Music of Pakistan Grade 8
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Lesson 2 Music of Pakistan I want to share it in Public I hope it helps godbless
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Music of Pakistan Grade 8
- 1. Lesson 2 Music of Pakistan PREPARED BY: Imelda C. Grado
- 3. Jumbled Letters Use the clues to help unscramble two Jumbles, one letter to each square, to form three words Then arrange the Jumbled letters to form the answer, as suggested by the above cartoon OF P __ K __ S __ A N sounds, usually produced by instruments or voices, that are arranged or played in order to create an effect M __ S __ __ You can do it 1 2 3 4 5 3 1 2 4 5 6 7 11 9 8 12 10 14 9 13 This place literally means “land of (the) Pure” in Urdu and Persian Bunos word 6 7 U MS C 8 9 10 11 12 13 14 15
- 5. Pakistan
- 7. Pakistani Islam (96.4%) Nuclear Weapons State(seventh largest standing armed forces in the word
- 8. Central Asian music encompasses originating from a large number of sources.
- 9. The music of Pakistan includes diverse elements ranging from music from various parts of South Asia as well as Central Asian, Persian, Turkish, Arabic, and Modern- day Western popular music.
- 10. Though Pakistan is part of South Asia, Pakistan is known for its
- 11. Music of Pakistan 1. Ghazal Poetic song sung both for men and women as an expression of love/beauty.
- 12. Pakistani Vocal Styles in Singing 2.Qawwali The devotional music Music of Pakistan
- 13. Pakistani Vocal Styles in Singing 3.Humnawa Instrumental music played mostly by eight or nine men Music of Pakistan
- 14. 4. Hamd A Christian religious music from Pakistan Music of Pakistan
- 15. Pakistani Vocal Styles in Singing5.Classical Music a.Dhrupad b.Khayal-. -the most popular genre of classical music in North India and Pakistan Music of Pakistan
- 16. Pakistani Vocal Styles in Singing6. Jugni Folk music which deals with subjects surrounding daily life
- 18. Is the musical instrument that has strapping worth in Pakistani traditional music .it is played widely all over the country. Listen to the music of Rubab and describe the sound you hear from You can download th video on youtube..base on the picture
- 20. Significant Pakistani Instruments Tabla Dholak
- 21. Listen to the national anthem of Pakistan . Describe what you feel about the song. Share it to the class. Pak Serzameen Shaad Baad Qaumi Tarana You can download the video on youtube..based on the picture
- 24. Advance reading for the next topic Reference: MAPEH on the go Grade 8 k-12 Edition 65-69
- 25. Lesson 2 Music of Pakistan PREPARED BY: Imelda C. Grado
Editor's Notes
- Time to travel again! Did you enjoy learning and experiencing the music of East Asia? Then let us experience how music is performed in South, Central, and West Asian countries. In this module, you will learn things about vocal and instrumental music of India, Pakistan, Israel, and West Asian countries. You will also get a glimpse of their cultural context, social functions, and performance styles in their music compositions.
