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LEEDS
COLLEGE OF
ART IDENTITY
GUIDANCE
Identity Guidelines 2Leeds College of Art
01 	 Evolving the Identity
02 	 Our Logo
03	 Colours
04	 Mosaic – Ideas
05	 Typography
06	 Bringing it all together
CONTENTS
Identity Guidelines 3Leeds College of Art
EVOLVING THE IDENTITY
1
Identity Guidelines 4Leeds College of Art
01
EVOLVING THE IDENTITY
INTRODUCTION
This new identity for the Leeds College of Art was developed
with three key principles in mind:
–	 To stay true to the heritage of our institution
–	 To create a flexible system that supports the values
of our organisation
–	 To introduce an adaptable identity that works in all
applications.
The mosaic has been the basis of our identity for many years.
Its symbolism for us and our students is significant, but it presents
several challenges that until now we have not fully addressed.
This evolution takes on those challenges, retaining the mosaic
at its heart and developing its appearance and application
so that it can underpin and represent the modern ethos, impact
and ambition of Leeds College of Art. As well as respecting our
tradition and heritage, it embraces our dynamic, modern offer
and the way we want to reach out to current and potential
students with something lively, colourful, promising.
Please read and refer to this guidance as you produce or
commission any design work. Consider these the ‘guiding
principles’ of the design, rather than a set of unbreakable rules.
If you have queries about how best to maintain its integrity and
consistent use, contact…
Identity Guidelines 5Leeds College of Art
Please read and refer to this guidance as you
produce or commission any design work.
Consider these the ‘guiding principles’ of
the design, rather than a set of unbreakable
rules. If you have queries about how best
to maintain its integrity and consistent
use, contact Lucy Tee, Marketing Officer
(Branding, design and print) 0113 202 8131
lucy.tee@leeds-art.ac.uk
01
EVOLVING THE IDENTITY
INTRODUCTION
Identity Guidelines 6Leeds College of Art
Our previous identity used an image of the mosaic
wherever possible, which was limited because of the
‘legibility’ of the image at small sizes. We were also
restricted to using the logo in four colour print, as it
doesn’t work as a mono image. Neither could it be used
reversed out of a darker colour, or at small sizes where
detail was completely lost. These limitations meant that
the mosaic was often omitted which left the logo a lot
of work to do. Our very open, loose approach to design
meant that we often missed the opportunity to clearly
brand our own material. Although a distinctive feature
of the building, and a tradition of our identity, the original
mosaic logo was not helping us to stand out in our
crowded marketplace.
01
EVOLVING THE IDENTITY
INTRODUCTION
Identity Guidelines 7Leeds College of Art
We will continue to work with the mosaic logo on
corporate materials, where it does function and can
be used in full colour at an appropriate size. So we will
use it on our existing letterheads, compliment slips
and business cards and we will integrate the mosaic
with the new visual identity on building signage and
decoration. This will show the origin of the identity and
the relationship between ‘old’ and ‘new’.
Letterhead
Compliments Slip
01
EVOLVING THE IDENTITY
INTRODUCTION
Identity Guidelines 8Leeds College of Art
OUR NEW LOGO
2
Identity Guidelines 9Leeds College of Art
02 — OUR NEW LOGO
ORIGINAL TYPOGRAPHY
Since the mosaic image rarely appeared, our logo has
had an awful lot of work to do, often appearing the only
consistent element on our print, which used dramatically
different design approaches and content. However, the
logo was drawn from the original mosaic and so was,
as logos go, unrefined and posed its own problems in
usage.
Identity Guidelines 10Leeds College of Art
02 — OUR NEW LOGO
NEW TYPOGRAPHY
Our new identity redraws this original type, using a hand
drawn font to retain a carefully crafted, established feel.
However, the lines are clean and solid, making the type
more consistent, definitive and contemporary.
The new logo incorporates the year the college opened.
This underpins our claim to tradition and heritage, and
brings weight and kudos to the college’s offer.
Identity Guidelines 11Leeds College of Art
02 — OUR NEW LOGO
THE LOGO
Our new identity uses this new, hand drawn logo on a shape taken
directly from the mosaic. The background shape brings definition to
the logo, making it more visible, eye-catching and ensuring that it has
clear space around it. The bold shape, which holds the Leeds College of
Art name, ensures its leading role in designs.
