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PROMOTIONAL 
MARKETING 
The Good, The Bad, and The 
Ugly 
Iain Haywood 
contact@competitionagency.com / @iainhaywood
Competitions, Giveaways 
(Contests, Sweepstakes) 
 Competition: skill-based participation 
 Giveaway: non skill-based participation (surrender entry, prize draw) 
 Good: maximising upside potential 
 Bad: minimising down side risk exposure 
 Ugly: what can result if that exposure is unchecked 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
What Should all Competition/Giveaway 
Campaigns Include? 
 Planning: what you want to achieve, how you’re going to do it 
 Delivery: build or deployment on a chosen platform, like an app, minisite, 
social platform 
 Marketing and outreach: driving entrants, traffic, coverage 
 Prizes: contra deals, partnerships, sourcing and acquisition, logistics and 
fulfilment of those prizes 
 Compliance and legal: national, international 
 Measurement and data 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
3 Golden Rules 
If you fall asleep, are abducted, or leave after hearing these, you’ll still 
probably be OK 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
“ 
” 
Rule 1: 
There is more than one type of 
entrant 
Broadly speaking, there are two. 
One is interested in winning your competition. They may also be interested in your 
brand or vertical secondarily. 
The other is interested in your brand and vertical primarily, and unless you’ve made a 
major hash of things, they’re very likely to be interested in your competition also. 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
“ 
” 
Rule 2: 
Your competition is unlikely to 
be a panacea 
It could be, but it’s unlikely. 
Be realistic. It’s not a silver bullet. Your company’s flagging windscreen wiper 
sales are unlikely to be turned around by one competition on social media. Don’t 
get seduced or dazzled by vanity metrics. 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Iain Haywood / contact@competitionagency.com / Searchlove 2014
“ 
” 
Rule 3: 
Incentivisation fundamentally 
changes the nature of intent 
For the worse. 
You are, in one way or another, changing why someone wants to do something. 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
RT and Follow! Like and Share! 
THIS IS WHAT YOU ARE TO ME: 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
So what can you Run a Competition for? 
(What is your Objective) 
 Email opt-in 
 Address/telephone opt-in 
 Social media activity 
 SEO 
 Coverage 
 User acquisition/retention/activity 
 Basket value increase 
 Sale of data 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
“ 
” 
Rule 2: 
Your competition is unlikely to 
be a panacea 
It could be, but it’s unlikely. 
Be realistic. It’s not a silver bullet. Your company’s flagging windscreen wiper 
sales are unlikely to be turned around by one competition on social media. Don’t 
get seduced or dazzled by vanity metrics. 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Distribute your ROI over Multiple 
Objectives 
Singular benefit Aggregate benefit 
Spend 
Opt-ins 
Iain Haywood / contact@competitionagency.com / Searchlove 2014 
Spend 
Opt-ins 
Social media 
SEO/Coverage
SEO 
URGH. Do I have to? 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
“ 
” 
“...exchanging goods or services 
for links; or sending someone a 
“free” product in exchange for 
them writing about it and 
including a link...” 
…Is definitely bad. 
Now that disclaimer is out of the way… 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
3rd Party Competitions to Secure 
Coverage 
 Secure coverage you ordinarily wouldn’t be able to 
 Appeal directly to your vertical, remembering rule 1 
 Your provide prize or prizes 
 Blog or site runs competition 
 Incentive for other side is traffic/opt-in yield etc 
 Given that incentive, expect them to be able to run it successfully 
 Very straightforward 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Some Tips: 
 Treat it like a PR exercise, not a linkbuilding one 
 Concentrate on quality, not quantity, do not mechanise 
 Don’t overly specify terms over which the coverage is agreed (common sense) 
 Don’t ever use any duplicated marketing copy 
 We all know the tales of penalised brands who automate this stuff 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Singular Objective? 
 Not if you agree to duplicate the opt-in or social yield 
 Easily negotiated 
 Do make sure entrants know what they’re opting in to (Terms and Conditions) 
 Opt-ins more likely to be the more valuable second vertical-interested 
entrant (rule 1) 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Opt-ins 
All your email belong to us. 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Distribute your ROI over Multiple 
Objectives 
Singular benefit Aggregate benefit 
Spend 
Opt-ins 
Iain Haywood / contact@competitionagency.com / Searchlove 2014 
Spend 
Opt-ins 
Social media 
SEO/Coverage
1st Party Competition to Gather Opt-in Data 
(i.e. one you Run Yourself) 
What you Want from Each Entrant: 
 Land 
 Look at your product or brand, watch a video (is the answer to your question 
in the video?) 
 Enter via opt-in 
 Optionally follow you on social media, share it, and invite a friend, all of 
which are incentivised with extra entries. 
