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SOULMATE SKETCH - PSYCHIC DRAWINGS
1. What is a sketch?
Sketching is drawing and taking notes in the artist's way in front of different
descriptive objects.
Sketches have many different purposes such as sketches to document page layout,
sketches to decorate documents, sketches directly into sketches, and sketches to
memorize, .... Therefore, there are many different ways or methods of sketching. For
example: Sketching with pencil on paper, sketching with ink, liquid, pastel, gouache,
iron pen, brush, etc. moving objects such as people, objects, birds, and animals, ...
or when the artist has very little time to take advantage of a few minutes to catch up,
such as a few landscape strokes to remember, fleeting living landscapes, shapes the
animals pass by. ...
Deep sketch, also known as deep drawing, is used to draw relatively static objects,
architectural landscapes, decorative motifs, architecture, tools, clothes, etc. painting
if there is an ideological theme and a good aesthetic feeling is achieved.
The above is about sketching in general, and this document will talk about sketching
as a document to make decorative layouts and depending on the object, the
situation, and the requirements, using the short drawing method, the intensive
sketching method. acting or sketching for the purpose of taking notes for memory.
2. Why sketch? Can I use photo documents?
There are many reasons why professional artists and students alike need to sketch.
From the point of view of MS Fine Arts, we believe that sketching is an indispensable
subject for any artist. In front of each object, each person's emotions are rarely the
same. For example, the same sketch of a country fair scene has an artist painting a
dull and poor picture, while another artist exploits the bustling rhythmic aspect into a
rhythmic decorative painting like on the stage... . That is not to mention the
difference in the vibration of each person's pen. Therefore, the objectivity of the
photo can be one of the references, but it cannot be substituted for the sketch
because, in essence, art is the creation with the most personal imprints.
On the other hand, sketching is a method of practicing the ability to transform
objective images of nature into artistic vestiges, which in turn can be transformed
into compositions, easels, or decorations. If we look at the lacquer painting - a
decorative screen depicting the mosquito nets and banana leaves by the artist
Nguyen Gia Tri, we will understand the above things more deeply, and understand
why sketches and photographs are not necessary. can replace the sketch.
3. Is the sketch of flowers and animals used as decorative materials
different from the sketches used for easel paintings?
In essence, there is no difference, but for different purposes, the drawing
requirements are also somewhat different. As for sketches as decorative materials,
we also go through a creative phase, followed by stylization into decorative motifs,
then rearranging, adding, and removing new lines and pieces into a layout. decorate.
and if it is a decorative layout made of paper-cut materials, curling iron or ceramic,
woolen carpet, lacquer, or glass.... how to decorate it to suit the reality of processing
technology. The art of each material, even more, dominates the selection of the
sketch object as well as the exploitation of the beautiful aspects of that object. In
general, sketches for decorative materials are often inclined to exploit the beauty of
the appearance, and rhythmic rhythm of the image to show the beauty of the object.
And sketches to make easel paintings are often biased towards the emotional quality
and vibration of the subject. However, it should also be remembered that there is no
absolute boundary between these two types of sketches.
4. Things to keep in mind when sketching flowers and leaves as
decorative materials.
Decorative painters have their own creative goals and their own difficulties. The
basic exercise is to go to the final stage of the goal of creating decorative works with
materials: it can be suitable for printing technology, textile technology, or metal and
ceramic processing technology. , porcelain, glass.
Therefore, when taking documents, not only can the artist's interesting emotions be
drawn to the object, but mainly to record the beauty of the structure, quality, rhythm,
and rhythm of the object. Only then will there be a basis for stylization and aesthetic
enhancement in accordance with the material shown.
A specific example: We draw a sketch of bamboo for decoration, we should not
sketch with dotted lines like a Chinese painting, but must draw carefully, studying
and drawing to exploit the beauty emanating from the original. bamboo with roots,
from bamboo stalks to longitudinal fibers along with bamboo eyes like rhythms in
music. Then the slender bamboo branches zigzag, along with the bunches of long
and intertwined leaves that spread out like hands. Drawing from petioles, and leaf
fibers onwards to exploit the beauty of its structure, of course, we do not draw a
whole bamboo bush like that, but criticize each part and draw it carefully until it is
absorbed. Stylized, composing, we will have a smooth visual quality, very real,
although very different from reality.
In addition, we must remember, nature is always the master of richness in creating
the beauty of all species. Sketching attentively and passionately is that we are
learning that creative copy!
