programme Management
Sharif's 9-BOX Monitoring Model for Adaptive Programme Management
 
guest bathroom white and blue ssssssssss
guest bathroom white and blue ssssssssssguest bathroom white and blue ssssssssss
guest bathroom white and blue ssssssssss
 
The spirit of digital place - game worlds and architectural phenomenology
The spirit of digital place - game worlds and architectural phenomenologyThe spirit of digital place - game worlds and architectural phenomenology
The spirit of digital place - game worlds and architectural phenomenology
 
Exploring Tehran's Architectural Marvels: A Glimpse into Vilaas Studio's Dyna...
Exploring Tehran's Architectural Marvels: A Glimpse into Vilaas Studio's Dyna...Exploring Tehran's Architectural Marvels: A Glimpse into Vilaas Studio's Dyna...
Exploring Tehran's Architectural Marvels: A Glimpse into Vilaas Studio's Dyna...
 
ALISIA: HOW MIGHT WE ACHIEVE HIGH ENVIRONMENTAL PERFORMANCE WHILE MAINTAINING...
ALISIA: HOW MIGHT WE ACHIEVE HIGH ENVIRONMENTAL PERFORMANCE WHILE MAINTAINING...ALISIA: HOW MIGHT WE ACHIEVE HIGH ENVIRONMENTAL PERFORMANCE WHILE MAINTAINING...
ALISIA: HOW MIGHT WE ACHIEVE HIGH ENVIRONMENTAL PERFORMANCE WHILE MAINTAINING...
 
AI and Design Vol. 2: Navigating the New Frontier - Morgenbooster
AI and Design Vol. 2: Navigating the New Frontier - MorgenboosterAI and Design Vol. 2: Navigating the New Frontier - Morgenbooster
AI and Design Vol. 2: Navigating the New Frontier - Morgenbooster
 
ARCHITECTURAL PORTFOLIO CRISTOBAL HERAUD 2024.pdf
ARCHITECTURAL PORTFOLIO CRISTOBAL HERAUD 2024.pdfARCHITECTURAL PORTFOLIO CRISTOBAL HERAUD 2024.pdf
ARCHITECTURAL PORTFOLIO CRISTOBAL HERAUD 2024.pdf
 
Interior Design for Office a cura di RMG Project Studio
Interior Design for Office a cura di RMG Project StudioInterior Design for Office a cura di RMG Project Studio
Interior Design for Office a cura di RMG Project Studio
 

