1. Poetic Speculation
Towards the Ontology of Interactive Artifacts
詩意的推測
朝向互動設計物的本體
Rung-Huei Liang, NTUST (National Taiwan University of Speculative
Technology)
梁容輝
國立台灣推測大學

2. 前情提要

3. 互動設計的轉向
• 實證主義轉向: 第一派典、工程/人因
• 後實證主義轉向: 第二派典、認知心理
• ---------以上請認真修課學習，以下慎入，後果請自行負責 --------
• 批判轉向: critical design, Anthony Dunne, 1999
• 現象學轉向: embodied interaction, Paul Dourish, 2001
• 美學轉向: aesthetic interaction, Hummels & Overbeeke, 2010
• 物質轉向: material turn, Robles & Wiberg, 2010
• 推測轉向: speculative turn, Levi Bryant et al. 2011

4. 批判轉向: Critical Design
• 設計作為批判，用設計提出問題
• 挑戰社會現況，不同於肯定設計
(affirmative design)
Teddy Bear Bloodbag Radio, Dunne & Raby

6. 現象學轉向: Embodied Interaction
• Embodiment (體現) reflects both a physical presence in the world and
a social embedding in a web of practices and purposes. ~Dourish
• The embodied nature of action (and actors) was central to Merleau-
Ponty’s philosophy. ~Dourish

7. 美學轉向: Aesthetic Interaction
• There is no such thing as
absolute Aesthetics.
• Design is about our lives,
about our being-in-the-world.
• Beauty emanates from our
unity with the world. It is pre-
reflective. ~ Hummels &
Overbeeke, 2010

8. 物質轉向:
Material Interaction
• Computational Composite
Ice Hotel X Planks

9. 推測轉向: Speculative Design
Audio tooth implant, auger-loizeau, 2001 Solar Sinter, Markus Kayser, 2011

10. 回到重點: 本體 (ontology)

11. Ontological Design 本體論設計
“We design our world, while our world acts back on us and designs us.” ~ Anne-Marie Willis

12. “語言是人類的居所” ~ 海德格
“語言” 依然次於人類

13. “We design our world, while our world acts back on us and designs us” ~ Anne-Marie Willis
我們設計了語言，語言反過來作用在我們身上並且設計我們。

14. Actor Network Theory (ANT)
ANT is often associated with the equal treatment of human and non-human actors.
行為者網絡理論中，人類與非人類被 同等 對待。
搜尋 “Bruno Latour”

15. Object Oriented Ontology (OOO)
a metaphysical movement that rejects the privileging of human existence over the existence of nonhuman objects.
否定 "人類存有超越非人類存有"
搜尋 “Graham Harman”

16. 推測哲學 (Speculative Philosophy)
• cannot be verified by everyday experience of the physical world or by
a scientific method.
• Plato, Schelling, Whitehead
• Speculative thinking v.s. philosophy of science
• Speculative thinking v.s. critical philosophy
• Speculative physics (推測物理學，宇宙生成論、量子物理、超弦…)
• Including: poetry, art, ritual, imagination, myth

17. Speculative realism (推測實在論)
• 康德: 人只能知道思想(thought)與存在(being)之間的關聯。除此之外，
一切是不可知。
• Thing-in-itself: 不可知，但可以想像。
• Materialism: 對人類中心論(anthropocentrism)的批判
• Realism: 對觀念論(idealism)的批判 (本體論兩大派別: 觀念論＆實在論)
• 海德格現象學橫掃二十世紀歐陸哲學，以人為中心的哲學如今重新
被檢視。

18. 設計的哲學基礎
• 設計如果只談科學基礎，無法觸及其本體。
• 設計學的本體論是 Object-Oriented Philosophy (物件導向哲學) ~
Levi Bryant
• 設計如果談本體，必定是實在論而非觀念論(realism, not idealism)，
必定是唯物論而非人類中心論(materialism, not anthropocentrism)：
再見了，使用者中心設計。
• 讓設計物以自身的存在(being-as-itself)向人類揭露，而非由高傲的
人類獨擁詮釋權：再見了，海德格。

19. “Even a brick wants to be something”
Louis Kahn

20. “Even an Arduino wants to be something”

21. The History Tablecloth
Objects (桌布、茶壺、日常用品) are active participants in social relationships.
The ‘sociality’ of the History Tablecloth, then, is one that
includes a wide variety of objects, people, as well as their
home environment. “An Internet of Social Things”

22. Keynect
The somewhat random
movement of keys
between rooms, teachers,
and hooks is a source of
intrigue and serendipity
for its users.

23. Hello Lamppost

24. Kandinsky 教我們如何學設計

25. 互動設計的包浩斯: 回到設計物的本體
Pierce & Paulos, 2013

26. Pierce & Paulos, 2013

27. 許元耀，林子虹， 2015

28. Kwak, et al., 2014

29. 歡迎你，物的共和國
Animism as a Metaphor for Interaction Design (CHI’13) 泛靈論作為互動設計
隱喻

30. Serious & Naughty
陳泳勳，2014

31. Twins: Form+Movement as Poetic Form

32. Temperature as Poetic Material

33. Conclusion
• Mythical world as underlining belief of life (Vico)
• to give sense and passion to insensate things (Vico) rather than to
solve ‘wicked problems’ in the functional world.
• imagination upon unknowing things (Vico)