Identity Guidelines 12Leeds College of Art
The logo in black
02 — OUR NEW LOGO
THE LOGO
Identity Guidelines 13Leeds College of Art
The logo in white
02 — OUR NEW LOGO
THE LOGO
Identity Guidelines 14Leeds College of Art
The logo can be applied in any colour from
the palette and the typography should always be
black or white out.
02 — OUR NEW LOGO
THE LOGO
Identity Guidelines 15Leeds College of Art
02 — OUR NEW LOGO
LOGO EXCLUSION ZONES
Always make sure the logo has sufficient clear space
around it. As a general rule use the height of the type
within the tile. The minimum size for logo variants is
15mm in black and white.
15mm
Minimum size
x x
Identity Guidelines 16Leeds College of Art
02 — OUR NEW LOGO
WHAT NOT TO DO
Never place the type in a mosaic shape of your own
creation.
Insufficient contrast between the logo
and background colour
The LCA type should never be placed
within an alternative shape
Never reverse logo without sufficient
contrast between the background and logo
Never change the typeface or
setting of the type within the logo
LEEDS
COLLEGE
OF ART
5
2
6
3
7
4
Do not change the angle the logo sits at - the type
should remain horizontal.
COLOURS
3
Identity Guidelines 17Leeds College of Art
Identity Guidelines 18Leeds College of Art
03 — COLOURS
Our colour palette is flexible and you can add to it, if it
works for the application you are creating. These are
here as a guide but you may find that your application
requires you to deviate from this set. That’s fine.
The following slides demonstrate how you can still
maintain the identity whilst using different colours. P 7499 C0 / M2 / Y15 / K0
R239 / G231 / B197
P 317 C18 / M0 / Y8 / K0
R206 / G235 / B234
P 3135 C100 / M0 / Y16 / K0
R0 / G138 / B171
P 5855 C0 / M0 / Y31 / K18
R208 / G202 / B145
P 176 C0 / M25 / Y18 / K0
R251 / G201 / B191
P 213 C0 / M95 / Y27 / K0
R238 / G44 / B111
P 254 C50 / M100 / Y0 / K0
R159 / G38 / B181
P Yellow C0 / M0 / Y100 / K0
R255 / G239 / B0
P 7545 C23 / M2 / Y0 / K63
R83 / G98 / B110
P 202 C0 / M100 / Y61 / K43
R152 / G0 / B46
Black C0 / M0 / Y0 / K100
R0 / G0 / B0
P 7419 C0 / M60 / Y45 / K18
R169 / G74 / B88
P 5205 C50 / M58 / Y50 / K0
R138 / G105 / B122
P 1505 C0 / M42 / Y77 / K0
R255 / G111 / B0
P 3385 C45 / M0 / Y33 / K0
R79 / G216 / B177
Identity Guidelines 19Leeds College of Art
03 — COLOURS
IN USE EXAMPLE 01
– Pantone 317
– From the colour palette
Chosen because it references a colour in the artwork.
03 — COLOURS
IN USE EXAMPLE 02
– Metallic Red
– Not from the colour palette
Chosen for the prospectus cover to give the title copy
more lift.
Identity Guidelines 20Leeds College of Art
The best place to begin
Leeds College of Art prospectus
03 — COLOURS
IN USE EXAMPLE 03
– 100% Yellow / 100% Cyan (creating Green)
– Not all from the colour palette
Chosen because visibility was important for this piece.
Also the print process was digital so 100% process
colours gave a good flat colour result.
Identity Guidelines 21Leeds College of Art
LIFE
AFTER
COLLEGE
Events, advice, career coaching
and workshops for anyone asking
the question:
WHAT
NEXT
22
THE MOSAIC – IDEAS
4
Identity Guidelines 22Leeds College of Art
Identity Guidelines 23Leeds College of Art
04 — THE MOSAIC – IDEAS
WHERE IT COMES FROM
As a theme running through a lot of the corporate level,
or public-facing applications, there is a mosaic pattern.
This pattern is derived from the original mosaic on
our building and is a subtle nod to the history of Leeds
College of Art.The way we use this mosaic is varied
and largely dependent on what the project is and the
accompanying visual assets around it.
