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The birth of POP!
Happy Days, Baby BOOMS and
consumer culture.
Early POP!
• Artists began to move away from concepts
addressed by Abstract Expressionists about
the inner struggle of the self.
• Instead, they began to look out into the ever-
changing landscape in which they lived for
inspiration.
• At this time the world was flooded with
consumer goods, new imagery and a new way
of life.
Jasper Johns
• 1954 he destroyed all of his prior work.
• He worked as a bookseller in NY and also
worked closely with Robert Rauschenburg
decorating the window displays and walls of
Tiffany Co.
• He then painted “Flag”
Flag Detail and Purpose:
This painting is used with a
medium called encaustic.
It is a heated wax mixed with
pigment that is layered up to
create a translucent texture.
He did not only include
pigment/paint but layers of
magazines and newspaper
clippings from around his
studio.
MEANING:
Johns began to turn to images
that already existed in the
world, there was no need to
invent new imagery when
bombarded by so many each
day.
Johh’s removed an ordinary object from his experience
and attempted to empty it of historical significance,
recreating it in paint through the art of painting.
We can recognize the image and know what it means
but at the same time see that it was painted.
Early Robert Rauschenberg
Began to incorporate found
objects into his work.
Collage or assemblage.
This is significant because it
allows artists to have a
variety of new materials to
work with.
Found objects and brought cheap mass produced
materials were elevated to High ART status!
Richard Hamilton the Father of POP
ART.
Pop art is: popular, transient, expendable, low-cost,
mass produced, young, witty, sexy, gimmicky,
glamorous and BIG Business.
‘Just What Makes Todays Homes So
Different, So Appealing?”
• Consumption of Mass Media
• A new concentrated form of ironic picture of the
postmodern Society.
• Adam and Eve “Interior”
• Symbols of American Life
• Reflects the economic and social dreams of the
American People.
• POP!= Adams Fig leaf and the start of a
movement.
Tom Wessleman
Screwed in coke bottles
Painted fruit and patterns,
Clippings from magazines.
In edible, almost toxic and
Falling into your lap.
Composition.
“with collage you can use anything and that
Adds variety.”
Early Andy Warhol
Warhol
• Began as a fashion illustrator SHOES
• Commercial artist, first
• Images were of comic strips
• In NY department stores.
• Created a new kind of still life
Displayed as they would
Be at a grocery store
Each hand painted with
Not trace of expressive
Gesture or individuality
Converted into a HEROIC
Scale. Larger than life, but
from life.
Used serial repetition to
Question the traditional
concept of originality and
somehow managed to turn
an everyday item into a
collectors item.
Commenting on the Automation and Dehumanizing of
modern society and consistently denying any claim to
originality.
Confused the boundaries of mass art and High culture while challenging the
Conventions of museum and gallery settings.
Roy Lichtenstein
James Rosenquist
Later Rauschenberg
WARHOL
“Making
money is
art and
working is
art and
good
business is
the best
art.”
Film, Fame and Death
The blurring
made the
images feel
like a movie
reel and
hinted at the
passing
nature of
time and
fame.
“People sometimes say that
the way things happen in
the movies is unreal, but
actually, it’s the way things
happen to you in life that’s
unreal. The movies make
emotions look strong and
real, whereas when things
really do happen to you, it’s
like you’re watching
television — you don’t feel
anything.”
“In the
future,
Everyone
will be
famous for
15
minutes.”
Birth of pop
Birth of pop
Birth of pop
Birth of pop
Birth of pop

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Birth of pop

  • 1. The birth of POP! Happy Days, Baby BOOMS and consumer culture.
  • 2. Early POP! • Artists began to move away from concepts addressed by Abstract Expressionists about the inner struggle of the self. • Instead, they began to look out into the ever- changing landscape in which they lived for inspiration. • At this time the world was flooded with consumer goods, new imagery and a new way of life.
  • 3. Jasper Johns • 1954 he destroyed all of his prior work. • He worked as a bookseller in NY and also worked closely with Robert Rauschenburg decorating the window displays and walls of Tiffany Co. • He then painted “Flag”
  • 4.
  • 5. Flag Detail and Purpose: This painting is used with a medium called encaustic. It is a heated wax mixed with pigment that is layered up to create a translucent texture. He did not only include pigment/paint but layers of magazines and newspaper clippings from around his studio. MEANING: Johns began to turn to images that already existed in the world, there was no need to invent new imagery when bombarded by so many each day. Johh’s removed an ordinary object from his experience and attempted to empty it of historical significance, recreating it in paint through the art of painting. We can recognize the image and know what it means but at the same time see that it was painted.
  • 6. Early Robert Rauschenberg Began to incorporate found objects into his work. Collage or assemblage. This is significant because it allows artists to have a variety of new materials to work with.
  • 7. Found objects and brought cheap mass produced materials were elevated to High ART status!
  • 8. Richard Hamilton the Father of POP ART. Pop art is: popular, transient, expendable, low-cost, mass produced, young, witty, sexy, gimmicky, glamorous and BIG Business.
  • 9.
  • 10. ‘Just What Makes Todays Homes So Different, So Appealing?” • Consumption of Mass Media • A new concentrated form of ironic picture of the postmodern Society. • Adam and Eve “Interior” • Symbols of American Life • Reflects the economic and social dreams of the American People. • POP!= Adams Fig leaf and the start of a movement.
  • 12. Screwed in coke bottles Painted fruit and patterns, Clippings from magazines. In edible, almost toxic and Falling into your lap. Composition. “with collage you can use anything and that Adds variety.”
  • 14. Warhol • Began as a fashion illustrator SHOES • Commercial artist, first • Images were of comic strips • In NY department stores. • Created a new kind of still life
  • 15.
  • 16. Displayed as they would Be at a grocery store Each hand painted with Not trace of expressive Gesture or individuality Converted into a HEROIC Scale. Larger than life, but from life. Used serial repetition to Question the traditional concept of originality and somehow managed to turn an everyday item into a collectors item. Commenting on the Automation and Dehumanizing of modern society and consistently denying any claim to originality. Confused the boundaries of mass art and High culture while challenging the Conventions of museum and gallery settings.
  • 18.
  • 20.
  • 21.
  • 22.
  • 23.
  • 25. WARHOL “Making money is art and working is art and good business is the best art.”
  • 26. Film, Fame and Death
  • 27. The blurring made the images feel like a movie reel and hinted at the passing nature of time and fame.
  • 28.
  • 29. “People sometimes say that the way things happen in the movies is unreal, but actually, it’s the way things happen to you in life that’s unreal. The movies make emotions look strong and real, whereas when things really do happen to you, it’s like you’re watching television — you don’t feel anything.”
  • 30.
  • 31.
  • 32.
  • 33.