- http://en.savefrom.net/1-how-to-download-youtube-video/
- Pkstn globe
- traditional expressions of love, separation, and loneliness tells about both the pain of loss of the lover and the beauty of love in spite of that pain its structural requirements are more strict than those of most poetic forms traditionally written in English
- a vibrant musical tradition that stretches back more than 700 years originally performed mainly at Sufi shrines throughout the subcontinent and gained mainstream popularity The Chishtī Order is a Sunni Sufi order within the mystic Sufi tradition of Islam. It began in Chisht, a small town near Herat, Afghanistan about 930 CE. The Chishti Order is known for its emphasis on love, tolerance, and openness. Sufism, mystical Islamic belief and practice in which Muslims seek to find the truth of divine love and knowledge through direct personal experience of God. Nusrat Fateh Ali Khan (Urdu/Punjabi: نصرت فتح علی خان; 13 October 1948 – 16 August 1997) was a Pakistani musician, primarily a singer of Qawwali, the devotional music of the Sufis.[1] Considered one of the greatest voices ever recorded, he possessed an extraordinary range of vocal abilities[2][3][4][5] and could perform at a high level of intensity for several hours. Extending the 600-year old Qawwali tradition of his family, Khan is widely credited with introducing Qawwali music to international audiences.[6] He is popularly known as "Shahenshah-e-Qawwali", meaning "The King of Kings of Qawwali“ Humnawa in qawwali groups[edit] Faiz Ali Faiz, a qawwali artist live in concert Absence of women-singers from all-male qawwali groups: a historical perspective[edit] A group of qawwali musicians, called Humnawa in Urdu, typically consists of eight or nine men. Women are usually excluded from traditional Muslim music as ' respectable women' are traditionally prohibited from singing in mixed-gender public gatherings. Traditionally over the centuries, this has been the practice per the general interpretation of Islamic Law by the religious scholars. Although women are encouraged to hold their own 'Women Only' gatherings for reciting religious 'Naats' and holding live dance and music parties with musical instruments on 'Just- Before- Weddings-Mehndi' celebrations. This again, has to be a 'Women Only' event per the long practiced tradition where Islam generally discourages mixed-gender gatherings among unmarried women and unmarried men. Although in the 20th century, the so-called modern era, actual practice among Islamic societies, has been that one will see a lot of female musicians and female singers holding public concerts for both men and women. For evidence, one can just read the musician name lists on this page to spot a lot of female names on those lists now.
- a vibrant musical tradition that stretches back more than 700 years originally performed mainly at Sufi shrines throughout the subcontinent and gained mainstream popularity The Chishtī Order is a Sunni Sufi order within the mystic Sufi tradition of Islam. It began in Chisht, a small town near Herat, Afghanistan about 930 CE. The Chishti Order is known for its emphasis on love, tolerance, and openness. Sufism, mystical Islamic belief and practice in which Muslims seek to find the truth of divine love and knowledge through direct personal experience of God. Nusrat Fateh Ali Khan (Urdu/Punjabi: نصرت فتح علی خان; 13 October 1948 – 16 August 1997) was a Pakistani musician, primarily a singer of Qawwali, the devotional music of the Sufis.[1] Considered one of the greatest voices ever recorded, he possessed an extraordinary range of vocal abilities[2][3][4][5] and could perform at a high level of intensity for several hours. Extending the 600-year old Qawwali tradition of his family, Khan is widely credited with introducing Qawwali music to international audiences.[6] He is popularly known as "Shahenshah-e-Qawwali", meaning "The King of Kings of Qawwali“ Humnawa in qawwali groups[edit] Faiz Ali Faiz, a qawwali artist live in concert Absence of women-singers from all-male qawwali groups: a historical perspective[edit] A group of qawwali musicians, called Humnawa in Urdu, typically consists of eight or nine men. Women are usually excluded from traditional Muslim music as ' respectable women' are traditionally prohibited from singing in mixed-gender public gatherings. Traditionally over the centuries, this has been the practice per the general interpretation of Islamic Law by the religious scholars. Although women are encouraged to hold their own 'Women Only' gatherings for reciting religious 'Naats' and holding live dance and music parties with musical instruments on 'Just- Before- Weddings-Mehndi' celebrations. This again, has to be a 'Women Only' event per the long practiced tradition where Islam generally discourages mixed-gender gatherings among unmarried women and unmarried men. Although in the 20th century, the so-called modern era, actual practice among Islamic societies, has been that one will see a lot of female musicians and female singers holding public concerts for both men and women. For evidence, one can just read the musician name lists on this page to spot a lot of female names on those lists now.
