NOTE: Please download and install first the fonts listed at the end of the presentation. 2nd Quarter Grade 8 ARTS East Asian Arts A. Arts of Japan B. Arts of China C. Arts of Korea * Painting * Calligraphy * Architecture * Woodblock Printing * Face Painting (Kabuki & Peking Opera) * Mask Painting (Korea) * Paper Arts (Paper Cutting, Paper Folding, Paper Kites) * Knot Tying

1. Unit 2
East Asian Arts
Mr. Carlo
Justino J. Luna
Malabanias Integrated School
Angeles City

2. Painting

3. Did You Know?
Did you know that painting
started from prehistoric men?

4. Early Paintings
Prehistoric men used:
red ochre
black pigment

5. Early Paintings
Often showed hunting scenes
of man chasing various
animals

7. Early Paintings
were drawn on the walls of
caves, blocks of stones, etc.
Some are found in China.

9. Eastern
PaintingsThe history of Eastern painting
is as old as the civilization of
China.

10. “Spring Outing of the Tang Court”

11. What are the
Painting
Subjects of
East Asian
countries?

12. Country
JAPAN
Painting
Subjects1. scenes from
everyday life
2. narrative scenes
crowded with
figures and details

13. Country
CHINA
Painting
Subjects1. flowers and birds
2. landscapes
3. palaces and temples
4. human figures
5. animals
6. bamboos and stones

14. Country
KOREA
Painting
Subjects1. landscape paintings
2. Minhwa (the traditional folk
painting)
3. four gracious plants (plum
blossoms, orchids or wild orchids,
chrysanthemums, and bamboo)
4. bamboo
5. portraits

15. Important Aspects in East Asian
PaintingLandscape painting was regarded as the
highest form of Chinese painting.
Three concepts of Chinese arts:
a. Heaven
b. Earth
c. Humankind (Yin-Yang)

16. Light / Bright / Sun
Strong / Assertive
Dry / Hot / Fire
Male
Positive Charge
Heaven
Spring and Summer
Dark / Moon
Recessive /
Nurturing
Damp / Cool / Water
Female
Negative Charge
Earth
Yan
g
Yin

17. Important Aspects in East Asian
PaintingSilk was often used as the medium to
paint upon, but it was quite expensive.
Cai Lun invented paper in the 1st century
A.D.
The invention of paper provided not only a
cheap and widespread medium for writing,
but painting became more economical.

18. Toah
Korea
Shutou
Sansui-zu
Sesshu
(Winter
landscape)
Japan

19. Important Aspects in East Asian
PaintingThe ideologies of Confucianism, Daoism,
and Buddhism played important roles in
East Asian art.
Chinese art expresses the human
understanding of the relationship
between nature and humans.

20. Shen
Zhou
(Poet on
Mountain)
China

21. Important Aspects in East Asian
PaintingThe history of Korean painting dates to
108 C.E., when it appears as an
independent form.
It is said that until the Joseon Dynasty
the primary influence of Korean paintings
were Chinese paintings.

22. Important Aspects in East Asian
PaintingMountains and water are important
features in Korean landscape painting
because it is a site for building temples
and buildings.

23. Important Aspects in East Asian
PaintingLandscape painting represents both a
portrayal of nature itself and a codified
illustration of the human view of nature
and the world.

24. Activity 1

25. Activity 1: Paint Me A Picture
You can use any of the following medium
in painting:
+ black/brown coffee (instant)
+ charcoal
+ gumamela flower extract
+ azuete
+ any colourful leaves, vegetables and fruits
+ bricks (different colors) or flower pot
😉

26. Calligrap

27. Calligraphy
Painting is closely related to
calligraphy among the
Chinese people. What is
calligraphy?

28. Calligraphy
To the Chinese,
calligraphy is the
art of beautiful
handwriting.

29. Calligraphy
Traditional painting involves
essentially the same techniques
as calligraphy and is done with a
brush dipped in black or colored
ink; oils are not used.

30. Calligraphy
In calligraphy, the popular
materials which paintings are
made of are paper and silk.

31. Poets write their calligraphy on their
paintings.

32. Paintings can be
mounted on
scrolls, such as
hanging or hand
scrolls, album
sheets, walls,
lacquerware,
folding screens,
and other media

33. Cangjie
- is the legendary inventor of Chinese
writing
- got his ideas from observing animals’
footprints and birds’ claw marks on the
sand as well as other natural phenomena

34. Activity 2

35. Activity 2: Print Me A
Message!Write your selected verse or message
in calligraphic style then affix your
nickname at the right corner below your
artwork with the use of Chinese brush
and watercolor.

37. Architectu

38. Architecture
Why do temples
and buildings in
China, Japan, and
Korea have
sweeping roofs?

39. Architecture
East Asian temples and
houses have sweeping roofs
because they believe that it will
protect them from the
elements of water, wind, and
fire.

