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Photography and
Graphic Manipulation


          By Laurie Gagne
 Survey of Instructional Technology
Photographic rules of
     composition and framing
   The following photographs are
examples of the 10 rules for creating
    well photographed pictures.
Centered with Headroom
This is my beautiful step daughter Jessica (who loves to
fish with her dad). Notice that she is centered (with her
            fish) in the center of the frame.
The Rule of Thirds
Imagine that your image is divided into
 9 equal segments by 2 vertical and 2
horizontal lines. The rule of thirds says
   that you should position the most
    important elements in your scene
    along these lines, or at the points
           where they intersect.
 Doing so will add balance and interest
   to your photo. Some cameras even
 offer an option to superimpose a rule
       of thirds grid over the LCD
  screen, making it even easier to use.



The basketball and the lay-up is the
focus of this shot. My son’s hand and
the basketball are the focus.
Another “Rule of Thirds” Photo




                           This photo exhibits
                             the practice of
                          framing a shot using
                           the “rule of thirds”
                           concept to give the
                            subjects “talking
                                  room
VIEWPOINT

Before photographing your subject, take time to think about
where you will shoot it from. Our viewpoint has a massive
impact on the composition of our photo, and as a result it
can greatly affect the message that the shot conveys. Rather
than just shooting from eye level, consider photographing
from high above, down at ground level, from the side, from
the back, from a long way away, from very close up, and so
on.
Extreme Wide Shot (AKA = EWS)




The view is so far from the subject
    that he isn't even visible.
Often used as an establishing shot.
Very Wide Shot
                      (AKA = VWS)

  The subject is
  visible but the
 emphasis is still
on placing him in
 his environment
Wide Shot
AKA =Long Shot
 The subject takes
 up the full frame,
or at least as much
  as comfortably
 possible. This is
  know as a Long
        Shot.
 My son (Colton) is
the subject in this
photo. Notice he is
closer now but you
  can still see his
 whole body in the
       picture.
Mid Shot
Shows some part
 of the subject in
more detail while
   still giving an
impression of the
  whole subject.
 Notice that now
 you can only see
  half of his body
Medium
  Close Up
   This shot falls
halfway between a
  Mid Shot and a
Close Up. You can
  see even more
    detail in the
subject with very
    little of the
 background area.
Close Up
   A certain
  feature or
 part of the
    subject
takes up the
whole frame
The Extreme
  Close Up
This shot gets
   extremely
 close to the
 subject and
  focuses on
“one” feature.
The Eye
 Level Shot
Eye-Level: This is
the most common
   view, being the
 real-world angle
   that we are all
 used to. It shows
   subjects as we
 would expect to
 see them in real
  life. It is a fairly
    neutral shot.
Low
  Angle
This shows the
  subject from
 below, giving
    them the
 impression of
   being more
   powerful or
   dominant.
High
  Angle
 A high angle
  shows the
 subject from
above, i.e. the
  camera is
 angled down
 towards the
   subject.
Using LINES
  When considering the
composition of an image
one of the elements that
    can produce good
pictures is using “lines”.
  The lines that can be
found in images are very
 powerful elements that
with a little practice can
add dynamic impact to a
 photograph in terms of
  mood as well as how
  they lead an image’s
   viewer into a photo.
  Lines lead the viewer
      into the scene.
Using
      LINES
When we look at a photo
    our eye is naturally
  drawn along lines. By
 thinking about how you
     place lines in your
   composition, you can
  affect the way we view
   the image, pulling us
into the picture, towards
    the subject, or on a
  journey "through" the
  scene. There are many
  different types of line -
straight, diagonal, curvy,
  zigzag, radial etc - and
    each can be used to
   enhance our photo's
        composition.
Using Natural Framing
     The world is full of
    objects which make
  perfect natural frames,
 such as trees, archways
   and holes. By placing
these around the edge of
the composition you help
    to isolate the main
 subject from the outside
   world. The result is a
    more focused image
  which draws your eye
   naturally to the main
      point of interest.
                            Petit Jean
Creating
      Depth
  Because photography is a
       two-dimensional
medium, we have to choose
our composition carefully to
 conveys the sense of depth
   that was present in the
    actual scene. You can
 create depth in a photo by
   including objects in the
 foreground, middle ground
  and background. Another
      useful composition
         technique is
   overlapping, where you
     deliberately partially
   obscure one object with
                               Petit Jean Gravesite
  another. The human eye
 naturally recognizes these
     layers and mentally
        separates them
out, creating an image with
          more depth.
Using Symmetry and Patterns
 We are surrounded by
       symmetry and
 patterns, both natural
  and man-made., They
 can make for very eye-
          catching
compositions, particularl
   y in situations where
  they are not expected.
Another great way to use
   them is to break the
 symmetry or pattern in
 some way, introducing
tension and a focal point
        to the scene.
Don’t lose your picture in the background
How many times have you
taken what you thought
would be a great shot, only to
find that the final image lacks
impact because the subject
blends      into     a     busy
background? The human eye
is excellent at distinguishing
between different elements in
a scene, whereas a camera
has a tendency to flatten the
foreground and background,
and this can often ruin an
otherwise      great     photo.
Thankfully this problem is
usually easy to overcome at
the time of shooting - look
around for a plain and
unobtrusive background and          This snake on the walking trail gets lost in the
compose your shot so that it      background. The hiker can see him but the viewer
doesn't distract or detract          of the picture has difficulty picking him out.
from the subject.
Cropping out the
           non-important content
Often a photo will lack
  impact because the
   main subject is so
 small it becomes lost
 among the clutter of
 its surroundings. By
cropping tight around
    the subject you
      eliminate the
 background "noise",
 ensuring the subject
    gets the viewer's
 undivided attention.
Feel Free to Experiment…
  You can always hit “DELETE”
Since the invention of the digital camera, we no
longer have to worry about film processing costs
or running out of shots. As a result,
experimenting with our photos' composition has
become a real possibility; we can fire off tons of
shots and delete the unwanted ones later at
absolutely no extra cost. Take advantage of this
fact and experiment with your composition - you
never know whether an idea will work until you
try it.