- a vibrant musical tradition that stretches back more than 700 years originally performed mainly at Sufi shrines throughout the subcontinent and gained mainstream popularity The Chishtī Order is a Sunni Sufi order within the mystic Sufi tradition of Islam. It began in Chisht, a small town near Herat, Afghanistan about 930 CE. The Chishti Order is known for its emphasis on love, tolerance, and openness. Sufism, mystical Islamic belief and practice in which Muslims seek to find the truth of divine love and knowledge through direct personal experience of God. Nusrat Fateh Ali Khan (Urdu/Punjabi: نصرت فتح علی خان; 13 October 1948 – 16 August 1997) was a Pakistani musician, primarily a singer of Qawwali, the devotional music of the Sufis.[1] Considered one of the greatest voices ever recorded, he possessed an extraordinary range of vocal abilities[2][3][4][5] and could perform at a high level of intensity for several hours. Extending the 600-year old Qawwali tradition of his family, Khan is widely credited with introducing Qawwali music to international audiences.[6] He is popularly known as "Shahenshah-e-Qawwali", meaning "The King of Kings of Qawwali"
- a vibrant musical tradition that stretches back more than 700 years originally performed mainly at Sufi shrines throughout the subcontinent and gained mainstream popularity The Chishtī Order is a Sunni Sufi order within the mystic Sufi tradition of Islam. It began in Chisht, a small town near Herat, Afghanistan about 930 CE. The Chishti Order is known for its emphasis on love, tolerance, and openness. Sufism, mystical Islamic belief and practice in which Muslims seek to find the truth of divine love and knowledge through direct personal experience of God. Nusrat Fateh Ali Khan (Urdu/Punjabi: نصرت فتح علی خان; 13 October 1948 – 16 August 1997) was a Pakistani musician, primarily a singer of Qawwali, the devotional music of the Sufis.[1] Considered one of the greatest voices ever recorded, he possessed an extraordinary range of vocal abilities[2][3][4][5] and could perform at a high level of intensity for several hours. Extending the 600-year old Qawwali tradition of his family, Khan is widely credited with introducing Qawwali music to international audiences.[6] He is popularly known as "Shahenshah-e-Qawwali", meaning "The King of Kings of Qawwali"
- a vibrant musical tradition that stretches back more than 700 years originally performed mainly at Sufi shrines throughout the subcontinent and gained mainstream popularity The Chishtī Order is a Sunni Sufi order within the mystic Sufi tradition of Islam. It began in Chisht, a small town near Herat, Afghanistan about 930 CE. The Chishti Order is known for its emphasis on love, tolerance, and openness. Sufism, mystical Islamic belief and practice in which Muslims seek to find the truth of divine love and knowledge through direct personal experience of God. Nusrat Fateh Ali Khan (Urdu/Punjabi: نصرت فتح علی خان; 13 October 1948 – 16 August 1997) was a Pakistani musician, primarily a singer of Qawwali, the devotional music of the Sufis.[1] Considered one of the greatest voices ever recorded, he possessed an extraordinary range of vocal abilities[2][3][4][5] and could perform at a high level of intensity for several hours. Extending the 600-year old Qawwali tradition of his family, Khan is widely credited with introducing Qawwali music to international audiences.[6] He is popularly known as "Shahenshah-e-Qawwali", meaning "The King of Kings of Qawwali"
- The traditional instruments of Pakistan are closely similar to that of India except the Rubab which came from Afghanistan.