Silk

  • 2. INTRODUCTION Silk is a natural protein fibre produced by the larve of a moth, like wool. Silk culture began in china in 2640 BC, and later spread to Korea and Japan, westward to India and Persia, then to Spain, France and Italy. Todays major producers of silk are: China, India, Japan. Silk is a universally accepted luxury fibre. It has properties that no other fibres possess: Dry, tactile hand Unique natural luster Good moisture absorption Lively suppleness and draping qualities High strength
  • 3. HISTORY OF SILK According to well-established Chinese legend, Empress Hsi Ling Shi, wife of Emperor Huang Ti (also called the Yellow Emperor), was the first person to accidentally discover silk as weavable fiber. One day, when the empress was sipping tea under a mulberry tree, a cocoon fell into her cup and began to unravel. The empress became so enamored with the shimmering threads, she discovered their source, the Bombyx mori silkworm found in the white mulberry. The empress soon developed sericulture, the cultivation of silkworms, and invented the reel and loom. Thus began the history of silk. Whether or not the legend is accurate, it is certain that the earliest surviving references to silk history and production place it in China; and that for nearly 3 millennia, the Chinese had a global monopoly on silk production. The Chinese realized the value of the beautiful material they were producing and kept its secret safe from the rest of the world for more than 30 centuries. Travelers were searched thoroughly at border crossings and anyone caught trying to smuggle eggs, cocoons or silkworms out of the country were summarily executed. Thus, under penalty of death, the mystery of sericulture remained a well-kept secret for almost three thousand years.  
  • 4. PRODUCTION OF SILK The process of producing silk fibre is known as sericulture. -begins when silk moth lays eggs on specially prepared paper. -when eggs hatch, caterpillars (larvae) are fed fresh, young mulberry leaves. -after about 36 days & 4 moltings, silkworms are roughly 10,000 times heavier than when hatched— ready to begin spinning a cocoon. -straw frame is placed on a tray & silkworm spins cocoon by moving its head in a figure eight. http://www.youtube.com/watch? v=hchVGxfc1ws&feature=related
  • 5. Silkworm produces silk in two glands and forces liquid silk through spinnerets (openings in its head). In 2-3 days the silkworm spins approximately 1 mile of filament and completely encase itself. Silkworm then metamorphoses into a moth—usually killed before reaching moth stage. Each cocoon yields approximately 1,000 yards of usable silk filament, Raw Silk Several filaments combined to form a yarn, operators must carefully join filaments so diameter of reeled silk remains uniform in size, uniformly reeled filament silk most valuable twist can be added, throwing—thrown yarn: Single: simplest, 3-8 filaments twisted together. Staple silk: produced from cocoons in which filament broken or moth is allowed to mature: silk noils or silk waste.
  • 6. Silk production is labor intensive—produced where labor costs are low, may use child labor. However in many areas this allows families to work together, each family contributing to better economic situation for family, in Mexico silk production provides economic freedom for women. Use of dyes is high—dyeing requires heat, water, dyes & other chemicals. Environmental regulations are minimal in many parts of the world where silk is produced.
  • 7.
  • 8. TYPES OF SILK (Momme—describes the weight of the silk; one momme weighs 3.75 grams, higher numbers describe heavier fabrics.) Wild Silk production is not controlled—silkworms feed on oak & cherry leaves; produce much less uniform fibers. Tussar Silk most common type of wild silk—coarser, darker & cannot be bleached. Duppioni Silk—wild silk; result of two silkworms spinning cocoons together, irregular in diameter, thick-and-thin appearance.
  • 9. Oak Tusar Silk. It is a finer variety of tasar generated by the silkworm, Antheraea proyeli  in India. The main food source is oak plant which found in abundance in the sub-Himalayan belt of India covering the states of Manipur, Himachal Pradesh, Uttar Pradesh, Assam, Meghalaya and Jammu & Kashmir. Thats the reason it is known as Oak Tasar silk. Eri Silk. It is also called Endi or Errandi silk. This creamy white coloured silk is less shinning than mulberry and Tasar silk.. It is obtained from the cocoons of Philosamia ricini  which is a domesticated  silkworm and feed on mainly castor leaves.Muga Silk. This silk is golden yellow in colour and mainly cultivated in Assam. It is obtained from semi-domesticated multivoltine (completed  multiple life-cycle in a year) silkworm, Antheraea assamensis. These silkworms feed on the aromatic leaves of Som and Soalu plants and are reared on trees similar to that of tasar.  The muga silk, an high value product is used in products like sarees, chaddars etc.
  • 10. Mussel Silk. As the name implies, this silk is produced by mussels – yes, the same ones that can be found on seabeds. It is also sometimes called Sea Silk. This differs from the other silk types we’ve mentioned so far as it is not produced by silkworms. Spider Silk. Like Mussel silk, this is the most difficult one to produce as spiders cannot just be bred like silkworms. Spiders cannot produce as much yarn as silkworms either. But though the production of this type of silk may seem difficult, its output is certainly worth the effort. It is regarded as one of the most durable types of silk as it is now being utilised in the production of telescopes, bulletproof vests and wear-resistant clothing! Murshidabad Silk: Silk produced at the ‘Silk Mecca’ of East India. Bangalore Silk: Known for its simplicity and purity of Silk, Bangalore silk is produced in the silk farms of Bangalore. Angora Silk: Known for tender texture, the Angora silk yarn is made up from the fur of meek ‘Angora’ rabbit.
  • 11. Tanchoi Silk: Weaving technique which is a blend of silk from the two countries, India and China. Garad Silk: Garad originates in West Bengal, and is distinguished by its red border and small paisley motifs. Silk fabric used to weave Garad sarees is produced by the silk yarns woven close together which imparts the fine texture. Jamawar: Jamawar Silk is an adulterated form of Pashmina silk which contains a blend of cotton and wool. This is usually used in weaving shawls for the winters. Matka Silk: A rough handloom silk fabric made from the waste Mulberry Silk without removing its gum (sericin) part, largely produced in Karnataka and Kashmir. Banarasi/Benarasi Silk: A fine variant of silk evolving from the lands of Beneras or Varanasi, known for gold and silver work of brocade and zari on the fabric. Mulberry Silk: Purest form of silk extracted from Silkworms, usually produced in yellow, white, or greenish