The following slides give you some examples of how
application of the mosaic can vary. This being an
‘ideas’ section though, please feel free to add your own
alternatives.
Note – The mosaic pattern is often used for corporate,
or ‘public-facing’ marketing and communications, but is
not mandatory for all applications.
Identity Guidelines 24Leeds College of Art
04 — THE MOSAIC – IDEAS
Idea 01
Overlapping Gradient
04 — THE MOSAIC – IDEAS
Identity Guidelines 25Leeds College of Art
Idea 02
Keyline
04 — THE MOSAIC – IDEAS
Identity Guidelines 26Leeds College of Art
Idea 03
Small and scattered
04 — THE MOSAIC – IDEAS
Identity Guidelines 27Leeds College of Art
Idea 04
Pattern work
04 — THE MOSAIC – IDEAS
Identity Guidelines 28Leeds College of Art
Idea 05
3D rendered
04 — THE MOSAIC – IDEAS
Identity Guidelines 29Leeds College of Art
Idea 06
Hand rendered
TYPOGRAPHY
5
Identity Guidelines 30Leeds College of Art
Identity Guidelines 31Leeds College of Art
Aa
Aa Aa
Aa
05 — TYPOGRAPHY
Much like the colour rules, typography rules are here
as a suggestion. We are currently using 4 fonts for
the campaign cycle in 2015 but we may add to that list.
Again, this is dependent on what your needs are and
what you’re creating.
The following slides indicate the fonts that are
currently in circulation.
A2 Grot – for text
Cheltenham – for large quotes
Bureau Grot – for headlines
Elementa - for captions
Identity Guidelines 32Leeds College of Art
Bodycopy
A2 Grot10 Regular
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMN
OPQRSTUVWXYZ
1234567890£$%&
05 — TYPOGRAPHY
BODY COPY
We’re quite open-minded about typography usage
but the one rule you should stick to* is that body copy
is set in A2 Grot. If it works well you can also set
headlines in A2 Grot too (see page 40).
Header and display fonts may change but this should
be the constant.
* If for any reason A2 Grot isn’t available to you
then speak to the marketing team about using
an alternative. You should also look through the
remainder of this document as we go on to look at
other alternative typefaces.
Bodycopy
A2 Grot10 Bold
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMN
OPQRSTUVWXYZ
1234567890£$%&
Identity Guidelines 33Leeds College of Art
Headlines
Bureau Grot Condensed Book
abcdefghijklmnopqr
stuvwxyz
ABCDEFGHIJKLMN
OPQRSTUVWXYZ
Headlines
BUREAU GROT
CONDENSED BOLD
ABCDEFGHIJKLMN
OPQRSTUVWXYZ
05 — TYPOGRAPHY
DISPLAY TYPEFACE 01
The display typeface used in the most recent
prospectus and in this guidance document is Bureau
Grot. Selected for its similarity to A2 Grot, this font
is ideal for strong header styles where we need our
voice to be heard!
Available at:
https://www.myfonts.com/fonts/fontbureau/
bureau-grot/
Identity Guidelines 34Leeds College of Art
05 — TYPOGRAPHY
DISPLAY TYPEFACE 02
Chosen for its similarity to the type in the logo,
Adobe Garamond titling can be used when a more
authoritative tone of voice is required.
Available from:
https://store1.adobe.com/cfusion/store/html/
index.cfm?&event=displayFont&code=GARA10005
020
Headlines
ADOBE GARAMOND
TITLING CAPITALS
ABCDEFGHIJKLMN
OPQRSTUVWXYZ
1234567890£$%&
Quotes
Cheltenham ITC light
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMN
OPQRSTUVWXYZ
1234567890£$%&
05 — TYPOGRAPHY
QUOTES
For a change in tone of voice the typeface for
extended quotes is Cheltenham. You can use this
for times when we’re quoting our famous alumni,
recognised public figures or staff.
Available from:
http://www.azfonts.net/load_font/itc_cheltenham--
lte50652.html
Identity Guidelines 35Leeds College of Art
Quotes
Cheltenham ITC light italic
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMN
OPQRSTUVWXYZ
1234567890£$%&
05 — TYPOGRAPHY
CAPTIONS
For captions you can use Elementa.