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Photography and graphic manipulation

  • 1. Photography and Graphic Manipulation By Laurie Gagne Survey of Instructional Technology
  • 2. Photographic rules of composition and framing The following photographs are examples of the 10 rules for creating well photographed pictures.
  • 3. Centered with Headroom This is my beautiful step daughter Jessica (who loves to fish with her dad). Notice that she is centered (with her fish) in the center of the frame.
  • 4. The Rule of Thirds Imagine that your image is divided into 9 equal segments by 2 vertical and 2 horizontal lines. The rule of thirds says that you should position the most important elements in your scene along these lines, or at the points where they intersect. Doing so will add balance and interest to your photo. Some cameras even offer an option to superimpose a rule of thirds grid over the LCD screen, making it even easier to use. The basketball and the lay-up is the focus of this shot. My son’s hand and the basketball are the focus.
  • 5. Another “Rule of Thirds” Photo This photo exhibits the practice of framing a shot using the “rule of thirds” concept to give the subjects “talking room
  • 6. VIEWPOINT Before photographing your subject, take time to think about where you will shoot it from. Our viewpoint has a massive impact on the composition of our photo, and as a result it can greatly affect the message that the shot conveys. Rather than just shooting from eye level, consider photographing from high above, down at ground level, from the side, from the back, from a long way away, from very close up, and so on.
  • 7. Extreme Wide Shot (AKA = EWS) The view is so far from the subject that he isn't even visible. Often used as an establishing shot.
  • 8. Very Wide Shot (AKA = VWS) The subject is visible but the emphasis is still on placing him in his environment
  • 9. Wide Shot AKA =Long Shot The subject takes up the full frame, or at least as much as comfortably possible. This is know as a Long Shot. My son (Colton) is the subject in this photo. Notice he is closer now but you can still see his whole body in the picture.
  • 10. Mid Shot Shows some part of the subject in more detail while still giving an impression of the whole subject. Notice that now you can only see half of his body
  • 11. Medium Close Up This shot falls halfway between a Mid Shot and a Close Up. You can see even more detail in the subject with very little of the background area.
  • 12. Close Up A certain feature or part of the subject takes up the whole frame
  • 13. The Extreme Close Up This shot gets extremely close to the subject and focuses on “one” feature.
  • 14. The Eye Level Shot Eye-Level: This is the most common view, being the real-world angle that we are all used to. It shows subjects as we would expect to see them in real life. It is a fairly neutral shot.
  • 15. Low Angle This shows the subject from below, giving them the impression of being more powerful or dominant.
  • 16. High Angle A high angle shows the subject from above, i.e. the camera is angled down towards the subject.
  • 17. Using LINES When considering the composition of an image one of the elements that can produce good pictures is using “lines”. The lines that can be found in images are very powerful elements that with a little practice can add dynamic impact to a photograph in terms of mood as well as how they lead an image’s viewer into a photo. Lines lead the viewer into the scene.
  • 18. Using LINES When we look at a photo our eye is naturally drawn along lines. By thinking about how you place lines in your composition, you can affect the way we view the image, pulling us into the picture, towards the subject, or on a journey "through" the scene. There are many different types of line - straight, diagonal, curvy, zigzag, radial etc - and each can be used to enhance our photo's composition.
  • 19. Using Natural Framing The world is full of objects which make perfect natural frames, such as trees, archways and holes. By placing these around the edge of the composition you help to isolate the main subject from the outside world. The result is a more focused image which draws your eye naturally to the main point of interest. Petit Jean
  • 20. Creating Depth Because photography is a two-dimensional medium, we have to choose our composition carefully to conveys the sense of depth that was present in the actual scene. You can create depth in a photo by including objects in the foreground, middle ground and background. Another useful composition technique is overlapping, where you deliberately partially obscure one object with Petit Jean Gravesite another. The human eye naturally recognizes these layers and mentally separates them out, creating an image with more depth.
  • 21. Using Symmetry and Patterns We are surrounded by symmetry and patterns, both natural and man-made., They can make for very eye- catching compositions, particularl y in situations where they are not expected. Another great way to use them is to break the symmetry or pattern in some way, introducing tension and a focal point to the scene.
  • 22. Don’t lose your picture in the background How many times have you taken what you thought would be a great shot, only to find that the final image lacks impact because the subject blends into a busy background? The human eye is excellent at distinguishing between different elements in a scene, whereas a camera has a tendency to flatten the foreground and background, and this can often ruin an otherwise great photo. Thankfully this problem is usually easy to overcome at the time of shooting - look around for a plain and unobtrusive background and This snake on the walking trail gets lost in the compose your shot so that it background. The hiker can see him but the viewer doesn't distract or detract of the picture has difficulty picking him out. from the subject.
  • 23. Cropping out the non-important content Often a photo will lack impact because the main subject is so small it becomes lost among the clutter of its surroundings. By cropping tight around the subject you eliminate the background "noise", ensuring the subject gets the viewer's undivided attention.
  • 24. Feel Free to Experiment… You can always hit “DELETE” Since the invention of the digital camera, we no longer have to worry about film processing costs or running out of shots. As a result, experimenting with our photos' composition has become a real possibility; we can fire off tons of shots and delete the unwanted ones later at absolutely no extra cost. Take advantage of this fact and experiment with your composition - you never know whether an idea will work until you try it.