 You can make a lot of those conditional entries recurring, daily, or unlimited 
for things like friend referral 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Get a bit of a Flywheel Going: 
Daily repeat 
entry 
Primary entry 
– opt-in 
Iain Haywood / contact@competitionagency.com / Searchlove 2014 
Social 
share 
(daily) 
Friend invite 
(unlimited)
Some Tips: 
 Host this on a landing page as close to your root domain as possible 
(domain.com/competition), not a blog post, if you care about the SEO impact 
 Microsites are useful if you are taking a risk, or don’t want the competition overly 
associated with your core brand, if you’re running brand partnerships for example 
 Think about your barrier to entry. You need to find a balance between quality and 
quantity of entrant. How best to achieve a quality filter on landing- a question 
can be answered only by product knowledge? Demographic survey 
questions? Eligibility? A creative competition perhaps, where users submit 
creative works, like a video, or an Instagram? (do note that whilst this engages 
entrants on a very high level, it will decimate the entry count) 
 Make sure your landing page focusses on the entry, but doesn’t waste an 
opportunity to promote something! Weave it into your entry - video is a great 
example, people much prefer watching a Youtube video for a product detail than 
scanning text for an answer, and they will scan it. 
 Make sure your entry mechanism is a solid technical entry, not a narrative one! 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Don’t do this: 
To enter our competition, do the following: 
Simply email ipadcomp@windscreenwashers.com 
Follow us on twitter @windscreenwashers 
Fan us on FB 
Leave a comment below 
Share every day 
Good luck LOL :) 
 (Don’t use Comic Sans or emojis either) 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Lack of Trust, Questions to Answer, 
Blowback 
 Highly unlikely a narrative entry from multiple sources will ever be recorded 
and weighted properly 
 Looks amateurish, and you’re inviting query or complaint. 
 If you’re unable to demonstrate a fair and properly recorded draw, you’re 
asking for trouble 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Technical Entry – Build one! 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Technical Entry 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Praise be to the Out of the Box Solution 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Try and use Technical Entry Wherever 
Possible e.g. Twitter 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Going “Viral” 
V for Voting competition ends badly 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Voting Competitions: Supremely 
Attractive, Supremely Risky 
 Often considered a shortcut to virality 
 Where entrants canvass for votes, and those with the most votes win 
 Very attractive because they promise leverage of the entrants’ will to 
win/narcissism 
 Canvassing for votes is a multiplier effect applied to the campaign 
 Major risk it can turn sour 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Brand launches expensive and engaging 
voting competition 
Entrants start canvassing for votes and the 
flywheel starts up 
Iain Haywood / contact@competitionagency.com / Searchlove 2014 
As competition between them becomes 
more fierce, techniques like vote 
exchanges, scripting or other exploitation 
for votes comes along, or votes are simply 
bought. There start to be complaints 
Brand does nothing 
Gets away with it 
Gets called out -> blowback 
Brand tries to fix things 
Ban offending entrants and votes. 
Technically possible? Logs? Accounting for 
illicit manual votes? 
Unfair -> blowback 
Changes winner selection to judging 
method 
Unfair -> blowback 
Ends competition prematurely Unfair -> blowback
Why Voting Competitions are a Bad Idea 
 With the exception of you “getting away with it”, which is possible, there’s 
no situation where the brand comes out of it well 
 Greatest risk of potential mess up 
 Even if technical fraud is mitigated, manual/bought fraud is pervasive 
 A large number of ASA adjudications concern complaints arising from the 
mishandling of voting competitions 
 Competition a victim of its own success, the bigger it gets, the more likely it 
will succumb to exploitation 
 Harms future campaign prospects, loss of trust 
 Quite possible that brands themselves “cheat” in order to preference one 
winner over another 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Marketing 
Build it and they may not necessarily come 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Marketing 
 Best way to sustain “base-level” or background marketing is to build it in 
 You can even build in coverage as an entry mechanic 
 Blogging competitions 
 Track using a tracking pixel/script (may not work on 3rd party hosted blogs 
like Blogger or Wordpress because of javascript) 
 Track using inbound referral (not infallible, best to double up with email 
confirmation) 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Marketing 
 Don’t forget ad spend! 
 Display advertising can complement below the line activity well 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
“ 
” 
Rule 1: 
There is more than one type of 
entrant 
Broadly speaking, there are two. 
One is interested in winning your competition. They may also be interested in your 
brand or vertical secondarily. 