Available from:
https://www.myfonts.com/fonts/fontfont/elementa-
pro/
Identity Guidelines 36Leeds College of Art
Captions
Elementa Regular
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMN
OPQRSTUVWXYZ
1234567890£$%&
Captions
Elementa Bold
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMN
OPQRSTUVWXYZ
1234567890£$%&
Identity Guidelines 37Leeds College of Art
A combination of Trebuchet and Georgia can be
used for internal communications as a substitute
to A2 Grot and Garamond.
These fonts are available on all systems and are
free to use so do not require a font licence.
Headlines or Bodycopy
Trebuchet
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMN
OPQRSTUVWXYZ
1234567890£$%&
Headlines or Body Copy
Georgia
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMN
OPQRSTUVWXYZ
1234567890£$%&
05 — TYPOGRAPHY
INTERNAL USAGE
Identity Guidelines 38Leeds College of Art
BRINGING IT ALL TOGETHER
6
The following slides show applications that have
been created in the last year. We’ve highlighted
where the application has stuck to and deviated
from the guidance to best achieve the design
requirements, so you can see how this document
works to set out ‘guiding principles’ rather than a
hard and fast set of rules to work to.
From the guidance
• A2 Grot is used as the small text
• The logo is on the cover
• Mosaic used as gradient fade on inner pages
Specific for this application
• Headline typeface is called ‘Bluu’ and is chosen almost
as the ‘masthead’ for the book. Its angular cuts reflect
the shape of the mosaic
• The design aesthetic was intended to feel like an art
book / magazine so a deviation from the guidance
was required
• Metallic red chosen to lift the cover typography from
the image
06 — BRINGING IT ALL TOGETHER
PROSPECTUS  MINI GUIDE
Identity Guidelines 39Leeds College of Art Identity Guidelines 39Leeds College of Art
The best place to begin
Leeds College of Art prospectus
Prospectus
Leeds College of Art
From the guidance
• A2 Grot is used as the small text and headlines
• The logo is on the cover
• Yellow used from the palette
• Mosaic used in keyline
06 — BRINGING IT ALL TOGETHER
EXHIBITIONS BROCHURE
Identity Guidelines 40Leeds College of Art Identity Guidelines 40Leeds College of Art
Exhibitions
2014 —
	2015
Leeds College of Art
06 — BRINGING IT ALL TOGETHER
CREATIVE DEVELOPMENT AWAY-DAYS
Identity Guidelines 41Leeds College of Art Identity Guidelines 41Leeds College of Art
From the guidance
• A2 Grot is used as the small text
• Bureau is used as headline font
• Cheltenham is used for quotes
• The logo is on the cover
• Mosaic used as pattern
What kind of event could you arrange?
Choose from our standard range of activities or ask us to
put together a bespoke development day, tailored to your
objectives. If you want to do more than one day, or if you
just want to allow additional time for socialising, we can
arrange private fine dining in the evening as well as
4* accommodation.
What about lunch and refreshments?
Our own in-house caterers will suggest a range of tasty
and nutritious options, enabling you to share an enjoyable
lunch as you top up your energies before embarking on
your afternoon session. Menus can be provided, and we
can cater for all special requirements.
What does it cost?
Each event is priced according to the number of people
attending and the number of workshops you need. We’ll
be happy to talk you through a range of options, providing
guidance on pricing as we go. Once you’ve decided on the
ideal event for you, we’ll submit a formal quote.
It costs nothing to enquire further!
Please call 0113 202 8000 or contact:
Louise Miller louise.miller@leeds-art.ac.uk
Sharon Heleine sharon.heleine@leeds-art.ac.uk
41
Leeds College of Art
Creative
development
away-daysfor
organisations
From—
Making
Sales
To —
Making
Art If you can
laugh
together,
you can
work
together.