- The traditional instruments of Pakistan are closely similar to that of India except the Rubab which came from Afghanistan. Rubab, robab or rabab (Pashto: رباب, Urdu: رباب, Azerbaijani: Rübab, Turkish: Rübab, Persian: رُباب rubāb, Tajikand Uzbek рубоб) is a lute-like musical instrument originating from central Afghanistan.[1] It derives its name from the Arab rebab which means "played with a bow" but in Central Asia the instrument is plucked and is distinctly different in construction. The rubab is mainly used by Pashtun, Tajik, Turkish, Kashmiri, Baluch, Azerbaijani, and Iranian Kurdish classical musicians. Rabab is a national music instrument of Afghanistan Construction[edit] 2011 postal stamp of Azerbaijandepicting a 19th century Rubab. The rubab is a short-necked lute whose body is carved out of a single piece of wood, with a membrane, covering the hollow bowl of the sound-chamber, upon which the bridge is positioned. It has three melody strings tuned in fourths, two or three drone strings and up to 15 sympathetic strings. The instrument is made from the trunk of a mulberry tree, the head from an animal skin such as goat, and the strings either gut (from the intestines of young goats, brought to the size of thread) or nylon. Meaning of Rubab Rubab is an indirect Quranic name for girls that means “good deeds”, “blessings”, “strong bond”. It is the plural of the word Rubbaa and is derived from the R-B-B root which is used in many places in the Quran. Rubab, robab or rabab is actually a lute like musical instrument that originated in Afghanistan and North West Pakistan, but is also played in the neighbourhood nations. It derives its name from Arab Rubab that means played with a bow but the Central Asian Instrument is plucked and is uniquely different in construction. The Rubab is essentially used by Pashtun, Tajik, Kashmiri and Iranian Kurdish classical musicians. The Rubab is a short necked lute whose body is carved out of single piece wood, with a membrane, covering the hollow bowl of sound chamber, on which the bridge is positioned. It has three melody strings tuned in fourths, three drone strings and 11 and 12 sympathetic strings. The instrument is also made from the trunk of mulberry tree, the head from an animal skin like a goat skin, and the strings either gut (from the intestines of young goats, brought to the size of thread) or nylon. The Rubab is also called "the lion of instrument", and is one of the two national instruments of Afghanistan along with Zerbaghali. This instrument often features in the classical Afghan music. It forms as a key component, and elsewhere it is called Kabuli Rebab. It is the ancestor of South Asian sarod though - unlike the sarod, it is a fretted instrument. When the Muslim musician Mardana became the first disciple of Guru Nanak the plucked rabab became an essential component of Panjabi hymns though, once again, though it derived its name from the rabab the Punjabi instrument adopts a different method of construction. The rabab is attested from the 7th century CE. It is mentioned in Old Persian books, and many Sufi poets mention it in their poems. It is the traditional instrument of Khorasan and today it is widely used in countries, such as Afghanistan, Pakistan, Iran, India, Tajikistan, and Uzbekistan. The rubab holds as the first instrument used by Sikhism, it was used by Bhai Mardana the companion of Guru Nanak whenever a shabad was revealed to Guru Nanak he would sing it and Bhai Mardana would play it on his rubab he was known as a rubabi. The rubab playing tradition is still carried on by some sikhs such as Namdharis is understood as Sikh music. In Tajikistan, a similar but in a way different and distinct Rubab-i-Pamir (Pamiri Rubab) is played having a shallower neck and body. The rubab of the Pamir area has six gut strings, one of which, rather than running from the head to the bridge, is close partway down the neck, alike to the fifth string of the American banjo
- The Qaumi Taranah (Urdu: قومی ترانہ, Qaumī Tarānah pronounced [ˈqɔː.mi ˈt̪ə.rɑː.nɑ], lit. “National Anthem”), also known as Pāk Sarzamīn (Urdu: پاک سرزمین, pronounced [ˈpɑːk ˈsər.zə.miːn], lit. “The Sacred Land”), is the national anthem of Pakistan. Its music was composed by Ahmad G. Chagla in 1949, preceding the lyrics, which were written by Hafeez Jullundhri in 1952. Music[edit] The Qaumi Taranah is a melodious and harmonious rendering of a three-stanza composition with a tune based on eastern music but arranged in such a manner that it can be easily played by foreign bands.[citation needed] The music, composed by the Pakistani musician and composer, Ahmad G. Chagla in 1949, reflects his background in both eastern and western music. Twenty-one musical instruments[5] and thirty-eight different tones[5] are used to play the Qaumi Taranah,[8] the duration of which is 80 seconds.