The other is interested in your brand and vertical primarily, and unless you’ve made a 
major hash of things, they’re very likely to be interested in your competition also. 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Quick Wins 
 Competition communities (both sites and social communities) 
 Examples include Money Saving Expert, HotUKDeals, The Prize Finder, 
Competition Hunter 
 Forums in particular may have a “no self promotion” policy so bear this in 
mind pre-approach 
 Will provide a consistent battery of entrants, links and signals 
 Competition bloggers 
 Influencers 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
High Value Targets – how do I get X 
to Write about my Competition? 
V for vertical 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Ticking the Right Boxes 
Both have: 
 A “transformative” prize. Both of them 
offer a large cash prize, and serious 
career advancement. That’s instantly 
newsworthy within the vertical. 
 Both of them have very famous judges, 
there’s always BAFTA bods and very 
famous credits. 
 Niche appeal. There’s a concentration of 
attention, and less competition for 
coverage in the vertical itself. A totally 
mass market consumer competition 
pitching to a newspaper has everything to 
compete against. 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Some Tips 
 Transformative/life changing prize - the most extreme example of these in recent 
years was the Best Job in The World campaign in 2009, run by Tourism 
Queensland. Still replicated to this day. 
 Famous judges. Influencers in your vertical with big social media footprints, or 
who may be journalists, or boost your cred in some way. It’s usually considered as 
an honour to be selected as a judge, and so you can reasonably expect they’ll be 
talking about it a lot. 
 Treat the PR as old school, don’t just pitch them, give journalists something, and 
make them feel important: 
Exclusive access or content, an interview? 
Can they preview or try the prize? 
Invite them to breakfast/lunch/dinner/a campaign launch - you wouldn’t 
believe how far this gets you. Journalists still love free food/booze. 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
The Insanity Pitch 
 Sure, go for the stupidest/most insane competition ever 
 Great for blog coverage and mainstream coverage from free papers (Metro, 
Evening Standard etc) 
 Remember that entries will be generally useless 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Ticking the Right Boxes (and Getting a 
Head Start) 
Both have: 
 A “transformative” prize. Both of them 
offer a large cash prize, and serious 
career advancement. That’s instantly 
newsworthy within the vertical. 
 Both of them have very famous judges, 
there’s always BAFTA bods and very 
famous credits. 
 Niche appeal. There’s a concentration of 
attention, and less competition for 
coverage in the vertical itself. A totally 
mass market consumer competition 
pitching to a newspaper has everything to 
compete against. 
 The above + institutional partners = highly 
credible 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Jumpstarting Credibility and 
Guaranteeing Coverage: 
Getting Yourself a Media Partner 
But how to woo one? 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Iain Haywood / contact@competitionagency.com / Searchlove 2014 
Remember: 
They’ll likely owe you some 
coverage, but you will likely owe 
them some kind of exclusivity (if 
it’s a newspaper; exclusive 
newspaper coverage, if a 
magazine; similar etc), so make 
sure you punch to or above your 
weight or you may throttle your 
potential coverage.
Compliance 
The really dry bit 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
National/International – is it Worth it 
from a Compliance Point of View? 
 Consider the burden of compliance against the benefit of running a campaign 
in a particular country 
 UK has generally a light touch approach 
 Contravention can mean fines 
 If in doubt, explicitly exclude countries/territories (e.g. Quebec in Canada, 
Rhode Island in America) when drafting terms and conditions, or positively 
restrict (i.e. competition open only in United Kingdom and Australia) 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
International Rules and Regs can Vary 
Significantly by Country (and by territory) 
 Want to run something in Italy? Then get familiar with the Ministry of Productive Assets and 
Economic Development, and the Chamber of Commerce, submitting your rules and details of the 
competition for review, notifying of the start date, and an official must be involved in the picking of 
a winner. 
 France has a similar set of requirements where rules must be publicly registered with a notary and 
have a bailiff involved with the picking of a winner. Entrants can also claim reimbursement of any 
entry costs (so don’t have a postal or text option!) 
 In Brazil, you’re not allowed to give away cash. Other countries have restrictions on the amount of 
cash you can give away, like Taiwan, which has a formula based on the average wage. Mexico has a 
ceiling amount before the government must get involved. 
 Many countries don’t allow giveaways or sweepstakes (that is to say, no-skill participation) at all, 
including Sweden, Ireland and in Quebec, Canada (if you’re running a sweepstake or giveaway in 
Canada, make sure it’s void in Quebec for example). This can be nominally circumvented by using 
an “idiot question”, like “what’s the 5th letter of the alphabet?” 