Robert Orben
“
”
Creative Development Away Days
41
06 — BRINGING IT ALL TOGETHER
POWERPOINT PRESENTATION
Identity Guidelines 42Leeds College of Art Identity Guidelines 42Leeds College of Art
From the guidance
• Internal comms piece rather than public-facing
so Georgia is the font
• Logo at the front
• Colour from the palette
• Small scattered mosaic pattern used
For any further queries contact:
Andrew Craske
Head of Marketing  Communication
Leeds College of Art
0114 202 8144
andrew.craske@leeds-art.ac.uk
—
Lucy Tee
Marketing Officer
(Branding, design and print)
Leeds College of Art
0113 202 8131
lucy.tee@leeds-art.ac.uk

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lca brand guidance_2015_aw02

  • 1. Version 002 / 2015 LEEDS COLLEGE OF ART IDENTITY GUIDANCE
  • 2. Identity Guidelines 2Leeds College of Art 01 Evolving the Identity 02 Our Logo 03 Colours 04 Mosaic – Ideas 05 Typography 06 Bringing it all together CONTENTS
  • 3. Identity Guidelines 3Leeds College of Art EVOLVING THE IDENTITY 1
  • 4. Identity Guidelines 4Leeds College of Art 01 EVOLVING THE IDENTITY INTRODUCTION This new identity for the Leeds College of Art was developed with three key principles in mind: – To stay true to the heritage of our institution – To create a flexible system that supports the values of our organisation – To introduce an adaptable identity that works in all applications. The mosaic has been the basis of our identity for many years. Its symbolism for us and our students is significant, but it presents several challenges that until now we have not fully addressed. This evolution takes on those challenges, retaining the mosaic at its heart and developing its appearance and application so that it can underpin and represent the modern ethos, impact and ambition of Leeds College of Art. As well as respecting our tradition and heritage, it embraces our dynamic, modern offer and the way we want to reach out to current and potential students with something lively, colourful, promising. Please read and refer to this guidance as you produce or commission any design work. Consider these the ‘guiding principles’ of the design, rather than a set of unbreakable rules. If you have queries about how best to maintain its integrity and consistent use, contact…
  • 5. Identity Guidelines 5Leeds College of Art Please read and refer to this guidance as you produce or commission any design work. Consider these the ‘guiding principles’ of the design, rather than a set of unbreakable rules. If you have queries about how best to maintain its integrity and consistent use, contact Lucy Tee, Marketing Officer (Branding, design and print) 0113 202 8131 lucy.tee@leeds-art.ac.uk 01 EVOLVING THE IDENTITY INTRODUCTION
  • 6. Identity Guidelines 6Leeds College of Art Our previous identity used an image of the mosaic wherever possible, which was limited because of the ‘legibility’ of the image at small sizes. We were also restricted to using the logo in four colour print, as it doesn’t work as a mono image. Neither could it be used reversed out of a darker colour, or at small sizes where detail was completely lost. These limitations meant that the mosaic was often omitted which left the logo a lot of work to do. Our very open, loose approach to design meant that we often missed the opportunity to clearly brand our own material. Although a distinctive feature of the building, and a tradition of our identity, the original mosaic logo was not helping us to stand out in our crowded marketplace. 01 EVOLVING THE IDENTITY INTRODUCTION
  • 7. Identity Guidelines 7Leeds College of Art We will continue to work with the mosaic logo on corporate materials, where it does function and can be used in full colour at an appropriate size. So we will use it on our existing letterheads, compliment slips and business cards and we will integrate the mosaic with the new visual identity on building signage and decoration. This will show the origin of the identity and the relationship between ‘old’ and ‘new’. Letterhead Compliments Slip 01 EVOLVING THE IDENTITY INTRODUCTION
  • 8. Identity Guidelines 8Leeds College of Art OUR NEW LOGO 2
  • 9. Identity Guidelines 9Leeds College of Art 02 — OUR NEW LOGO ORIGINAL TYPOGRAPHY Since the mosaic image rarely appeared, our logo has had an awful lot of work to do, often appearing the only consistent element on our print, which used dramatically different design approaches and content. However, the logo was drawn from the original mosaic and so was, as logos go, unrefined and posed its own problems in usage.
  • 10. Identity Guidelines 10Leeds College of Art 02 — OUR NEW LOGO NEW TYPOGRAPHY Our new identity redraws this original type, using a hand drawn font to retain a carefully crafted, established feel. However, the lines are clean and solid, making the type more consistent, definitive and contemporary. The new logo incorporates the year the college opened. This underpins our claim to tradition and heritage, and brings weight and kudos to the college’s offer.