5. How to draw animals correctly and vividly?
Floral sketches are relatively static animal sketches. And animal sketches are
dynamic. It is very difficult, of course, to draw dynamic objects and bring them to life.
To solve that problem, there must be a method. First of all, you don't have to draw
fully to express the vividness. When celebrities died, it was common in Europe to
plaster their faces or hands. Although very correct about every detail, it is still a dead
face, a dead hand. The erection of famous statues still has to rely on sculptors.
Other sculptors do not mold like the real thing, but vividly mold the true god that
exudes the spirit of famous people.
So, drawing animals correctly and vividly does not mean thinking about every inch of
them.
The vitality in the picture is the vividness, first of all, the shape, which the painters
often say is to capture the shape. From an aesthetic point of view, the shapes are
the figures expressed in the most typical postures that highlight the child's
characteristics. object in its motion. You have to practice to get that pose. To do so,
before drawing, we should grasp the way of walking, standing, lying, sitting, flying,
jumping, or swimming of the animals we want to sketch. Compare animals with
similar structures such as cows, horses, goats, pigs ... or chickens, geese, geese,...
Together to see where the basic difference is, in terms of shape, and appearance,
then we have to feel the substance from which the character of each animal
emerges. For example, a Chau has horns bigger than an ox, elbow joints are coarser
than an ox, slow, full of peaks, and more superficial than an ox. One can even feel
that the pearl is more honest, more loyal than the cow,
These comments and feelings help us to sketch properly and deeply, expressing the
spirit of the animal without necessarily drawing carefully. Next, we sketch directly on
the paper with quick strokes. The most general way to get in shape. Don't rush into
details right away. Then, if there is still time, go into the typical parts and details. The
sketch there is considered complete. As for the characteristic parts such as the
head, nose, eyes, feet, and nails ... we draw more on the side. Each animal should
be drawn in many shapes in different poses. Drawing to a certain extent is
considered to have been memorized and fabricated without a pattern but still very
similar.
It is here that we have answered why sketches are needed and how sketches are
needed. Now we are also moving to the next part, which is stylization and reference
to some good sketching exercises in the system of exercises of basic decoration of
first-year students of the basic department of American University. industrial art.
SoulMate Sketch - Psychic Drawings: CLICK HERE

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SoulMate Sketch.pdf

  • 1. SOULMATE SKETCH - PSYCHIC DRAWINGS 1. What is a sketch? Sketching is drawing and taking notes in the artist's way in front of different descriptive objects. Sketches have many different purposes such as sketches to document page layout, sketches to decorate documents, sketches directly into sketches, and sketches to memorize, .... Therefore, there are many different ways or methods of sketching. For example: Sketching with pencil on paper, sketching with ink, liquid, pastel, gouache, iron pen, brush, etc. moving objects such as people, objects, birds, and animals, ... or when the artist has very little time to take advantage of a few minutes to catch up, such as a few landscape strokes to remember, fleeting living landscapes, shapes the animals pass by. ... Deep sketch, also known as deep drawing, is used to draw relatively static objects, architectural landscapes, decorative motifs, architecture, tools, clothes, etc. painting if there is an ideological theme and a good aesthetic feeling is achieved. The above is about sketching in general, and this document will talk about sketching as a document to make decorative layouts and depending on the object, the situation, and the requirements, using the short drawing method, the intensive sketching method. acting or sketching for the purpose of taking notes for memory.
  • 2. 2. Why sketch? Can I use photo documents? There are many reasons why professional artists and students alike need to sketch. From the point of view of MS Fine Arts, we believe that sketching is an indispensable subject for any artist. In front of each object, each person's emotions are rarely the same. For example, the same sketch of a country fair scene has an artist painting a dull and poor picture, while another artist exploits the bustling rhythmic aspect into a rhythmic decorative painting like on the stage... . That is not to mention the difference in the vibration of each person's pen. Therefore, the objectivity of the photo can be one of the references, but it cannot be substituted for the sketch because, in essence, art is the creation with the most personal imprints. On the other hand, sketching is a method of practicing the ability to transform objective images of nature into artistic vestiges, which in turn can be transformed into compositions, easels, or decorations. If we look at the lacquer painting - a decorative screen depicting the mosquito nets and banana leaves by the artist Nguyen Gia Tri, we will understand the above things more deeply, and understand why sketches and photographs are not necessary. can replace the sketch.