 Even in the United States, some states like Rhode Island require registration of a contest 
 Don’t forget international rules relating to data protection. In Italy, all entrant data needs to be 
conveniently stored on Italian servers, and in the USA, under COPPA (Children's Online Privacy 
Protection Act) you can’t take or retain any details of anyone under the age of 13, for example. 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
For the UK, you’ll Need to Know: 
 Data: Data Protection Act 
 Competition/promotion: British Code of Advertising, Sale Promotion and 
Direct Marketing, or “CAP code” 
 TV: BCAP TV 
 Radio: Radio Advertising Standards Code 
 Premium phone lines: Phonepay Plus 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
What you need from the CAP Code: 
Section 8 (It’s pretty easily digestible) 
 S8 is small but perfectly formed, and is very straightforward 
 Alongside the general requirements that all advertising must be legal, decent, honest, and truthful, Section 8 specifically addresses some requirements for sales promotions - primarily that they need 
to be fair. 
 A few notable elements (do consult the doc in full): 
 how to participate, explain free entry route(s) 
 the start date/end date 
 age restrictions if promoting alcohol 
 any proof of purchase requirements 
 Nature/number of prizes, if any, cash exchange value 
 any geographical, personal or technological restrictions eg location, age 
 how and when winner(s) will be notified, 
 how and when the results will be announced 
 winners' names must be published or available on request 
 criteria for judging, appointment of an independent judge (name must be available on request) 
 who will own the copyright in the competition entries 
 intention to use winners in any post promotion publicity 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Terms and Conditions: 
ALWAYS 
 Participants must be able to retain this information or have easy access to it 
throughout the promotion. 
A few additional tips regarding Terms and Conditions: 
 Don’t ever not have them. If running a competition on Twitter or Facebook, link 
them! 
 Don’t give anyone an opportunity to complain about anything, don’t be vague 
 Don’t ever change them. Don’t change the nature of your entry method, extend 
your end date to capture more entrants etc 
 Don’t be afraid of explicitly disclaiming things 
 Explicitly prohibit cheating, duplicate or 3rd party entries, technical 
exploitation/scripting, buying of votes, other types of fraud (people will cheat, 
and it can bring your campaign down) 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Platform Compliance 
 Social networks have specific Terms of Service to do with promotional activity 
 Facebook has massively liberalised how users can interact with the platform 
for competitions, no longer just a “like gate” available 
 Google+ explicitly prohibits the platform from being used in competitions 
 Never heard of any infraction resulting in removal (low risk) 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Consequences of Unchecked Risks 
TL;DR – Bad publicity 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
The Three Main Consequences 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Cheating/Fraud/Exploitation 
Automated Entry Services 
Come in two basic flavours: 
1/ A script that floods your entry database with garbage 
data. 
2/ The other type is a paid service that real people sign up 
to for a fee, which auto enters into regular or well known 
competitions. Now, whilst those entries haven’t read about 
your product, watched a video, or told their friends about 
the competition, those details are legitimate, and 
competitions if regular or well known can receive maybe 
tens of thousands of legitimate opt ins. 
To mitigate: 
Disclaim it in terms and conditions, use things like 
randomised quizzes or captchas or restrict entries by IP (will 
inevitably throw up some false positives) 
Scripting/exchange/buying 
(typically for votes) 
In voting competitions, for most systems, it’s not hard to 
game them via a script. Votes can also be bought via 
mechanical turk systems and places like Fiverr, and you can 
find plenty of horse trading exchange groups on Facebook 
and in forums. 
To mitigate: 
Your best bet here is just not to have a voting competition, 
but if you do want one, disclaim in terms and conditions, 
make sure your logging is top notch, filter and restrict by IP 
(false positives), but manual fraud will be very difficult to 
police. 
Cheating (old school) 
So many competitions are so simple that cheating isn’t 
necessary. Do expect people to share the answer, in the 
grand scheme of things, it’s really not the end of the 
world. People do regularly cheat in creative competitions - 
particularly photo or narrative competitions. 
To mitigate: 
Disclaim in terms and conditions. The best way of filtering 
out any fraudulent entries is to use reverse searches - for 
example TinEye for images and Copyscape for text. 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
The ASA 
 Complaints can be made to the ASA regarding competitions, and they 
regularly are. The ASA is a self-regulatory body for the ad industry, is non-statutory, 
and cannot enforce legislation. 
 It is not the same as the office of fair trading, although it can however in 
extremis refer cases to the Office of Fair Trading. 
 The biggest practical weapon in its arsenal is public adjudication, upholding a 
complaint made, which means bad PR. What will its adjudication be? That a 
promotion was deemed to be unfair, or in breach of the cap code, it may 
make recommendations as to how future promotions be conducted in a 
different way. 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
It all Adds up to Bad PR 
 A soured competition can be a reputational grenade, but it’s unlikely to kill 
you 
 How does this bad PR manifest itself? 90% is blogging 
 Ad industry sites regularly cover ASA stuff, that’s important for ASA to carry 
weight 
 Also legal blogs, law firms, marketing agencies and of course consumers. 