  • 11. Identity Guidelines 11Leeds College of Art 02 — OUR NEW LOGO THE LOGO Our new identity uses this new, hand drawn logo on a shape taken directly from the mosaic. The background shape brings definition to the logo, making it more visible, eye-catching and ensuring that it has clear space around it. The bold shape, which holds the Leeds College of Art name, ensures its leading role in designs.
  • 12. Identity Guidelines 12Leeds College of Art The logo in black 02 — OUR NEW LOGO THE LOGO
  • 13. Identity Guidelines 13Leeds College of Art The logo in white 02 — OUR NEW LOGO THE LOGO
  • 14. Identity Guidelines 14Leeds College of Art The logo can be applied in any colour from the palette and the typography should always be black or white out. 02 — OUR NEW LOGO THE LOGO
  • 15. Identity Guidelines 15Leeds College of Art 02 — OUR NEW LOGO LOGO EXCLUSION ZONES Always make sure the logo has sufficient clear space around it. As a general rule use the height of the type within the tile. The minimum size for logo variants is 15mm in black and white. 15mm Minimum size x x
  • 16. Identity Guidelines 16Leeds College of Art 02 — OUR NEW LOGO WHAT NOT TO DO Never place the type in a mosaic shape of your own creation. Insufficient contrast between the logo and background colour The LCA type should never be placed within an alternative shape Never reverse logo without sufficient contrast between the background and logo Never change the typeface or setting of the type within the logo LEEDS COLLEGE OF ART 5 2 6 3 7 4 Do not change the angle the logo sits at - the type should remain horizontal.
  • 18. Identity Guidelines 18Leeds College of Art 03 — COLOURS Our colour palette is flexible and you can add to it, if it works for the application you are creating. These are here as a guide but you may find that your application requires you to deviate from this set. That’s fine. The following slides demonstrate how you can still maintain the identity whilst using different colours. P 7499 C0 / M2 / Y15 / K0 R239 / G231 / B197 P 317 C18 / M0 / Y8 / K0 R206 / G235 / B234 P 3135 C100 / M0 / Y16 / K0 R0 / G138 / B171 P 5855 C0 / M0 / Y31 / K18 R208 / G202 / B145 P 176 C0 / M25 / Y18 / K0 R251 / G201 / B191 P 213 C0 / M95 / Y27 / K0 R238 / G44 / B111 P 254 C50 / M100 / Y0 / K0 R159 / G38 / B181 P Yellow C0 / M0 / Y100 / K0 R255 / G239 / B0 P 7545 C23 / M2 / Y0 / K63 R83 / G98 / B110 P 202 C0 / M100 / Y61 / K43 R152 / G0 / B46 Black C0 / M0 / Y0 / K100 R0 / G0 / B0 P 7419 C0 / M60 / Y45 / K18 R169 / G74 / B88 P 5205 C50 / M58 / Y50 / K0 R138 / G105 / B122 P 1505 C0 / M42 / Y77 / K0 R255 / G111 / B0 P 3385 C45 / M0 / Y33 / K0 R79 / G216 / B177
  • 19. Identity Guidelines 19Leeds College of Art 03 — COLOURS IN USE EXAMPLE 01 – Pantone 317 – From the colour palette Chosen because it references a colour in the artwork.
  • 20. 03 — COLOURS IN USE EXAMPLE 02 – Metallic Red – Not from the colour palette Chosen for the prospectus cover to give the title copy more lift. Identity Guidelines 20Leeds College of Art The best place to begin Leeds College of Art prospectus
  • 21. 03 — COLOURS IN USE EXAMPLE 03 – 100% Yellow / 100% Cyan (creating Green) – Not all from the colour palette Chosen because visibility was important for this piece. Also the print process was digital so 100% process colours gave a good flat colour result. Identity Guidelines 21Leeds College of Art LIFE AFTER COLLEGE Events, advice, career coaching and workshops for anyone asking the question: WHAT NEXT
  • 22. 22 THE MOSAIC – IDEAS 4 Identity Guidelines 22Leeds College of Art
  • 23. Identity Guidelines 23Leeds College of Art 04 — THE MOSAIC – IDEAS WHERE IT COMES FROM As a theme running through a lot of the corporate level, or public-facing applications, there is a mosaic pattern. This pattern is derived from the original mosaic on our building and is a subtle nod to the history of Leeds College of Art.The way we use this mosaic is varied and largely dependent on what the project is and the accompanying visual assets around it. The following slides give you some examples of how application of the mosaic can vary. This being an ‘ideas’ section though, please feel free to add your own alternatives. Note – The mosaic pattern is often used for corporate, or ‘public-facing’ marketing and communications, but is not mandatory for all applications.