40. Architecture
Buddhists believed that it
helped ward off evil spirits
which were deemed to be
straight lines.

41. Architecture
The figures at the
tips are called roof
guards.

42. Main Types of Roofs
1. Straight-inclined
- are more
economical for
common Chinese
architecture

43. Main Types of Roofs
2. Multi-inclined
- roofs with two or more
sections inclined
- are used for residences
of wealthy Chinese

44. Main Types of Roofs
3. Sweeping
- have curves that rise at
the corners of the roofs
- usually reserved for
temples and palaces

45. Woodblock
Printing

46. Woodblock
PrintingWoodblock printing is a technique
for printing text, images, or patterns
used widely throughout East Asia.

47. Woodblock
PrintingIt originated in China as a method
of printing on textiles but eventually
became a method for printing on
paper.

48. Woodblock
PrintingThis method was adapted in Japan
during the Edo period (1603 –
1867) and became one of their
oldest and most highly developed
visual arts.

49. Woodblock
PrintingThe most common theme in Japan
for printmaking describes scenes
from everyday life. It narrates the
scene and is often packed with
figures and detail.

50. The Great
Wave Off
Kanagawa
Kanagawa-oki
Nami-ura
Japan

53. Ukiyo-e
- Japanese for “pictures
of the floating world”
- the best known and
most popular style of
Japanese art

54. Ukiyo-e
- related to the style of
woodblock print
making that shows
scenes of harmony
and carefree everyday
living

56. Theatrical
Performances

57. Theatrical
PerformancesPaintings in East Asia
do not only apply on
paper, silk and wood.

58. Theatrical
Performances
Face Painting
Uses their faces as the canvass for
painting.
1. Kabuki (Japan)
2. Peking Opera (China)
Mask painting (Korea)

59. Peking Opera
Face Painting

60. Peking Opera / Jingju
Lianpu- is done with different
colors in accordance
with the performing
characters’ personality
and historical
assessment

61. Peking Opera / Jingju
LianpuHero type characters are normally
painted in relatively simple colors.
Enemies, bandits, rebels and others
have more complicated designs on
their faces.

62. Peking Opera / Jingju
LianpuIt is a traditional special way of make-
up in Chinese operas in pursuit of the
expected effect of performance.
Originally, Lianpu is called the false
mask.

63. Meaning of Colors for Face
PaintingGuan Ju
Red indicates devotion,
courage, bravery,
uprightness, and
loyalty.

64. Meaning of Colors for Face
PaintingHuang Pang
Yellow signifies
fierceness, ambition,
and cool-headedness.

65. Meaning of Colors for Face
PaintingZhu Wen
A green face tells the
audience that the
character is not only
impulsive and violent, he
also lacks self-restraint.

66. Meaning of Colors for Face
PaintingZhang Fei
Black symbolizes
roughness and fierceness.
The black face indicates
either a rough and bold
character or an impartial
and selfless personality.

67. Meaning of Colors for Face
PaintingLian Po
Purple stands for
uprightness and cool-
headedness. While a
reddish purple face
indicates a just and noble
character.

68. Meaning of Colors for Face
PaintingCao Cao
White suggests treachery,
suspiciousness and
craftiness. It is common to
see the white face of the
powerful villain on stage.

69. Meaning of Colors for Face
PaintingJiang Gan
The clown or chou in
Chinese Opera has
special makeup patterns
called xiaohualian (the
petty painted face).

70. Meaning of Colors for Face
PaintingJiang Gan
Sometimes a small patch
of chalk is painted around
the nose to show a mean
and secretive character.

71. Meaning of Colors for Face
PaintingJiang Gan
At times, the xiaohualian
is also painted on a young
page or jesting to enliven
up the performance.

72. Meaning of Colors for Face
PaintingNOTE:
Gold and silver colors are usually
used for gods and spirits.

73. Kabuki Makeup
of Japan

74. Kabuki Makeup /
Kesho- is already in itself an
interpretation of the
actor’s own role
through the medium of
the facial features

75. Types of Kabuki
Makeup1. Standard Makeup
- applied to most actors
2. Kumadori Makeup
- applied to villains and
heroes

76. Colors in Kabuki
MakeupIt is composed of very
dramatic lines and
shapes using colors that
represent certain
qualities.

77. Colors in Kabuki
MakeupDark Red
- passion or
anger

78. Colors in Kabuki
MakeupDark Blue
- depression
or sadness

79. Colors in Kabuki
MakeupPink
- youth
Black
- fear

80. Colors in Kabuki
MakeupLight Green
- Calm
Purple
- nobility

81. Kumadori: The Painted
Faces of Japanese
Kabuki Theater

82. Korean Masks

83. Korean Masks
- called tal or t’al
- originated with religious meaning
just like the masks of other countries
which also have religious or artistic
origins

84. Korean Masks
Korea has a rich history
of masks.
* They use it in funeral
services to help banish
evil spirits and theatre
plays dating back to the
prehistoric age.