 People will make hay out of it, potentially your competitors too. 
 Could argue it’s an unorthodox linkbuilding strategy, but rather out of the 
Kamikaze school of SEO 
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Iain Haywood / contact@competitionagency.com / Searchlove 2014
Any Resources Gladly Provided on Request – 
contact@competitionagency.com 
 Competition communities/blogs (like Money Saving Expert, HotUKdeals) 
 Competition draw apps services (like Twitterdraw and Competwition) 
 Complete competition SaaS (like Rafflecopter and Punchtab) 
 Any qs off the record 
 You can follow me on Twitter @iainhaywood (NB: egregiously odd tweeting) 
Iain Haywood / contact@competitionagency.com / Searchlove 2014

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SearchLove London | Iain Haywood, 'Promotional Marketing: The Good, The Bad, The Ugly'

  • 1. PROMOTIONAL MARKETING The Good, The Bad, and The Ugly Iain Haywood contact@competitionagency.com / @iainhaywood
  • 2. Competitions, Giveaways (Contests, Sweepstakes)  Competition: skill-based participation  Giveaway: non skill-based participation (surrender entry, prize draw)  Good: maximising upside potential  Bad: minimising down side risk exposure  Ugly: what can result if that exposure is unchecked Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 3. What Should all Competition/Giveaway Campaigns Include?  Planning: what you want to achieve, how you’re going to do it  Delivery: build or deployment on a chosen platform, like an app, minisite, social platform  Marketing and outreach: driving entrants, traffic, coverage  Prizes: contra deals, partnerships, sourcing and acquisition, logistics and fulfilment of those prizes  Compliance and legal: national, international  Measurement and data Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 4. 3 Golden Rules If you fall asleep, are abducted, or leave after hearing these, you’ll still probably be OK Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 5. “ ” Rule 1: There is more than one type of entrant Broadly speaking, there are two. One is interested in winning your competition. They may also be interested in your brand or vertical secondarily. The other is interested in your brand and vertical primarily, and unless you’ve made a major hash of things, they’re very likely to be interested in your competition also. Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 6. “ ” Rule 2: Your competition is unlikely to be a panacea It could be, but it’s unlikely. Be realistic. It’s not a silver bullet. Your company’s flagging windscreen wiper sales are unlikely to be turned around by one competition on social media. Don’t get seduced or dazzled by vanity metrics. Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 7. Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 8. “ ” Rule 3: Incentivisation fundamentally changes the nature of intent For the worse. You are, in one way or another, changing why someone wants to do something. Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 9. RT and Follow! Like and Share! THIS IS WHAT YOU ARE TO ME: Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 10. So what can you Run a Competition for? (What is your Objective)  Email opt-in  Address/telephone opt-in  Social media activity  SEO  Coverage  User acquisition/retention/activity  Basket value increase  Sale of data Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 11. “ ” Rule 2: Your competition is unlikely to be a panacea It could be, but it’s unlikely. Be realistic. It’s not a silver bullet. Your company’s flagging windscreen wiper sales are unlikely to be turned around by one competition on social media. Don’t get seduced or dazzled by vanity metrics. Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 12. Distribute your ROI over Multiple Objectives Singular benefit Aggregate benefit Spend Opt-ins Iain Haywood / contact@competitionagency.com / Searchlove 2014 Spend Opt-ins Social media SEO/Coverage
  • 13. SEO URGH. Do I have to? Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 14. “ ” “...exchanging goods or services for links; or sending someone a “free” product in exchange for them writing about it and including a link...” …Is definitely bad. Now that disclaimer is out of the way… Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 15. 3rd Party Competitions to Secure Coverage  Secure coverage you ordinarily wouldn’t be able to  Appeal directly to your vertical, remembering rule 1  Your provide prize or prizes  Blog or site runs competition  Incentive for other side is traffic/opt-in yield etc  Given that incentive, expect them to be able to run it successfully  Very straightforward Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 16. Some Tips:  Treat it like a PR exercise, not a linkbuilding one  Concentrate on quality, not quantity, do not mechanise  Don’t overly specify terms over which the coverage is agreed (common sense)  Don’t ever use any duplicated marketing copy  We all know the tales of penalised brands who automate this stuff Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 17. Singular Objective?  Not if you agree to duplicate the opt-in or social yield  Easily negotiated  Do make sure entrants know what they’re opting in to (Terms and Conditions)  Opt-ins more likely to be the more valuable second vertical-interested entrant (rule 1) Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 18. Opt-ins All your email belong to us. Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 19. Distribute your ROI over Multiple Objectives Singular benefit Aggregate benefit Spend Opt-ins Iain Haywood / contact@competitionagency.com / Searchlove 2014 Spend Opt-ins Social media SEO/Coverage