  • 24. Identity Guidelines 24Leeds College of Art 04 — THE MOSAIC – IDEAS Idea 01 Overlapping Gradient
  • 25. 04 — THE MOSAIC – IDEAS Identity Guidelines 25Leeds College of Art Idea 02 Keyline
  • 26. 04 — THE MOSAIC – IDEAS Identity Guidelines 26Leeds College of Art Idea 03 Small and scattered
  • 27. 04 — THE MOSAIC – IDEAS Identity Guidelines 27Leeds College of Art Idea 04 Pattern work
  • 28. 04 — THE MOSAIC – IDEAS Identity Guidelines 28Leeds College of Art Idea 05 3D rendered
  • 29. 04 — THE MOSAIC – IDEAS Identity Guidelines 29Leeds College of Art Idea 06 Hand rendered
  • 31. Identity Guidelines 31Leeds College of Art Aa Aa Aa Aa 05 — TYPOGRAPHY Much like the colour rules, typography rules are here as a suggestion. We are currently using 4 fonts for the campaign cycle in 2015 but we may add to that list. Again, this is dependent on what your needs are and what you’re creating. The following slides indicate the fonts that are currently in circulation. A2 Grot – for text Cheltenham – for large quotes Bureau Grot – for headlines Elementa - for captions
  • 32. Identity Guidelines 32Leeds College of Art Bodycopy A2 Grot10 Regular abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMN OPQRSTUVWXYZ 1234567890£$%& 05 — TYPOGRAPHY BODY COPY We’re quite open-minded about typography usage but the one rule you should stick to* is that body copy is set in A2 Grot. If it works well you can also set headlines in A2 Grot too (see page 40). Header and display fonts may change but this should be the constant. * If for any reason A2 Grot isn’t available to you then speak to the marketing team about using an alternative. You should also look through the remainder of this document as we go on to look at other alternative typefaces. Bodycopy A2 Grot10 Bold abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMN OPQRSTUVWXYZ 1234567890£$%&
  • 33. Identity Guidelines 33Leeds College of Art Headlines Bureau Grot Condensed Book abcdefghijklmnopqr stuvwxyz ABCDEFGHIJKLMN OPQRSTUVWXYZ Headlines BUREAU GROT CONDENSED BOLD ABCDEFGHIJKLMN OPQRSTUVWXYZ 05 — TYPOGRAPHY DISPLAY TYPEFACE 01 The display typeface used in the most recent prospectus and in this guidance document is Bureau Grot. Selected for its similarity to A2 Grot, this font is ideal for strong header styles where we need our voice to be heard! Available at: https://www.myfonts.com/fonts/fontbureau/ bureau-grot/
  • 34. Identity Guidelines 34Leeds College of Art 05 — TYPOGRAPHY DISPLAY TYPEFACE 02 Chosen for its similarity to the type in the logo, Adobe Garamond titling can be used when a more authoritative tone of voice is required. Available from: https://store1.adobe.com/cfusion/store/html/ index.cfm?&event=displayFont&code=GARA10005 020 Headlines ADOBE GARAMOND TITLING CAPITALS ABCDEFGHIJKLMN OPQRSTUVWXYZ 1234567890£$%&
  • 35. Quotes Cheltenham ITC light abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMN OPQRSTUVWXYZ 1234567890£$%& 05 — TYPOGRAPHY QUOTES For a change in tone of voice the typeface for extended quotes is Cheltenham. You can use this for times when we’re quoting our famous alumni, recognised public figures or staff. Available from: http://www.azfonts.net/load_font/itc_cheltenham-- lte50652.html Identity Guidelines 35Leeds College of Art Quotes Cheltenham ITC light italic abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMN OPQRSTUVWXYZ 1234567890£$%&
  • 36. 05 — TYPOGRAPHY CAPTIONS For captions you can use Elementa. Available from: https://www.myfonts.com/fonts/fontfont/elementa- pro/ Identity Guidelines 36Leeds College of Art Captions Elementa Regular abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMN OPQRSTUVWXYZ 1234567890£$%& Captions Elementa Bold abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMN OPQRSTUVWXYZ 1234567890£$%&