85. Korean Masks
* Masks were also used
for shamanistic rites.
* By the 12th century,
the masks became part
of elaborate dances and
dramas.

86. The Roles of Colors in
Korean Masks1. Black, Red, and White
- bright and vibrant
colors that help
establish the age and
race of the figure

87. The Roles of Colors in
Korean Masks2. Half Red and Half
White Mask
- symbolize the idea
that the wearer has
two fathers, Mr. Red
and Mr. White

88. The Roles of Colors in
Korean Masks3. Dark-faced Mask
- indicates that the
character was born of
an adulterous mother

89. The Roles of Colors in
Korean Masks* Some masks have moving parts like
winking or shifting eyes and moving
mouths.
* To further add to the lifelike features of
the masks, black fabric is draped from the
top of the mask over the wearer's head to
simulate hair.

90. Paper Arts &
Knot Tying

91. Paper Arts
What are the paper arts of China,
Japan, and Korea? Who invented
paper?
Paper has a great function in the
development of arts not only in East
Asia but all over the world.

92. Paper Arts
• Paper was first invented by Cai Lun
of the Eastern Han Dynasty in
China.
• It is indeed one of the greatest
contributions of ancient China in
the development of arts.

93. Folk Arts of China
1. Paper Cutting

94. Folk Arts of China
2. Chinese Knots

95. Folk Arts of China
3. Paper Folding

96. Folk Arts of China
4. Paper Kites

97. Paper Arts of China
The earliest document showing paper
folding is a picture of a small paper
boat in an edition of Tractatus de
Sphaera Mundi from 1490 by Johannes
de
Sacrobosco.

98. Burning of Yuanbao
In China, traditional funerals include
burning yuanbao which is a folded
paper that look like gold nuggets or
ingots called Sycee.

99. Burning of Yuanbao
- is also used for other ceremonial
practices
- is commonly done at their
ancestors’ graves during the Ghost
Festival

100. Sycee
- is a type of silver or gold ingot
currency used in China until the
20th century
- The name is derived from the
Cantonese words meaning “fine
silk”

101. Paper Folding Sycee
- The gold paper is/was folded
to look like a sycee.

102. Sycee - Today, imitation gold sycees
are used as a symbol of
prosperity by Chinese and
are frequently displayed
during Chinese New Year.

103. Origami

104. Origami
- came from ori meaning “folding”
and kami meaning “paper”
- is the traditional Japanese art of
paper folding
- started in the 17th century A.D. and
was popularized internationally in
the mid-1900s

105. Origami
Goal:
To transform a flat sheet of paper into
a finished sculpture through folding
and sculpting techniques without
cutting as much as possible

106. Paper Crane
Paper crane is the
best known
Japanese origami.

107. Paper Cranes

108. Modular Origami / 3D
Origami

109. Paper Cutting

110. Paper Cutting
- usually symmetrical in
design when unfolded
- adapts the 12 animals
of the Chinese Zodiac
as themes and motifs
- mostly chooses the
red color

111. Paper Cutting
- The process of
paper cutting is
aided by a pair of
scissors or knife
and other sharp flat
cutters.

112. Paper Cutting
- Chinese Buddhists believe
that hanging “Window
Flowers” or decorative
paper cuttings attract
good luck and drive away
evil spirits.

113. Jianzhi Jianzhi is the first type of
paper cutting design, since
paper was invented by the
Chinese. The cut outs are
also used to decorate doors
and windows. They are
sometimes referred to as
chuāng huā, meaning
“window flower.”

114. Kite Making

115. Kite Making
- A kite is an assembled or
joined aircraft that was
traditionally made of silk or
paper with a bowline and a
resilient bamboo.

116. Kite Making
- Today, kites can be made
out of plastic.
- Kites are flown for
recreational purposes,
display of one’s artistic
skills.

117. Kite Making
- Chinese kites originated in
Wei Fang, Sandong.
- According to Joseph
Needham, kite is one of the
important contributions of
Chinese in science and
technology.

118. Categories of
Chinese Kites1. Centipede kites
2. Hard-winged kites
3. Soft-winged kites
4. Flat kites

119. Knot Tying

120. Knot Tying
In Korea, decorative
knot work is known as
maedeup or called
dorae or double
connection knot, often
called Korean knot work
or Korean knots.

121. Knot Tying
Zhongguo is the
Chinese decorative
handicraft art that began
as a form of Chinese
folk art in theTang and
Song Dynasty (960-
1279 AD) in China.

122. Knot Tying
In Japan, knot tying is
called hanamusubi. It
emphasizes on braids
and focuses on individual
knots.

123. THANK
YOUMr. Carlo Justino J.
Luna
Malabanias Integrated School
Angeles City

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