  • 12. Raw Silk:Raw Silk is the most natural form of delicate fibre of silk with no twist and is unprocessed form of silk that can be easily woven into different fabrics. Kosa Silk: Comes from Chattisgarh, and is known for its soft texture and dull-brownish look, hence available in shades of gold pale, dark honey, cream, etc. Kosa is one kind of Tussar Silk. Pat/Paat Silk: Produced in Eastern India, Pat silk is known for its distinctive brightness, high quality and durable nature. It comes in brilliant white or off-white shades. Cot Silk: A well-blended combination of cotton and silk, Cot silk is a cheaper-priced silk. Kanchipuram: Silk from the village called Kanchipuram in Tamil Nadu, India, this one is known for its durability and shine. The rich quality combined with an amazing finish make them last longer. Bhagalpuri Silk: Known as the ‘Queen of all fabrics’, Bhagalpuri Silk originates from West Bengal and is very well known for its unique and striking resilience and superior quality.
  • 13. Uppada Silk: Also known as Uppada Pattu (Silk in Telugu), Uppada silk comes from Andhra Pradesh. Usually woven in cotton warp, this one is known majorly by the length and breadth count of threads. Art Silk: Short form for artificial silk, art silk is manufactured by a synthetic fiber like Rayon that very much resembles the silk fiber; however, costs a lot less on the front of manufacture and production.
  • 14. PROPERTIES OF SILK: AESTHETICS Silk can be dyed and printed in brilliant colors, available in many fabric types for interior & apparel uses. Luster is soft with an occasional sparkle due to smooth but slightly irregular surface & triangular cross section. Fabric has smooth appearance & luxurious hand, not as slippery as many synthetic fibers. Wild silks have duller luster & more pronounced texture in filament form, has poor covering power—historically often treated with metallic salts weighting to produce better drape, covering power, & dye absorption
  • 15. PROPERTIES OF SILK: DURABILITY Silk has moderate abrasion resistance, seldom receives harsh abrasion due to luxury of use. It is one of strongest natural fibers dry, may lose up to 20% of its strength when wet. Not as elastic as wool because of lack of cross linkages, when silk is stretched even a small amount it does not return to its original length.
  • 16. PROPERTIES OF SILK: COMFORT AND APPEARANCE Silk has good absorbency, sheer silks are comfortable in summer. Poor conductor of heat (like wool), heavier silks comfortably warm in winter. May develop static cling due to smoothness of yarns and fabric weight. Silk is smooth and soft an not irritating to skin. Silk has moderate resistance to wrinkling & fibers do not shrink.
  • 17. PROPERTIES OF SILK : CARE Dry cleaning solvents do not damage silk, may be recommended for silk items because of: •yarn types •dyes with poor fastness to water or laundering •product or fabric construction methods Washable silk items can be laundered in mild detergent solution with gentle agitation. Care should be taken with wet silk—avoid stress. Should be pressed after laundering.
  • 18. Silk may water spot easily, before laundering, test in obscure place. Can be damaged by strong soaps or detergents & high temperatures. Chlorine bleaches should be avoided— hydrogen peroxide & sodium perborate are safe if direction carefully followed. Silk is weakened and yellowed by exposure to sunlight and perspiration. May be attacked by insects, especially carpet beetles.
  • 19. USES OF SILK silk often imitated, cannot be duplicated exactly drape, luster, texture, appearance, comfort, and strength contribute to continued popularity extremely versatile •sheer, gossamer chiffons to heavy, brocades & velvets •active summer sportswear to silk underwear, socks & leggings upholstery, wall coverings, wall hangings & drapery •handmade rugs •sleeping bag liners, blankets & bedsheets •medical uses—sutures, prosthetic arteries, scaffolds & grafts (regenerate ligaments, tendons & other connective tissue)
  • 20. PHYSICAL CHARACTERISTICS OF SILK • Silk is one of the strongest fibres available. • Specific gravity • Ealstic- plastic nature • Elongation- 20-25% under noraml condition • Thermal properties- sensitive to heat • Electric properties- poor conductor • Feel- soft • Drape- flexible
  • 21. END USES OF SILK FABRIC: Apparel: luxury items, wedding dresses, evening gowns, blouses, scarves, neckties Interiors: pillows, wall hangings, draperies, upholstery
  • 22. REACTION WITH CHEMICALS Effects of acids: Concentrated mineral acids will dissolve silk faster than wool. Organic acids do not harm silk. Effects of alkalis: Silk is not as sensitive as wool to alkalis, but it can be damaged if the concentration and the temperature is high. A mild soap or detergent in lukewarm water is thus advisable Affinity for dyes: Silk has good absorbency and thus has good affinity for dyes. Dyed silk is colourfast under most conditions, but its resistance to light is unsatisfactory. Resistance to perspiration: Perspiration and sunlight weakens and yellows silk fabrics. The silk itself deteriorates and the colour is affected causing staining. Garments worn next to the skin should be washed or other wise cleaned after each wearing.
  • 23. Effect of Heat: Silk is sensitive to heat and begins to decompose at 330° F (165° C). The silk fabrics thus have to be ironed when damp. Effect of Light: Silk fabric weakens on exposure to sun light. Raw silks are more resistant to light than degummed silk. Resistance to Mildew: Silks will not mildew unless left for sometime in a damp state or under the extreme conditions of tropical dampness. Resistance to Insects: Silk may be attacked by the larvae or clothe moths or carpet beetles.
  • 24. IDENTIFICATION OF NATURAL PROTEIN FIBRES Natural protein fibers can be identified with microscope fairly easily: •correct ID of specialty wools important due to fraudulent blends. •silk surface not as regular as that of most manufactured fibers. Soluble in sodium hypochlorite. In burn test- fibers smell like burning hair.