  • 37. Identity Guidelines 37Leeds College of Art A combination of Trebuchet and Georgia can be used for internal communications as a substitute to A2 Grot and Garamond. These fonts are available on all systems and are free to use so do not require a font licence. Headlines or Bodycopy Trebuchet abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMN OPQRSTUVWXYZ 1234567890£$%& Headlines or Body Copy Georgia abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMN OPQRSTUVWXYZ 1234567890£$%& 05 — TYPOGRAPHY INTERNAL USAGE
  • 38. Identity Guidelines 38Leeds College of Art BRINGING IT ALL TOGETHER 6
  • 39. The following slides show applications that have been created in the last year. We’ve highlighted where the application has stuck to and deviated from the guidance to best achieve the design requirements, so you can see how this document works to set out ‘guiding principles’ rather than a hard and fast set of rules to work to. From the guidance • A2 Grot is used as the small text • The logo is on the cover • Mosaic used as gradient fade on inner pages Specific for this application • Headline typeface is called ‘Bluu’ and is chosen almost as the ‘masthead’ for the book. Its angular cuts reflect the shape of the mosaic • The design aesthetic was intended to feel like an art book / magazine so a deviation from the guidance was required • Metallic red chosen to lift the cover typography from the image 06 — BRINGING IT ALL TOGETHER PROSPECTUS MINI GUIDE Identity Guidelines 39Leeds College of Art Identity Guidelines 39Leeds College of Art The best place to begin Leeds College of Art prospectus Prospectus Leeds College of Art
  • 40. From the guidance • A2 Grot is used as the small text and headlines • The logo is on the cover • Yellow used from the palette • Mosaic used in keyline 06 — BRINGING IT ALL TOGETHER EXHIBITIONS BROCHURE Identity Guidelines 40Leeds College of Art Identity Guidelines 40Leeds College of Art Exhibitions 2014 — 2015 Leeds College of Art
  • 41. 06 — BRINGING IT ALL TOGETHER CREATIVE DEVELOPMENT AWAY-DAYS Identity Guidelines 41Leeds College of Art Identity Guidelines 41Leeds College of Art From the guidance • A2 Grot is used as the small text • Bureau is used as headline font • Cheltenham is used for quotes • The logo is on the cover • Mosaic used as pattern What kind of event could you arrange? Choose from our standard range of activities or ask us to put together a bespoke development day, tailored to your objectives. If you want to do more than one day, or if you just want to allow additional time for socialising, we can arrange private fine dining in the evening as well as 4* accommodation. What about lunch and refreshments? Our own in-house caterers will suggest a range of tasty and nutritious options, enabling you to share an enjoyable lunch as you top up your energies before embarking on your afternoon session. Menus can be provided, and we can cater for all special requirements. What does it cost? Each event is priced according to the number of people attending and the number of workshops you need. We’ll be happy to talk you through a range of options, providing guidance on pricing as we go. Once you’ve decided on the ideal event for you, we’ll submit a formal quote. It costs nothing to enquire further! Please call 0113 202 8000 or contact: Louise Miller louise.miller@leeds-art.ac.uk Sharon Heleine sharon.heleine@leeds-art.ac.uk 41 Leeds College of Art Creative development away-daysfor organisations From— Making Sales To — Making Art If you can laugh together, you can work together. Robert Orben “ ” Creative Development Away Days 41
  • 42. 06 — BRINGING IT ALL TOGETHER POWERPOINT PRESENTATION Identity Guidelines 42Leeds College of Art Identity Guidelines 42Leeds College of Art From the guidance • Internal comms piece rather than public-facing so Georgia is the font • Logo at the front • Colour from the palette • Small scattered mosaic pattern used
  • 43. For any further queries contact: Andrew Craske Head of Marketing Communication Leeds College of Art 0114 202 8144 andrew.craske@leeds-art.ac.uk — Lucy Tee Marketing Officer (Branding, design and print) Leeds College of Art 0113 202 8131 lucy.tee@leeds-art.ac.uk