  • 20. 1st Party Competition to Gather Opt-in Data (i.e. one you Run Yourself) What you Want from Each Entrant:  Land  Look at your product or brand, watch a video (is the answer to your question in the video?)  Enter via opt-in  Optionally follow you on social media, share it, and invite a friend, all of which are incentivised with extra entries.  You can make a lot of those conditional entries recurring, daily, or unlimited for things like friend referral Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 21. Get a bit of a Flywheel Going: Daily repeat entry Primary entry – opt-in Iain Haywood / contact@competitionagency.com / Searchlove 2014 Social share (daily) Friend invite (unlimited)
  • 22. Some Tips:  Host this on a landing page as close to your root domain as possible (domain.com/competition), not a blog post, if you care about the SEO impact  Microsites are useful if you are taking a risk, or don’t want the competition overly associated with your core brand, if you’re running brand partnerships for example  Think about your barrier to entry. You need to find a balance between quality and quantity of entrant. How best to achieve a quality filter on landing- a question can be answered only by product knowledge? Demographic survey questions? Eligibility? A creative competition perhaps, where users submit creative works, like a video, or an Instagram? (do note that whilst this engages entrants on a very high level, it will decimate the entry count)  Make sure your landing page focusses on the entry, but doesn’t waste an opportunity to promote something! Weave it into your entry - video is a great example, people much prefer watching a Youtube video for a product detail than scanning text for an answer, and they will scan it.  Make sure your entry mechanism is a solid technical entry, not a narrative one! Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 23. Don’t do this: To enter our competition, do the following: Simply email ipadcomp@windscreenwashers.com Follow us on twitter @windscreenwashers Fan us on FB Leave a comment below Share every day Good luck LOL :)  (Don’t use Comic Sans or emojis either) Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 24. Lack of Trust, Questions to Answer, Blowback  Highly unlikely a narrative entry from multiple sources will ever be recorded and weighted properly  Looks amateurish, and you’re inviting query or complaint.  If you’re unable to demonstrate a fair and properly recorded draw, you’re asking for trouble Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 25. Technical Entry – Build one! Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 26. Technical Entry Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 27. Praise be to the Out of the Box Solution Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 28. Try and use Technical Entry Wherever Possible e.g. Twitter Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 29. Going “Viral” V for Voting competition ends badly Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 30. Voting Competitions: Supremely Attractive, Supremely Risky  Often considered a shortcut to virality  Where entrants canvass for votes, and those with the most votes win  Very attractive because they promise leverage of the entrants’ will to win/narcissism  Canvassing for votes is a multiplier effect applied to the campaign  Major risk it can turn sour Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 31. Brand launches expensive and engaging voting competition Entrants start canvassing for votes and the flywheel starts up Iain Haywood / contact@competitionagency.com / Searchlove 2014 As competition between them becomes more fierce, techniques like vote exchanges, scripting or other exploitation for votes comes along, or votes are simply bought. There start to be complaints Brand does nothing Gets away with it Gets called out -> blowback Brand tries to fix things Ban offending entrants and votes. Technically possible? Logs? Accounting for illicit manual votes? Unfair -> blowback Changes winner selection to judging method Unfair -> blowback Ends competition prematurely Unfair -> blowback
  • 32. Why Voting Competitions are a Bad Idea  With the exception of you “getting away with it”, which is possible, there’s no situation where the brand comes out of it well  Greatest risk of potential mess up  Even if technical fraud is mitigated, manual/bought fraud is pervasive  A large number of ASA adjudications concern complaints arising from the mishandling of voting competitions  Competition a victim of its own success, the bigger it gets, the more likely it will succumb to exploitation  Harms future campaign prospects, loss of trust  Quite possible that brands themselves “cheat” in order to preference one winner over another Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 33. Marketing Build it and they may not necessarily come Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 34. Marketing  Best way to sustain “base-level” or background marketing is to build it in  You can even build in coverage as an entry mechanic  Blogging competitions  Track using a tracking pixel/script (may not work on 3rd party hosted blogs like Blogger or Wordpress because of javascript)  Track using inbound referral (not infallible, best to double up with email confirmation) Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 35. Marketing  Don’t forget ad spend!  Display advertising can complement below the line activity well Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 36. “ ” Rule 1: There is more than one type of entrant Broadly speaking, there are two. One is interested in winning your competition. They may also be interested in your brand or vertical secondarily. The other is interested in your brand and vertical primarily, and unless you’ve made a major hash of things, they’re very likely to be interested in your competition also. Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 37. Quick Wins  Competition communities (both sites and social communities)  Examples include Money Saving Expert, HotUKDeals, The Prize Finder, Competition Hunter  Forums in particular may have a “no self promotion” policy so bear this in mind pre-approach  Will provide a consistent battery of entrants, links and signals  Competition bloggers  Influencers Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 38. High Value Targets – how do I get X to Write about my Competition? V for vertical Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 39. Ticking the Right Boxes Both have:  A “transformative” prize. Both of them offer a large cash prize, and serious career advancement. That’s instantly newsworthy within the vertical.  Both of them have very famous judges, there’s always BAFTA bods and very famous credits.  Niche appeal. There’s a concentration of attention, and less competition for coverage in the vertical itself. A totally mass market consumer competition pitching to a newspaper has everything to compete against. Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 40. Some Tips  Transformative/life changing prize - the most extreme example of these in recent years was the Best Job in The World campaign in 2009, run by Tourism Queensland. Still replicated to this day.  Famous judges. Influencers in your vertical with big social media footprints, or who may be journalists, or boost your cred in some way. It’s usually considered as an honour to be selected as a judge, and so you can reasonably expect they’ll be talking about it a lot.  Treat the PR as old school, don’t just pitch them, give journalists something, and make them feel important: Exclusive access or content, an interview? Can they preview or try the prize? Invite them to breakfast/lunch/dinner/a campaign launch - you wouldn’t believe how far this gets you. Journalists still love free food/booze. Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 41. The Insanity Pitch  Sure, go for the stupidest/most insane competition ever  Great for blog coverage and mainstream coverage from free papers (Metro, Evening Standard etc)  Remember that entries will be generally useless Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 42. Ticking the Right Boxes (and Getting a Head Start) Both have:  A “transformative” prize. Both of them offer a large cash prize, and serious career advancement. That’s instantly newsworthy within the vertical.  Both of them have very famous judges, there’s always BAFTA bods and very famous credits.  Niche appeal. There’s a concentration of attention, and less competition for coverage in the vertical itself. A totally mass market consumer competition pitching to a newspaper has everything to compete against.  The above + institutional partners = highly credible Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 43. Jumpstarting Credibility and Guaranteeing Coverage: Getting Yourself a Media Partner But how to woo one? Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 44. Iain Haywood / contact@competitionagency.com / Searchlove 2014 Remember: They’ll likely owe you some coverage, but you will likely owe them some kind of exclusivity (if it’s a newspaper; exclusive newspaper coverage, if a magazine; similar etc), so make sure you punch to or above your weight or you may throttle your potential coverage.
  • 45. Compliance The really dry bit Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 46. National/International – is it Worth it from a Compliance Point of View?  Consider the burden of compliance against the benefit of running a campaign in a particular country  UK has generally a light touch approach  Contravention can mean fines  If in doubt, explicitly exclude countries/territories (e.g. Quebec in Canada, Rhode Island in America) when drafting terms and conditions, or positively restrict (i.e. competition open only in United Kingdom and Australia) Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 47. International Rules and Regs can Vary Significantly by Country (and by territory)  Want to run something in Italy? Then get familiar with the Ministry of Productive Assets and Economic Development, and the Chamber of Commerce, submitting your rules and details of the competition for review, notifying of the start date, and an official must be involved in the picking of a winner.  France has a similar set of requirements where rules must be publicly registered with a notary and have a bailiff involved with the picking of a winner. Entrants can also claim reimbursement of any entry costs (so don’t have a postal or text option!)  In Brazil, you’re not allowed to give away cash. Other countries have restrictions on the amount of cash you can give away, like Taiwan, which has a formula based on the average wage. Mexico has a ceiling amount before the government must get involved.  Many countries don’t allow giveaways or sweepstakes (that is to say, no-skill participation) at all, including Sweden, Ireland and in Quebec, Canada (if you’re running a sweepstake or giveaway in Canada, make sure it’s void in Quebec for example). This can be nominally circumvented by using an “idiot question”, like “what’s the 5th letter of the alphabet?”  Even in the United States, some states like Rhode Island require registration of a contest  Don’t forget international rules relating to data protection. In Italy, all entrant data needs to be conveniently stored on Italian servers, and in the USA, under COPPA (Children's Online Privacy Protection Act) you can’t take or retain any details of anyone under the age of 13, for example. Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 48. For the UK, you’ll Need to Know:  Data: Data Protection Act  Competition/promotion: British Code of Advertising, Sale Promotion and Direct Marketing, or “CAP code”  TV: BCAP TV  Radio: Radio Advertising Standards Code  Premium phone lines: Phonepay Plus Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 49. What you need from the CAP Code: Section 8 (It’s pretty easily digestible)  S8 is small but perfectly formed, and is very straightforward  Alongside the general requirements that all advertising must be legal, decent, honest, and truthful, Section 8 specifically addresses some requirements for sales promotions - primarily that they need to be fair.  