  • 3. 3. Is the sketch of flowers and animals used as decorative materials different from the sketches used for easel paintings? In essence, there is no difference, but for different purposes, the drawing requirements are also somewhat different. As for sketches as decorative materials, we also go through a creative phase, followed by stylization into decorative motifs, then rearranging, adding, and removing new lines and pieces into a layout. decorate. and if it is a decorative layout made of paper-cut materials, curling iron or ceramic, woolen carpet, lacquer, or glass.... how to decorate it to suit the reality of processing technology. The art of each material, even more, dominates the selection of the sketch object as well as the exploitation of the beautiful aspects of that object. In general, sketches for decorative materials are often inclined to exploit the beauty of the appearance, and rhythmic rhythm of the image to show the beauty of the object. And sketches to make easel paintings are often biased towards the emotional quality and vibration of the subject. However, it should also be remembered that there is no absolute boundary between these two types of sketches. 4. Things to keep in mind when sketching flowers and leaves as decorative materials. Decorative painters have their own creative goals and their own difficulties. The basic exercise is to go to the final stage of the goal of creating decorative works with
  • 4. materials: it can be suitable for printing technology, textile technology, or metal and ceramic processing technology. , porcelain, glass. Therefore, when taking documents, not only can the artist's interesting emotions be drawn to the object, but mainly to record the beauty of the structure, quality, rhythm, and rhythm of the object. Only then will there be a basis for stylization and aesthetic enhancement in accordance with the material shown. A specific example: We draw a sketch of bamboo for decoration, we should not sketch with dotted lines like a Chinese painting, but must draw carefully, studying and drawing to exploit the beauty emanating from the original. bamboo with roots, from bamboo stalks to longitudinal fibers along with bamboo eyes like rhythms in music. Then the slender bamboo branches zigzag, along with the bunches of long and intertwined leaves that spread out like hands. Drawing from petioles, and leaf fibers onwards to exploit the beauty of its structure, of course, we do not draw a whole bamboo bush like that, but criticize each part and draw it carefully until it is absorbed. Stylized, composing, we will have a smooth visual quality, very real, although very different from reality. In addition, we must remember, nature is always the master of richness in creating the beauty of all species. Sketching attentively and passionately is that we are learning that creative copy!
  • 5. 5. How to draw animals correctly and vividly? Floral sketches are relatively static animal sketches. And animal sketches are dynamic. It is very difficult, of course, to draw dynamic objects and bring them to life. To solve that problem, there must be a method. First of all, you don't have to draw fully to express the vividness. When celebrities died, it was common in Europe to plaster their faces or hands. Although very correct about every detail, it is still a dead face, a dead hand. The erection of famous statues still has to rely on sculptors. Other sculptors do not mold like the real thing, but vividly mold the true god that exudes the spirit of famous people. So, drawing animals correctly and vividly does not mean thinking about every inch of them. The vitality in the picture is the vividness, first of all, the shape, which the painters often say is to capture the shape. From an aesthetic point of view, the shapes are the figures expressed in the most typical postures that highlight the child's characteristics. object in its motion. You have to practice to get that pose. To do so, before drawing, we should grasp the way of walking, standing, lying, sitting, flying, jumping, or swimming of the animals we want to sketch. Compare animals with similar structures such as cows, horses, goats, pigs ... or chickens, geese, geese,... Together to see where the basic difference is, in terms of shape, and appearance, then we have to feel the substance from which the character of each animal emerges. For example, a Chau has horns bigger than an ox, elbow joints are coarser than an ox, slow, full of peaks, and more superficial than an ox. One can even feel that the pearl is more honest, more loyal than the cow, These comments and feelings help us to sketch properly and deeply, expressing the spirit of the animal without necessarily drawing carefully. Next, we sketch directly on the paper with quick strokes. The most general way to get in shape. Don't rush into details right away. Then, if there is still time, go into the typical parts and details. The sketch there is considered complete. As for the characteristic parts such as the head, nose, eyes, feet, and nails ... we draw more on the side. Each animal should be drawn in many shapes in different poses. Drawing to a certain extent is considered to have been memorized and fabricated without a pattern but still very similar. It is here that we have answered why sketches are needed and how sketches are needed. Now we are also moving to the next part, which is stylization and reference to some good sketching exercises in the system of exercises of basic decoration of first-year students of the basic department of American University. industrial art. SoulMate Sketch - Psychic Drawings: CLICK HERE