- National Anthem(Qaumi Tarana), Pakistani Culture Pakistani national Anthem was composed by musician Ahmen G. Chhagla in 38 different tones, and its playing time is 1:20 minutes approximately. The national anthem was written by famous poet hafeez jalendary in 1952, which was selected from 723 competing songs and the prize money was Rs. 10,000 at this time. Pakistan’s national anthem is written in Persian language and it has only a single word "ka" in its "national language" Urdu. Singers were Ahmad Rushdi, Shamim Bano, Kokab Jehan, Rasheeda Begum, Najam Ara, Naseema Shaheen, Zwar Hussain, Akhtar Abbas, Gulam Dastgir, Anwar Zaheer and Akhtar Wassi. The national song was first released on radio Pakistan on Aug 13th, 1954. The first color film with flag and anthem was produced on January 19th, 1955 in USA. cit·a·del [síttəd'l, síttə dèl] (plural cit·a·dels) noun 1. fortress: a fortress or strongly fortified building in or near a city, used as a place of refugeMicrosoft® Encarta® 2009. © 1993-2008 Microsoft Corporation. All rights reserved. Meaning of National Anthem National anthem written by Hafeez Jallundhri was recorded in 1954. Eleven singers included an unknown immigrant from Hyderabad (Deccan) who later became one of the best-loved voices in Pakistan. His name was Ahmad Rushdi (surely, you must have heard ‘Ko Ko Korina’). Lyrics consist of three stanzas of five lines each. The first line introduces an issue and every subsequent line takes us deeper into the layers of the same issue. Hence montage of simple phrases builds up to a climax in each stanza. Stanza 1 May the Pure Homeland prosper! May the beautiful country prosper! You are the sign of high determination, O land of Pakistan, May the pivot of certainty prosper!Italics are mine, to help you see that odd-numbered lines emphasize spiritual aspects while even-numbered lines emphasize earthy aspects. Pure Homeland (line 1), sign of high determination (line 3) and pivot of certainty (line 5) are spiritual realities which have now appeared in the physical form of the beautiful country (2), the land of Pakistan (4). Stanza 2 Order of the Pure Homeland: Power of brotherhood of the people; Nation, land, state – May they last forever illustriously! May the destination of aims prosper!Here again the odd and even lines contrast with each other (odd lines refer to the state while even lines refer to the people) but the most noteworthy point in this stanza is that the second line mentions “the power brotherhood of the people” and the third line dramatically introduces “nation, land, state” as if they are derived from the subject introduced in the previous line, i.e. the brotherhood of the people. Hence the power of this brotherhood becomes manifest: countries die while people live on (according to Iqbal), and hence “nation, land, state” derived from this power “may… last forever illustriously”. The final line unifies these elements in “the destination of aims”. Stanza 3 Flag with star and crescent, Guide for progress and perfection, A reflection of the past, magnificence of the present, The spirit of the future, The shadow of God Almighty! This stanza is entirely about the national flag. Since banners are always carried in front of contingents, the flag can be called a “guide.” Its star becomes symbol of progress (“stars” are commonly used as measures of rating) while its crescent signifies an unceasing quest for perfection (this interpretation of the waxing and waning of moon also comes from Iqbal). Past, present and future unite here to replace the rule of emperors (who were called “the Shadow of God”) with the rule of this banner and all that it stands for. As usual, the contrast between odd and even lines can be seen in this stanza too: odd lines are about things which exist while even lines are about things desired.
- http://www.clipconverter.cc/ National Anthem Versions: #1#2 Blessed be the sacred Land Happy be the bounteous realm Symbol of high resolve Land of Pakistan Blessed be thou citadel of faith The order of this sacred land Is the might of the brotherhood of the People May the nation, the country, and the state Shine in glory everlasting Blessed be the goal of our ambition This Flag of the Crescent and Star Leads the way to progress and perfection Interpreter of our past, glory of our present Inspiration of our future Symbol of the Almighty's protection
- Time to travel again! Did you enjoy learning and experiencing the music of East Asia? Then let us experience how music is performed in South, Central, and West Asian countries. In this module, you will learn things about vocal and instrumental music of India, Pakistan, Israel, and West Asian countries. You will also get a glimpse of their cultural context, social functions, and performance styles in their music compositions.