A few notable elements (do consult the doc in full):  how to participate, explain free entry route(s)  the start date/end date  age restrictions if promoting alcohol  any proof of purchase requirements  Nature/number of prizes, if any, cash exchange value  any geographical, personal or technological restrictions eg location, age  how and when winner(s) will be notified,  how and when the results will be announced  winners' names must be published or available on request  criteria for judging, appointment of an independent judge (name must be available on request)  who will own the copyright in the competition entries  intention to use winners in any post promotion publicity Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 50. Terms and Conditions: ALWAYS  Participants must be able to retain this information or have easy access to it throughout the promotion. A few additional tips regarding Terms and Conditions:  Don’t ever not have them. If running a competition on Twitter or Facebook, link them!  Don’t give anyone an opportunity to complain about anything, don’t be vague  Don’t ever change them. Don’t change the nature of your entry method, extend your end date to capture more entrants etc  Don’t be afraid of explicitly disclaiming things  Explicitly prohibit cheating, duplicate or 3rd party entries, technical exploitation/scripting, buying of votes, other types of fraud (people will cheat, and it can bring your campaign down) Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 51. Platform Compliance  Social networks have specific Terms of Service to do with promotional activity  Facebook has massively liberalised how users can interact with the platform for competitions, no longer just a “like gate” available  Google+ explicitly prohibits the platform from being used in competitions  Never heard of any infraction resulting in removal (low risk) Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 52. Consequences of Unchecked Risks TL;DR – Bad publicity Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 53. The Three Main Consequences Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 54. Cheating/Fraud/Exploitation Automated Entry Services Come in two basic flavours: 1/ A script that floods your entry database with garbage data. 2/ The other type is a paid service that real people sign up to for a fee, which auto enters into regular or well known competitions. Now, whilst those entries haven’t read about your product, watched a video, or told their friends about the competition, those details are legitimate, and competitions if regular or well known can receive maybe tens of thousands of legitimate opt ins. To mitigate: Disclaim it in terms and conditions, use things like randomised quizzes or captchas or restrict entries by IP (will inevitably throw up some false positives) Scripting/exchange/buying (typically for votes) In voting competitions, for most systems, it’s not hard to game them via a script. Votes can also be bought via mechanical turk systems and places like Fiverr, and you can find plenty of horse trading exchange groups on Facebook and in forums. To mitigate: Your best bet here is just not to have a voting competition, but if you do want one, disclaim in terms and conditions, make sure your logging is top notch, filter and restrict by IP (false positives), but manual fraud will be very difficult to police. Cheating (old school) So many competitions are so simple that cheating isn’t necessary. Do expect people to share the answer, in the grand scheme of things, it’s really not the end of the world. People do regularly cheat in creative competitions - particularly photo or narrative competitions. To mitigate: Disclaim in terms and conditions. The best way of filtering out any fraudulent entries is to use reverse searches - for example TinEye for images and Copyscape for text. Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 55. The ASA  Complaints can be made to the ASA regarding competitions, and they regularly are. The ASA is a self-regulatory body for the ad industry, is non-statutory, and cannot enforce legislation.  It is not the same as the office of fair trading, although it can however in extremis refer cases to the Office of Fair Trading.  The biggest practical weapon in its arsenal is public adjudication, upholding a complaint made, which means bad PR. What will its adjudication be? That a promotion was deemed to be unfair, or in breach of the cap code, it may make recommendations as to how future promotions be conducted in a different way. Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 56. It all Adds up to Bad PR  A soured competition can be a reputational grenade, but it’s unlikely to kill you  How does this bad PR manifest itself? 90% is blogging  Ad industry sites regularly cover ASA stuff, that’s important for ASA to carry weight  Also legal blogs, law firms, marketing agencies and of course consumers.  People will make hay out of it, potentially your competitors too.  Could argue it’s an unorthodox linkbuilding strategy, but rather out of the Kamikaze school of SEO Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 57. Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 58. Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 59. Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 60. Iain Haywood / contact@competitionagency.com / Searchlove 2014
  • 61. Any Resources Gladly Provided on Request – contact@competitionagency.com  Competition communities/blogs (like Money Saving Expert, HotUKdeals)  Competition draw apps services (like Twitterdraw and Competwition)  Complete competition SaaS (like Rafflecopter and Punchtab)  Any qs off the record  You can follow me on Twitter @iainhaywood (NB: egregiously odd tweeting) Iain Haywood / contact@competitionagency.com / Searchlove 2014